138 bpm

inspired to 'hot in here' by ixindamix
Ableton project,
bass made in operator!

if you like what you hear
 share on social
 and repost on your SC ! 
support the vibe!

pump that beat

SIN23 - Pump That Beat

New track 2022! New music coming soon on this page!

Download

United Call [RPT 01]

Hardware jam with Syntakt, Xoxbox, EHX Crayon, SP404sx

Hope you like it ;)

Lysergic Tribe

Inspired by Chapati Express vinyl series, and using the sample by MAV.
Hoping to keep the level high! 🔊🎶

Chapati Tribute

After years of focusing on the live side of the collective, the production unit are gearing up for stream of forthcoming releases.

23 Psi is a collaboration between Crystal Distortion and Sirius. 
Psi has a spectrum of meanings and interpretations ranging from it being the 23rd letter of the Greek alphabet to a measure of pressure.

The original is a breakneck rampage of raw warehouse rave, while Crystal Distortion steps up into a slamming rework  with the Gotham Hijack Mix – psychedelic, dynamic, frenetic techno that crystallises the harder sound SP23 was instrumental in developing across the European scene

Two heavyweight remixes come from Charlie Kane who is second generation SP23. His Acid Overdrive Mix is a dark, penetrating, rolling acid groove, bursting with sensual atmospherics and industrial echoes while his 2 Steppin Ruffneck mix tears up the bad boy vibes with a dub garage rollout.

The Music Ain’t Over is out now 


23 Psi- The Music Ain't Over - Crystal Distortion's Gotham Hijack Mix

TLB-Instinct grégaire

Street Kings and God is not just an album — it is a declaration, a resurrection, and a sonic coronation. Brent James Schöning steps forward from the alleys, highways, and neon-lit nights of Melbourne and Los Angeles with a record that fuses dirt-under-the-nails realism with cosmic vision. This album is the roar of a man forged by fire, sharpened by survival, and lifted by a force deeper than music — the unstoppable instinct to rise, to lead, to create, and to transform pain into prophecy.

The sound is a razor-edged blend of West Coast swagger and Aussie rawness: booming G-Funk basslines, palm-tree synth whistles, smoky underground hip-hop drums, and cinematic Schön-style chords that shimmer like electric halos. Every beat hits like the echo of a story lived, not imagined. Brent’s delivery carries the authority of someone who has walked through storms, been broken and rebuilt, and now speaks with a voice that vibrates the walls of whatever room it enters.

The core theme is ascension through struggle — the truth that street mythology and spiritual fire can coexist in one man. Brent stands as both witness and warrior, navigating the chaos of real life while carrying an inner kingdom that no institution could cage. His lyrics explore identity, destiny, injustice, power, loyalty, betrayal, resurrection, freedom, and the unshakeable bond between a man and his mission.

Within these tracks lies the duality that defines Brent:
the street king and the spiritual force,
the fighter and the visionary,
the man scarred by the world and the creator building one of his own.

Songs burn with the glow of midnight epiphanies — moments when everything collapses and everything is revealed. There is a sense of cosmic orchestration: divine timing hidden beneath the grit of alleyways, the roar of engines, the hum of city lights, and the pulse of a man who refuses to go down.

The production is full-spectrum and immaculate — studio-mastered, enhanced, layered with luminous textures. Synths swirl like galaxies behind Brent’s grounded, unmistakably human voice. G-funk leads glide over basslines that rumble like underground trains. EDM elements explode into moments of transcendence, pulling the listener upward just as the lyrics pull them deep into lived truth.

The title Street Kings and God reflects Brent’s artistic mythos: the idea that a man raised in the real, harsh world can still tap into extraordinary purpose. The album does not preach — it reveals. It does not ask for belief — it demands recognition of resilience, strength, and infinite creative potential. The “God” in the title is not a claim to divinity, but a testament to the divine spark he channels through music, art, rhythm, and the relentless will to rise.

This record is for the ones who have been knocked down and stood up again. For the outcasts, the fighters, the dreamers, the misfits with lion hearts. For those who know the street and those who know the spirit — or those who walk with one foot in each world. Brent brings them together in a single universe: a place where the broken become prophets, the forgotten become kings, and music becomes a map to survival.

The album closes with a message carved into the soul of every track:
Greatness is born in silence, grown in darkness, revealed in fire, and crowned in truth.
This is Brent’s truth.
This is his world.
This is Street Kings and God.

Binary Heart

PITA ATIP - I NEED TEK (Out On Psychoquake 11)

This edit is for Soundcloud, the track will be different on the vinyl!

Diktator de dancefloor - Remix by MAD.O (SOON ON DIN-D 01)

M.I.A. BASS,YEAH!

AL3A -RHYTMIK TRIBE

Selvaggia! Come il significato del suo nome, Silvia approccia alla musica elettronica con il suo arrivo a Bologna, nel 2015. Nella città emiliana, grazie la sua energia e la passione per la musica, si perde in una spirale  di musica a cultura, si muove tra festival, rave, club e autogestioni. 
Ma presto si stanca di essere una semplice osservatrice e inizia ad approcciarsi al mixing Influenzata principalmente da generi come  Elektro Break e Techno, prima in casa, poi con sempre più voglia di portare la sua musica al pubblico, crea la Looney tunz crew. 
Da piccoli eventi pian piano cresce e afferma la sua identitá diventando una DJ eclettica e metamorfica. 
Collabora con grandi musicisti e produttori come la crew Berlin invasion, per lei fondamentale per la sua carriera. 

Da quei giorni la giovane Wally é cresciuta, portando in giro per lo stivale e l'europa intera il suo set graffiante e selvaggio, condividendo la consolle con crew di alto livello.
Nel 2021 inizia la sua esplorazione verso il mondo della produzione e sviluppa un live set interamente prodotto da lei, che spazia da sonorità allegre di influenza house a suoni e ritmiche più scure e percusssive, tipiche dei rave che lei tanto ama.
Oggi il suo interesse é totalmente concentrato sulla produzione live e gira il mondo deliziendo il pubblico con il suo progetto
 'Music for hot body'.

M.I.A. BASS,YEAH!

Silvia Wally

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