esta canción me perseguirá hasta la muerte

Feliz Cumpleaños¡ Hoy es tu día!, AACUSIA MUSIC AACUSIA MUSIC

Tu Número Uno

Que Dios Te Bendiga (Cancion De Cumpleaños)

Electric Rap

Electric Dance

Old River Song

life is too stressful, either I run away, or take salvia and become a fish for 30 years. i would like that..

okay why now

Todo se transforma

Reyli En La Luna

Amor del Bueno

Dónde Está La Vida (Special Edition)

Señora

Lo Mal Que Estoy y Lo Poco Que Me Quejo

Qué Bello Es Vivir

Sin deber y sin temer
tan solo por ser mujer valiente y poco frágil
un incógnito virtual
por quererme provocar me dijo Feminazi.

Me alejé sin responder
Poco insulto puede haber que llegue a compararse
Mientras él se pavoneó
recordé un sabio consejo: Ignora al ignorante

Pero le dije: Qué poca
Ay, pero qué poca,
Qué poca madurez mental debes tener
Ay, ay, ay, ay, ay, ay,
Qué poca,
Ay, pero qué poca, poca, poca
Qué poca sensibilidad hay que tener
para tomar algo tan cruel
tan históricamente hiriente
y pretender usarlo para imponerse

Ya mero le atinaste, casi
al apodarme Feminazi
pero un detalle te falló:
quien camina por las calles con miedo soy yo

Y dime según tú, ¿donde están
mis cámaras de gas?
¿Tu ducha letal sorpresa
después de un año de labor forzada?

¿Donde está tu llanto por un pan?
Ni te agarro a cachazos diario
Ni te huele a muerte el calendario
No me llames Feminazi, no,
Ten respeto por un pueblo entero que sufrió.

Y él me contestó:
Feminazi, Feminazi, Feminazi,
Libertina vete a casa, 
vete a plancharle la ropa a tu marido
Feminazi, Feminazi,
Tu lugar es la cocina
fiel mesera sin propina
ponte modosita y fina
o te dejan por la vecina
y no es que uno sea machista, pero oigame,
ya creen que se mandan solas
pues que es eso, pues?
Descuidaron la familia
y a mi nadie me hace wey
no tendré trono ni reina
pero sigo siendo el rey.

Y dime según tú, ¿donde están
Mis cámaras de gas?
¿Tu asfixia letal sorpresa
después de un año de labor forzada?

¿Donde está
tu llanto por un pan?
Ni te agarro a cachazos diario
ni te huele a muerte el calendario

No me llames Feminazi, no,
Solo porque mi autoestima ya te amenazó.

La Cumbia Feminazi

Mujeres

Te Doy una Canción

Al Final de Este Viaje...

Ojalá

Días y Flores

Playa Girón

Óleo de Mujer Con Sombrero

When J (LOS PLANETAS) urged his friend Ana Fernández-Villaverde, a painter up to then, to write her own songs, little did he imagine what he was starting. It was 2005 and she had bought her first guitar one year before.  Suddenly LA BIEN QUERIDA revealed herself as one of the brightest musicians to appear in recent Spanish indie-pop. Her demo, recorded in 2007 with the help of Horacio Nistal, made everyone who listened to it, and there were a lot of people who listened to it, fall in love with it. Her myspace page, with nearly 125,000 listens, is one of the most visited pages for a new artist. Her songs were simple things (with her on guitar and some minimal arrangements) but with a disarming beauty, fabulous poems about falling in love and out of love that follow the line of LOS PLANETAS without noise, the emotional intensity of SR CHINARRO without irony, the sweetness of LA BUENA VIDA or CLAUDINE LONGUET without the languor, the romanticism of FAMILY without the techno-pop costume. It was chosen best demo of the year by Mondo Sonoro and highlighted by Rockdelux. One of the most excited people was Antonio Luque (SR CHINARRO), who lent a hand as the band in a series of concerts in Madrid at the beginning of 2008.  The most popular girl ended up signing with Elefant, who finally have the privilege of releasing her first album.

“Romancero”, with 7 songs already known from the demo and 5 new songs, is one of the most awaited discs of recent years and it’s not exaggerating to say that it’s going to be one of the most important ones of the coming years. Ana went to David Rodríguez (BEEF), for the production, with the idea of distilling the marvelous production of LA ESTRELLA DE DAVID (David’s solo project) with clean sounds more fitting to the friendly environment of her melodies. The result is that Ana’s songs take on a unique artistic dimension with David’s inventive sound, and he shines like never before domesticated in the naturalistic beauty of Ana’s songs.

The album therefore has two sides: one the one side are Ana’s precious melodies, self-sufficient with their formidable lyrics, sincere declarations and mature reflections that reflect the always interesting and exciting paths of falling out of love, of frustration, of fear, the uncertainty and euphoria of love.  On the other hand you can also enjoy David’s superb work on the production and his personal arrangements, as peculiar and bizarre as ever. Always looking for the difference with the combination of such disparate elements that only he is able to imagine, but later they come together as if they were meant to be. And they have an admirable subtlety that doesn’t get in the way of the songs. It’s the vision of a privileged artist that ultimately increases the beauty of the songs in a surprisingly perfect fit and without taking away any protagonism from what is really important, which is Ana’s voice and lyrics.

In the end this all moves toward THE MAGNETIC FIELDS, not so much because of the sound but definitely because of the spirit, the quality and because of its personality. “Romancero” gets close to the level of “69 Love Songs” because it shares its dead-on combination of poetic sentiment and artistic individuality. They are songs that are dressed subtly eccentrically and originally without losing their ability to express feelings. And they do so in an intelligent, sincere and moving way. They are songs that drive into the heart and make a space in the head with apparently simple melodies, although the harmonies are not obvious at all and the arrangements even less so. It’s a work of art in its purest form, capable of communicating the most moving emotions through its beauty. Without a doubt, “Romancero” is a landmark album.

Romancero

De Momento Abril

Ojalá

Silvio Rodríguez

Recent comments

joyybugg

Luis Diego Espejo

ffsmercury

Related tracks