Noble is another delayed release track. The reason I never released this one is, simply put, because I didn’t really like it when I first made it. It’s actually another collab with a dude who I linked up with on Facebook in 2012, but has since, deleted me lol. I think the reason I didn’t like it so much back then, was that it failed miserably to meet our initial objective, which was to make a score. But I went back to listen to it recently, and realized “damn, this is actually pretty dope!”, so here we are lol.

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Noble

This is the “real hip-hop” track of the bunch. Has a “down to earth” vibe to it, for lack of better words. One of the things I appreciate about this track is the obscurity of the samples I used, including some random mid-eastern children’s choir recording from Youtube, which I morphed into the “Hey yah” vocals. The bells are from a wind chime recording, which I chopped and pitched into a melody. I had a hard time giving this one a name, but the vibe reminded me of the Boondocks. I thought of the relationship between Huey and Riley and how they’re opposites, but ultimately “branches” of the same tree, as the saying goes. I honestly could’ve done more to play on that dichotomy in the track, but I had already finished it before I had the idea lol.

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Branches

This is another track I originally created in 2012. I actually did include it in my collection back then, but Soundclick removed it because of the sample. Hoping it’s less noticeable this time since it’s lower in the list lol. This might be more high energy than any other track I have. Like, this is the track that you’ll listen to while free running or participating in Mountain Dew and Red Bull sponsored sporting events. The sample came courtesy of my boy Tony. I literally never would have thought of using it, or have even known that it existed if he hadn’t given me the suggestion lol. This track also involves my most difficult mixer routing job, specifically with getting the vocals to stand out from the rest of the sample in an entirely new composition. But in the end I figured it out, and audible dopeness was the result.

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Your Life

Believe it or not, this track is even older than Luigi’s Bando lol. I actually first made it in 2009. At that time, being only 2 years into seriously producing, I felt so accomplished when I made this track that I pretty much saw it as my golden goose and wanted to reserve it strictly for behind the scenes submission, lol. I’ve shared it here and there, but never included it in my main collection until now. Even though I have created greater projects since then, this one still holds a special place in my heart. It was heavily influenced by my love of the Halo 3 soundtrack, as well as a specific song that I’m sure is obvious by the drums lol. The guitar riffs are still among my favorite too.

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Clarity

This track is actually a 2012 collab with Chris Mecca. More specifically it was, an entry into a collab contest that he held. I didn’t win, though, so I never ended up sharing the beat anywhere. I honestly love this track though, and feel like it’s too good for me to be the only person that hears it lol. So like all my other pre-hiatus beats, I polished it up with my improved mixing skills, and here we are. The haunting choir chords are probably my favorite part of this beat, being a sucker for choirs and all. What’s funny is that even with this track being 4 years old, I was never able to come up with a name for it until a few weeks ago lol.

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Luigi's Bando

Something you’d hear out of an old western movie, but with hip-hop stuff in it. My favorite part of this track is the fact that I managed to make the acoustic guitar halfway realistic, as hard as that is to do with plugins lol. I also really love the harmonica riffs, and the Trumpet solo in the 3rd verse.

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Drifter

My skills with synths have always lagged behind my skills with live instrument plugins, so this beat came a time where I began wanting to learn more about synthesis and how to make custom sounds. It’s actually heavily influenced by some beats that I’ve heard from two of my peers. Admittedly, I probably went overboard on the number of elements I used. I was coming fresh off of watching synthesis tutorials and such, so I had a lot of ideas lol. In the end I think I made it work pretty well though. My ability to get this one properly mixed is a personal triumph, considering how heavily I struggled with it at the start. I grew really fond of this track the more I listened to it.

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Imagine That

Can’t go wrong with Dramatic Funk, Jules Winnfield, and 808s. Another one of the more involved tracks I’ve made. As with Valkyrie, I composed the whole track myself, with obvious exception to Samuel L Jackson...and I think a tambourine loop lol. Truthfully I was always iffy about the Pulp Fiction samples, mainly because I think it may be played out and unnecessary. I even tried substituting the Jules vocals for Black Dynamite vocals. But at the end of the day, grew too attached to the name “Crown Jules” to wanna change it lol. So the Jules vocals are, frankly, just an excuse to make sense of the name lol. The ending Monologue was pretty dope too, though.

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Crown Jules

Might be the most epic track I've ever made, and easily my most involved foray into the scoring side of music. It's basically half dramatic orchestral score, half hip-hop instrumental, and I LOVE IT. It took an EXTREMELY long time to finish this track, mainly because I was working with more advanced plugins that required me to learn new techniques in order to bring the idea in my head to life. All in all, I’ve made 22 notable revisions to this project since its original completion, which was actually a year and a half ago at least lol. The vibe is a great balance of swiftness, elegance, and power, which made me think of a Valkyrie from Norse mythology, though they have varying descriptions if you wanna get technical. But I digress...

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Valkyrie

A custom track for a client. Couldn't help but bounce around making this one lol.

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Silent Noize