Spacerock #2 (postrock, math rock, krautrock, psychedelic electronica, etc)

Strobosaur

This translation of Dan Berglund's Swedish song for those killed in the workplace is dedicated to Björn Söderberg, murdered by fascists for exposing their infiltration of his local union. The struggle is against both the paramilitary violence of the fascists, and the daily structural violence of capitalism.

Key of Bm, performed on a bouzouki, D pennywhistle, and bodhran.


Bm A Bm 
I ate my oats, and read the morning news
D A
Kissed my wife goodbye, and then put on my boots
F#m A Bm 
Underneath the stars my footprints in the snow
Bm A Bm 
Marked the road that 13 years have seen me come and go

On that day, the north wind blew around
We were welding on a platform, 30 meters off the ground 
I heard a crash, and someone shouted Sven
It disappeared in blood and fire and darkness fell again

As I woke up, in a box made out of pine, 
I figured I’d be damned, it’s the end of the line 
My wife’s was pale as ice and tears fell from her eyes
While the priest prayed unto god with his nose turned to the sky

And I was lowered into my simple hole
Twiddling my thumbs in the midnight of my soul
“Dear Comrade and Corpse”, some distant voice there said
Welcome to the Free Republic of the Murdered Dead 

And there in the rocks, roots, sand, and soil
People lay in rows, the whole ground was full 
Of women and men who’d worked on everything
And the earth shook from their voices as they all began to sing 

We are the dead of the factories and the mines, 
Of fisheries and lumber mills, butchered like swine  
500 every years, bled out from the herd
And the greatest of the murderers in Jacob Wallenberg

We are the ones who ran the factory lines, 
Carried out like firewood and stacked up in the pines
We bowed before our killer and made sure his belly grew
While the parties and the unions were spit-shining his shoes 

Now we shout for revenge, so everyone can hear
Our bitter song in the roar of engines and of gears
In the whisper of the pines, and in the north wind’s breath
Demanding you to do your duty and avenge our death

We sing for you through the noise of the machines, 
Let every strike carve out for us the pathway to be free 
Class against class, that’s the battle we must fight
And we will rise in silence and be marching at your side

Free Republic of the Murdered

Floating Memories

Ancient Echoes- Eternal Tapestry

Skipper is haunted by the spirit of the Dodo

Debut single from Steve Buscemi's Dreamy Eyes.

Recorded By: Leo Hansson Nilson at Dankland PLEASE Studios
Mixed And Mastered By: Leo Hansson Nilson
Artwork By: Wojciech Jurzyk


Steve Buscemi's Dreamy Eyes - Desire

Second single from Steve Buscemi's Dreamy Eyes.

Recorded By: Leo Hansson Nilson at Dankland PLEASE Studios
Mixed And Mastered By: Johan Wilmer Eriksson (jwilmer141@gmail.com)
Artwork By: Wojciech Jurzyk

Steve Buscemi's Dreamy Eyes - Call Out

Spacemen, Can You Hear Me?

Universe B - Ayn Sof (אין סוף)

Trying out some diatonic movement with the help of the preset pads on the 218r.

Nangiala

Playing with polyrhythms. Using the 208 sequencer quantized by the 2OC to play a melody over a steady bass beat from the mod oscillator. Varying melody notes and timbre on the fly.

Space Of Aides - Part 1

With the deep love of early electronic music, Muhamad Fahri a.k.a Gonzo chooses to take a step closer to what Terry Riley, Ash Ra Temple, Klaus Schulze, Popol Vuh and other experimental music pioneers had experienced in the 20th century; the power of handling sound machines that is capable of creating limitless possibilities of sonic experimentation. 

Very much inspired by the beauty of the underwater world, Duck Dive organize a mixture of analog keyboard synthesizers, sequencer, and effects, to create live compositions of electronic music with a full layer of melodies, rhythm, and sound, mimicking a unique meditative atmosphere given by the life of the deep, blue ocean.

Duck Dive - Inner Projections

Taken from new album "Tiden" which is available at the Bureau B online shop:
http://shop.tapeterecords.com/records/bureaub/roedelius-schneider-tiden.html

-------------------------

ROEDELIUS SCHNEIDER - TIDEN (release date: June 28th 2013)

Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album "Stunden", accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great inspiration for their musical collaboration. Fine references no doubt, one having invented musique d'ameublement, and the other having refined it into ambient music 80 years later. Yet "Tiden" does not sit easily in either camp. This is neither tasteful decor (à la Satie), nor is it electronic-auditory space filler (à la Eno), gazing towards infinity. The short duration of the 13 pieces is enough to discount either genre. Better to consider these as concentrated, inspired études, carefully thought through and in no way random or sketchy.

With cheerful gravitas, the two artists create absolute music – music which desires only to be itself, without ulterior effects and with the declared intent of involving the listener in his emotional, inventive game. Perhaps Franz Schubert's moments musicaux would be a more suitable citation. The lightness and atmospheric intimacy of this music reveal Roedelius (grand piano, synthesizer) and the decades younger Schneider (Elektronik) as musicians who understand how to listen to one another and improvise on each other's ideas immediately. The result is a lively, relentless interplay of great composure, more surprising than any tide could be, as precise calendars exist for tidal flows.

Roedelius can already look back on a adventuresome career in music. Schneider has also prospered through exciting decades in contemporary pop. This is the second time their paths have crossed. "Tiden" keeps the promise which their first album made, genial contemporary music from two artists who are as one in heart and soul. And when Roedelius steps on the pedal of his grand piano, well it squeaks a little. (Asmus Tietchens)


About the musicians:

The electronic pioneer Hans-Joachim Roedelius lives in Baden near Wien (Austria) and is a legendary figure in popular music. He founded the seminal bands Cluster and Harmonia, which also included Dieter Moebius and Michael Rother. He produced the albums "Zuckerzeit" (1974) and "Deluxe" (1975), which are considered blueprints for today's electronica and were recently successfully reissued. And in the late 70s he worked with the great Brian Eno – the albums "Cluster & Eno" (1977), "After The Heat" (1978) and "Tracks & Traces" (1997) document the cooperation between the Bowie and U2 producer and the sound researcher who was then living in a creative commune in Forst.

Roedelius began releasing solo albums in 1978. He was already exploring the interplay between piano and electronics on his second LP, "Jardin au Fou" (1979). This synthesis is also the core of "Stunden". The Düsseldorf based Stefan Schneider was a founding member of Kreidler (1994â€“99) and is part of the trio To Rococo Rot. He has released several albums under the name Mapstation.

http://bureau-b.de/roedeliusschneider.php

Roedelius Schneider - Hohner Omen

Been blogging, music sharing, etc. for a while now (see blog under this name) & DJing since 1982. I like all kinds of music.

Most of my playlists are not organized & just hold songs I'm interested in, many of which I haven't listened to yet. The "freeform current listening" playlist is as it says & will be updated regularly. Many of my reposts were unintentional, they were just random tracks I was trying to add to a playlist using my phone & I've got clumsy fingers.

Occult Psynk (Psychedelic Punk)

"The passage through the mystery leads, in the end, to nothing other than the original void"

Floating Memories

Silent Caravan

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Le petite organ whore

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