Simone Corti
"Compendium" for solo piano [2020]

Emanuele Torquati, piano
15.10.2021 @ Inter Arts Center_Malmö (Sweden)
for Sound Spaces 2021

Recording and audio editing: Alessandro Perini

Compendium

Ｃｏｍｐｅｎｄｉｕｍ

𝐌𝐄𝐍𝐀𝐂𝐄 
teaser for an upcoming instrumental quintet & electronics (≈ 22' ), 
written for Ensemble 21. 
Will be premiered 16 june 2024 at > La Tricoterie, Brussels.  
For an upcoming Ensemble 21 production,  about ecology, the ars subtilior, and field recording.

𝐌𝐄𝐍𝐀𝐂𝐄 (teaser for an upcoming quintet & electronics)

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=128&cat=vocal

for: mixed choir and live electronics
detailed instrumentation: S.S. A.A. T.T. B.B. (24-32 singers)
duration: 50'
commission: Ministère de la Culture (France) - IRCAM
first performance: 11.6.22, Milan, San Marco church, Milano Musica 2022, SWR Vokalensemble Suttgart, Yuval Weinberg (conductor), Thomas Goepfer, Benoît Meudic (IRCAM sound designers)
publisher: Ricordi
catalogue number: 142110

DeTinieblas - SWR Vokalensemble, IRCAM, Yuval Weinberg  - live, Paris 18.06.2022

For organ played by two musicians – 2022, ca. 20′ (first version)
Edition Peters

Dedicated to Susanne Kujala & Eckhard Manz
Premiere: 25 june 2022, Bishopchurch St-Martin, Kassel, opening concert of the festival Brandneu 2022, Susanne Kujala & Eckhard Manz.

Program Note:
Adverbial locutions in French, which I often use as titles, often have the wonderful characteristic of containing several meanings. Jusqu’à peu means both until recently and until barely or until a little. The piece is indeed a crisis composition: covid crisis, midlife crisis, Ukrainian crisis, climate crisis. All these crises, which have been lining up in a new pace for the last few years, have comparable characteristics: They emerge slowly, without being expected, and then explode in an uncontrolled way, often leaving a bitter and disillusioning aftertaste, if not despair, death and destruction. The climate crisis will perhaps be the last of these crises, challenging notions of human progress and perhaps leading to ultimate extinction. Written for one of the most sophisticated instruments in human music, the piece remains on the symbolic level of these different crises, but follows the form and spirit of this emergence and decline.

Jusqu'à peu, for organ (two musicians)

{gen~ 2}

{gen~ 3}

Se Le Nuvole - 2022/2023
for orchestra  commissioned by Orchestra Sinfonica Nazionale della Rai
with the support by Fondation Mica et Francis Salabert
10.02.23 – world premiere
 Rai Nuova Musica 2023 
Auditorium Arturo Toscanini, Torino 
Orchestra Sinfonica Nazionale della Rai, Marco Angius (conductor)

Se Le Nuvole, orchestra - 2022/2023

for flute, clarinet, accordion, violin, viola, cello, double bass and live electronics
2023

performed by Schallfeld ensemble
Dmitri Kourliandski, electronics

23.07.2023, Impuls festival, MUMUTH Graz, Austria

Banlieue

From the cycle: "Kilpisjärvi Sessions"

@Collettivo_21 :
Eleonora Liuzzi / Alessandro Mazzacane / Giulia Pastorino / Daniele Nava / Lorenzo Moretto / Lorenzo Di Marco / Luca Guidarini

Recorded 6th of August 2023 at Casa Della Musica San Michele, Montaldeo / Foresty Festival
Mix: Alessandro Perini
Master: Luca Guidarini

www.collettivo21.com
www.alessandroperini.com

Geology. Earth Data Collector (Collettivo 21), 2023

May 5th, 2017, JACK Quartet - Witten's Johanniskirche (DE). Wittener Tage für neue Kammermusik

Pathos Of Distance, String Quartet No 2

Unknown album (5/21/2018 2:25:08 PM)

Beat Furrer - Voicelessness

corti.simone@gmail.com
https://www.babelscores.com/SimoneCorti
https://www.youtube.com/channel/UCo0u7qVowYGeAiOcdMx69Zg

Ｃｏｍｐｅｎｄｉｕｍ

Simone Corti

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