https://noumenalloom.bandcamp.com/album/driftwood-and-other-found-objects - cassette + digital preorder 

Entire album created using a Casio CZ-1 Phase Distortion Synthesizer (+ Electric Bass on Tracks 1 + 3). Although the album was recorded more than five years ago now, these tracks feel very beyond time to us. The record sits nicely alongside works from electronic music pioneers like Isao Tomita, Wendy Carlos, Vangelis and others. Music for Interiors. 

Written and Recorded by Rob Collier in Fall of 2016
Mastered by Howie Gano at Louisville Recording Arts
Titles by Madison Stubblefield
Design and Layout by Alison Kleiman

Driftwood (and Other Found Objects)

I've Prepared a List of Books For You

Rob Collier - I've Prepared A List Of Books For You

Driftwood

Rob Collier - Driftwood

noumenalloom.bandcamp.com/album/driftw…ound-objects - cassette + digital preorder

Entire album created using a Casio CZ-1 Phase Distortion Synthesizer (+ Electric Bass on Tracks 1 + 3). Although the album was recorded more than five years ago now, these tracks feel very beyond time to us. The record sits nicely alongside works from electronic music pioneers like Isao Tomita, Wendy Carlos, Vangelis and others. Music for Interiors.

Written and Recorded by Rob Collier in Fall of 2016
Mastered by Howie Gano at Louisville Recording Arts
Titles by Madison Stubblefield
Design and Layout by Alison Kleiman

Renting Electrical Power

Rob Collier - Renting Electrical Power

The Shimmer of the Lamps Above

Rob Collier - The Shimmer Of The Lamps Above

A Man and a Bird

Rob Collier - A Man And A Bird

Everything Repeats Itself

Rob Collier - Everything Repeats Itself

The source for this piece is “Kalenda Maya,” 12th century Occitan troubadour song by Raimbaut de Vaqueiras. We first encountered this song via a recording by Musica Reservata, one of the core groups of the 1960s early music revival. We were struck by the “outsider” sound of these first attempts to recapture this music. They have a rough, shout-y vitality, with plentiful recorders and shawms and ample percussion. Our rendition aims to distill the joy of that pioneering sound. We present a singalong romp with frame drums, tambourines, and call-and-response phrasing. We also use a computer module centered on real-time playback, which allows us to add a layer of time manipulation within the song. We can improvise with this program and expand or contract time. Our goal is to create something that sounds as fresh, countercultural, and revolutionary to modern ears as those 1960s groups did in their time.

Laura Thomas: vocals
Lauren Jones: vocals
Joel Nelson: electronics
Myles Cain: percussion
Jasper Lee: percussion, flutes, engineering

May Day

moonbathing

Questionable

Out October 30th via Noumenal Loom!

Written & Recorded by Sam Wenc in Massachusetts 2019

Sam Wenc - Pedal Steel Guitar, 6 & 12 String Guitar, Fiddle, Synthesizer and Field Recordings

Ximena Bedoya - Vocals on "Anna's Balm for the World"

Mixed & Mastered by Andrew Weathers

Layout & Illustration by Mac Pogue (macpogue.com)

Cut Into Your Own Dimension

Post Moves - Anna's Balm For The World

"Cycles" is a peptalk; a call-to-arms to persist despite everything that's gone wrong.

This track is a reminder that we've survived, grown, and - if we stick together - can do it all over again year after year after year.

Cycles

Avant Folk Noise made with vox + custom electronix + homemade instruments in the American South.

May Day

Silica Gel

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