Interesting insight into Moroccan culture, and of course, piano and violin as the bass of a classical piece is my absolute favorite

Impressively executed with perfect instrumentation, great!

Nice composition. Violin lines are well written and the piano is awesome.

This tune was released by the Beatles in 1970. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at:

https://www.harveytwyman.com

Name That Tune #385 by the Beatles

Vocals, Music & Art by Cosmic Keanu

Drummer: Hobocop: @metrocityrecords

Mastered by OfficerMurphy

SUPER DUPER MISSILES (The N'il Twistas)

We don’t need
Super duper Missiles
We don’t need
firework displays

We don’t need
Super duper Missiles
Sending us back to
The stone age

I heard the news today
Bout’ projectile equipment
That no one’s ever seen before
They say there’s no choice
We just have to do it

It's called the super duper
missile oh yeah
Seventeen times faster
than even a cheetah
If you can believe it
Faster than anything before
It's so incredible
Faster than a cheetah!

But for the sake of those
born just yesterday
I say we shouldn’t play
with firework displays

Or it’ll all go away
I say it will all go away
All that Shakespeare and
beauty and nature,
smart appliances
and dumb artifice
Will be nothing
But a big ol’
Bloody pile of shite!

I SAY NAH! (Dave Bowee)

All men and women created by Go-, you know,
Come on man you know the thing

We shouldn’t fire all those super duper missiles
Instead join hands and let freedom ring

And for the sake of those born just yesterday
We can’t support the current thing

Instead let the cheetahs keep their record
As the fastest moving thing

Cause we don’t need those super duper missiles
Blowing us all to smithereens

I say nah
nah ne nah
nah ne nah

I say nah,
nah ne nah
nah ne nah

Oh I say
nah ne nah
nah ne nah

Super Duper Missiles, I Say Nah! (Feat. Dave Bowee, Live at the 100 Club)

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

Commissioned by a dear friend and talented violist Vincent Delorme, this piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debusy and Pärt in Casablanca

Tea With Debussy and Pärt in Casablanca - World Premiere (Live Performance)

"Slight Echoes" takes you on an emotional journey, starting with a melancholic piano that sets the tone for a powerful transformation. As the track unfolds, the rhythm intensifies with the addition of bass, guitar, and drums, leading to a hypnotic, repetitive guitar solo. The piece concludes with a lighter, more hopeful piano, symbolizing resilience and the delicate balance between sorrow and strength. Dive into this captivating blend of emotions and let the music speak to you.

Slight Echoes

Driving guitar based track with hammering  fretless bass runs , raging rock vocals and head banging drum beats. Hints of several grunge and alternative bands influence the sound of this track. A real anthem and all around energetic drive to this track with a catchy hook and those "Mutt Lange" style backing vocals . Available for download at www.rivit.rocks 

AWAY

Bled Dry

"A New Sky to Call My Own" is a heartfelt tale of courage and transformation. It tells the story of someone leaving their homeland, driven by the need to find freedom and a new beginning. Filled with bittersweet emotions, the song captures the pain of departure, the hope for a brighter future, and the resilience required to embrace change. It's a tribute to the strength it takes to leave everything behind in search of a life worth living.

A New Sky to Call My Own

Mon Village

VIDEO : https://www.youtube.com/watch?v=iVWbvl9aZ78

«'Inner Mountains' is somewhat the imp of a journey towards a higher and innermost place.
These mountains are the urge for exploration... where music can be a dimension of reunion, 
a state of togetherness, and where its own boundaries can always be rewritten.
'Inner Mountains' is an album that explores the idea of digging inward. 
to reach an upwards state through a constant, and not always in agree, dialogue 
of instruments.  It gives us this distinct sense of a mountain not to be risen but to be dug...»

João Svayam - all sorts of drums
José Lencastre - Saxophone
Francisco Morato - Bass
Nuno Mangas Viegas - artwork, conceptualization, envision, story building

WAKE UP SEARCHING FOR THE HIVE'S EXIT

Attack Of The Flower People

Crillon Compositions is a deeply personal orchestral suite, born from a journey that began with musical sketches and youthful piano doodles at age 19 at the famed Hôtel de Crillon , and culminating in a sweeping symphonic vision as the composer clebrated his 35th birthday at the Crillon. These newly revised and recorded works honor the enduring influence of French classical tradition—Debussy & Ravel—infused with the modern emotional landscapes of the grandeur of Rachmaninov. From brooding chamber pieces to cinematic overtures, the album embodies the conflict and beauty of legacy, identity, and time beneath the marbled hush of a Parisian palace.

Track 13 Debussy Détour Quatre

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Tea With Debussy and Pärt in Casablanca - World Premiere (Live Performance)

Simon Alami Composer

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