Nice composition and good arrangement. I like the emotions evoked in this piece.

Great orchestra... Classic music is the best old timer.

Che bella canzone. È magnifico il modo in cui passa dalla tranquillità all'incertezza, poi allo shock e di nuovo alla calma. Sono rimasto affascinato

This piece opens with a gentle warmth, its harmonies flowing like a serene stream under soft light. Rooted in A-flat major, it delicately balances serenity and quiet strength, with each phrase thoughtfully shaped to evoke introspection.

The tender yet purposeful melody weaves seamlessly through a subtle accompaniment, creating moments of poignant stillness and heartfelt resolution. Embracing simplicity, the composition allows the emotional depth of each note to shine, while gentle modulations trace a narrative of reflection and quiet hope.

Co-producer: Blaž Pavšič
Mixed and mastered by @a7-recording-studio (www.a7recordingstudio.com/)

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Prelude in A-flat major

Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio-version-instrumental
Dedicada al maestro Jesús Flores, estupendo guitarrista mejicano.  https://soundcloud.com/jesus-flores-guitarrista

ESTÁS EN TU SITIO

No suenas como yo quiero
y tú sabes bien por qué
no me hablas como yo espero
cuando hundido en mi dolor
voy buscando tu consuelo,
tu presencia, tu calor.

No dejas que yo te abrace
como siempre te abracé
no quieres que me emborrache
con tus notas, tu canción
pues no bebo como antes
de tu fuente mi licor.

Quiero que sepas guitarra
que estás en tu sitio:
tu sitio es mi sitio
y en mi sitio tú estás.

Quiero que quieras al piano
como a un buen amigo
pues no es tu enemigo:
sólo viene a ayudar.

Y a ser posible a unirnos
si cabe todavía más:
necesito vuestra ayuda
para mantener mi postura
de honestidad musical.

Me miras con amargura
cada vez que ves volar
sonidos a más altura
que tú los puedes lanzar: 
sientes celos cuando escuchas
elogiar a tu rival.

Quiero que sepas guitarra
que, si él es bravura,
tú eres la ternura 
y los dos sois mi paz.

Quiero que quieras al piano
como a un buen amigo
pues no es tu enemigo:
sólo viene a ayudar.

Y a ser posible a unirnos
si cabe todavía más:
necesito vuestra ayuda
para mantener mi postura
de honestidad musical.

YOU'RE IN YOUR PLACE

You don't sound the way I want you to
and you know very well why
you don't speak to me the way I expect
when, sunk in my pain,
I go looking for your comfort,
your presence, your warmth.

You don't let me hold you
as I always held you
you don't want me to get drunk
on your notes, your song
because I don't drink my liquor from your fountain as before.

I want you to know, guitar,
that you're in your place:
your place is my place
and you are in my place.

I want you to love the piano
like a good friend
because it's not your enemy:
it only comes to help.

And if possible, to unite us
if possible even more:
I need your help
to maintain my stance
of musical honesty.

You look at me with bitterness
every time you see sounds soaring
higher than you can throw them:
you feel jealous when you hear
your rival praised.

I want you to know, guitar,
that if he is bravery,
you are tenderness
and the two of you are my peace.

I want you to love the piano
like a good friend
because it's not your enemy:
it only comes to help.

And if possible, to unite us
if possible even more:
I need your help
to maintain my stance
of musical honesty.

Estás en tu sitio

Verlane Lanua drifts somewhere between ambient and jazz — a mellow, introspective piece built on lush chords, upright bass, and a subtle, jazzy drum groove.

It unfolds slowly, like a quiet conversation at dusk. Gentle textures swell and fade, with floating melodies and softly layered harmonies creating a sense of calm curiosity. The rhythm is loose and organic, never rushed, gently guiding the listener through shifting moods and hazy transitions.

Perfect for late nights, unwinding, background focus, or just getting lost in thought, Verlane Lanua invites you to exhale and drift — not toward a destination, but through a feeling.

28.07.2025

Verlane Lahnua

Home was full of landmines, each step unsure
Words like shrapnel, sharp and impure
The table shook when his shadow grew
We learned the script of what not to do

Eyes on the clock, hands never bold
A fragile child, too young to grow old
Walls held secrets, screams left their trace
We wore our silence like armor and grace

We’re written over, but never erased
Each line a layer, each wound interlaced
Ink from the past, yet here we persist
A palimpsest of scars and twists

I am the palimpsest, lines entwined
Old shadows whisper, but they’re redefined
Erase, rewrite, the page still holds
The story bends, but it’s never sold

The past lives on in subtle refrains
A flinch at kindness, the weight of chains
I scan the faces, I read the air
Still braced for storms that aren’t really there

His voice lingers in the back of my head
A phantom editor of words unsaid
Even love feels like a test to pass
A trembling echo in fragile glass

We’re written over, but never erased
Each line a layer, each wound interlaced
Ink from the past, yet here we persist
A palimpsest of scars and twists

I am the palimpsest, lines entwined
Old shadows whisper, but they’re redefined
Erase, rewrite, the page still holds
The story bends, but it’s never sold

The ink may bleed, but my hand is steady
The future waits, the pen is ready
What was a prison now feels like grace
I’ll draw new maps on the same old space

I am the palimpsest, bold and free
A story unbound, still writing me

Palimpsest

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

Bandcamp: lightflavor.bandcamp.com
Visit my website: light-flavor.com

Will Schönen Rasen Sehen

Window pain

Wild Flower

God and Jesus

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

Prison Cell for Two Percussionists
Duration: 10'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1347
Video: https://www.youtube.com/watch?v=beD4-L0qgpI
For More Information: https://robertpaterson.com/prison-cell

PROGRAM NOTES
Prison Cell is a ten-minute percussion duet that musically, theatrically and symbolically represents a prison cell. The work centers around variations of a traditional, tonal theme and an original, more dissonant theme. The original theme and its variations are taken from a tone row built on the scale degree one half step above the tonal theme. This tonal theme is continuously alluded to through modulations, variations, chromaticism and dense, slowly evolving rhythmic and chordal structures. When the central, tonal theme is finally introduced, it is never completed, creating tension that is prolonged through the second half of the piece. The tonal theme eventually becomes immersed in the tone row and gradually fused into the original theme. The mutated, skeletal rhythmic motive of the tonal theme is all that remains.

The percussionist inside the set-up represents a prisoner. The percussionist outside the set-up plays two roles: when walking behind, this player represents the oppression of the cell; when walking in front, the player represents influences on the cell by outside forces such as prison guards. The tubular chimes represent the bars of a cell.

Prison Cell

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

Simon Alami Composer

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