House/tech/elec tracks

This is my Promo Mix for the next Solo Danza party happening on Bank Holiday Sunday August 25th at our home Crucifix lane London

Line up

Martin Buttrich

Samu.l bk2bk Brett Jacobz 

Dennis Christopher

Nicolas Son

----

Enjoy x

Solo Danza Aug 25th W/ Matin Buttrich & Samu.l (Dennis Christopher Promo Mix)

Kam Bollow - Lazy World

Chris Lattner & East End Dubs - Nutcracker

release date: 25th of February

early support from Goldroom, Tensnake, Zimmer, Richard Dorfmeister, Hot Toddy, Jerry Bouthier, Downtown Party Network, Moon Boots and more…

Satin Jackets have a knack for creating glossy tunes wrapped in the lushness of modern club sound. You Make Me Feel Good , their first release on Eskimo recordings, is another showcase of deep dance delicacy. The Original mix has been causing some serious blog hype recently and is finally getting released, with the yet unheard Deep mix on the flip. You Make Me Feel Good continues the German group’s poolside prominence, lacing ambiently tuned melodies and soulful vocals. But with deeply ornamented grooves and a rare injection of emotive energy, we are glad to have signed another gem to shout loud and proud about.

TRACKLIST
1. Satin Jackets - You Make Me Feel Good (Original Mix)
2. Satin Jackets - You Make Me Feel Good (Deep Mix)

http://www.satinjackets.de 
http://www.facebook.com/satinjackets 
http://soundcloud.com/satinjackets 
http://twitter.com/SatinJackets 

Satin Jackets -  You Make Me Feel Good (Deep Mix)

Another brilliant release from Russia. This time Ilya Malyuev's original track has been remixed by talanted Russian artist Ormatie and world famous producer Tiger Stripes.

Ilya Malyuev feat. Var Vara — Radio Towers (Original Dub)

New  track to be released on Noir Music "SC & NR" vol. 6 compilation. Acid House with an Old school feelings :)

Get it here!

Supernova "Clear Vision" [Noir Music] Preview

Turbo CD 028 Jori Hulkkonen MAN FROM EARTH
The world we live in, on a very fundamental level, is flawed.  On the eve of my tenth album release I'm still writing my own bio and wondering if I should refer to myself in third person, analyze the past 15 years and justify bad career moves as artistic integrity, and promote myself as the unsung hero of techno and house; a mere victim of poorly timed strokes of genius (numerous!) and being born in the wrong part of the world.  Well, sarcasm never really did become me, and irony works only if unnoticed. Double fail.  It's easy enough to google up some old Jori Hulkkonen bio with real biographical info, or check out my discography from my website so I'll spare you the boring details of my "career".  Ever since the late 80's when my obsession with all things music started to manifest itself with an increasingly verstaile record collection and eventually some synths and experiments in songwriting, it has been quite clear to me that I'm destined to create my life's work within the business. The problem is that as an idealist cynic with tight grip on realism I'm well aware that 'the biz' is a sinking ship more or less, and I'm already dancerously close to the waterline. But the good news is that I stopped caring.
Here's why:
Having released my first proper artist album in 1996 for the French label F communications (defunct now since 2008, with my album "Errare Machinale Est" as their final release -coincidence?), I've managed to do something I never thought would be possible, something that I'm the most proud of all things in my career: never becoming popular.  After nine albums, dozens of pseudonym releases on superhot labels (like Rekids and Get Physical just to mention a couple from the past few years), close to a hundred remixes, my own radioshow on national radio for more than a decade (in Finland though, so it may not count), thousands of DJ gigs all over the world under my belt (OK I never actually counted but a quick calculation tells me it must be close to 2000 now), producing and writing songs for the likes of Tiga (whom I created in the first place), and having a reputation as a producer who can make an 808 kickdrum sound like a jazzy flute, you'd expect that there was a time when I was The Shit. But I never was!  Sure enough there's a lot people who never were "big", but are they still working? Releasing albums, singles, getting remix requests and DJing all over after 15 years? No. But I am. And this I see as my greatest achievement and there's a lesson to be learned everyone: If you never become trendy it's impossible for you to become untrendy.  Will all this change now though with my hotter than hot new album on Turbo, or the buzz around my Acid Symphony Orchestra (a piece I wrote for ten tb-303's and a 707, conducted by me)? Or the rumoured collaboration with Chris Lowe of the Pet Shop Boys?
It remains to be seen but I'm dedicated to give my best shot to not let it happen.
Man From Earth, my tenth studio album, is the first "Jori Hulkkonen" album not released on the now defunct F communications.
How will this change of label affect my sound? Is this the end of ballads, jazz and ambient? Of course not -not even for me - but the album is a deliberate (as in not forced) departure from the bedroom vibes with focus on jams for the dance crowds.
Recorded at my alppIVhouz studios, most of the tracks were intended for 12" singles so they are not album tracks as such, therefore the album is maybe not as coherent and subtle as some of my previous efforts. But what it may lack in atmospheric synthpads, "scandinavian mooddesign" and social commentary it makes up in catchy basslines, sizzling hihats and semi-danceable tracks.


Jori Hulkkonen - Boying In The Smokeroom

Jori Hulkkonen - I Dance To Your Bass My Friend

Jori Hulkkonen - Not My Bear To Cross

(Available NOW exclusively from the new Planet Acetate store). www.planetacetate.com official Beatport release date 28th May)

Planet Acetate Records deliver their very first compilation prior to summer mayhem. We're not a label concerned with following trends we're just obsessed with musical content and offering something a bit more left field for those long hot summer days when the parties finish late. Key Artists such as Tank Edwards, Dan Clare, James Starkie and Jamie Baggotts provide their signature sounds while new comers to the label Wez Saunders, Hombre Lowdown, Paul Marshall and Searchlight offer up new flavours for your ears to feast on..Enjoy!

Searchlight - Blackout (VA Boxset Volume 1)

Gui Boratto - Stems from Hell (Nato Medrado Remix)

Gui Boratto - Stems from Hell (Nato Medrado Version)

Manchester producer Mark Wells delivered an underground favourite when 'I Love You' debuted online last year. After over 40,000 plays at SoundCloud, radio play courtesy of Pete Tong and Radio 1 and further support across the European festival circuit from Ben Pearce, the track is set to reach its largest audience to date when the resurgent FFRR label will release it in May.

A deep house summer jam infused with sublime grooves and soulful vocals, 'I Love You' is sure to focus attention on Wells' prodigious talent and could well prove to be his major breakthrough.

Mark Wells first started work on his own productions as a teenager and now, at the age of 21, has already delivered breakthrough tracks for respected independent labels including Purp & Soul, Nurvous, Mother and Alive.

Low-swinging percussion and expertly placed vocal hooks are the hallmarks of his dancefloor-provoking productions such as 'In She Came' and 'Driven' Me' which ensure that his music stands out from the crowd. Wells' tracks have also featured on mix albums helmed by the likes of Ben Pearce, Endemic Digital label boss Wez Saunders and Ryan Briggs of City Soul Project.

His versatility can be demonstrated with remix work for the famous house institution Strictly Rhythm as well as UK bands Kid British and We Humans.

Mark Wells - I love You (FFRR)

Tiga reunites with longtime Finn-Friend Jori Hulkkonen to deliver a question of trust, a question of lust, and a question of not letting too much time pass between 12-inch dance releases. Embracing a shared love for late-night dancefloor sleaze, the always-likely pair venture into filthier territory than either would ever tolerate in any phase of their actual lives.

"With this song, I wanted to get my music into some of the darker clubs, the kind where you see obese Goth kids drinking Red Bull out of goblets and somebody's uncle wearing one of those weird studded strap things. I want to say harness, but nothing's holding this guy back when my song comes on," says Tiga from what we can only presume is the least out-of-touch location imaginable. Definitely nowhere near a drawbridge.

The remixers had full license to go even darker, far past anything Tiga's family-friendly idea of himself would allow. Danny Daze takes things into the beyond-afterhours hours, when normal debauchery gives way to things like identity theft and marriages of convenience. The dub version is a silent tribute to these victims of circumstance and poor life decisions. Meanwhile, John Roman imagines a deeper-voiced Tiga from the other side of the tracks, who knows how to sneak into the acid warehouse for half-price. Finally, joeFarr amps it up into pleather-dreaded techno territory, with a Matrix-friendly BPM and surprisingly subtle atmospherics. 

"When I tell you to trust something, you have to trust that I fully trust in what I'm saying," adds Tiga. "Otherwise, we're just two solitary souls trying to make sense of the moonlight, and that's not the kind of nighttime world I want to spend my nights in."

Trust Your Body

Tiga - Trust Your Body

Clip taken from HOPE 114: Paul Hazendonk - Slack Tide
Out Now on <a href="http://www.beatport.com/release/slack-tide/1107211">Beatport</a>
<a href="http://www.hoperecordings.com">Hope Recordings Website</a>

Buy on Beatport

Hope 114: Paul Hazendonk - Slack Tide (Guy Mantzur & Khen Remix) - Clip

Out now on Mother Recording as part of SUPERLATIVE TRACKS VOLUME 2, VA.

Mark Wells - Driven Me (Original Mix)

Available now from: http://www.zrecords.ltd.uk/new-releases


An enduring but somewhat overlooked Joey Negro classic gets a stonking new mix from the Audiowhores.
 
It's techy, it's deep, it's soulful and it will send the kids on the dance floor into spasms of crazyness previously unseen in a nightclub...
 
HOUSE HOUSE HOUSE!!
 
 
DJ Reactions:
 
DJ Spen - DOPE!
Tony Humphries - Excellent hyped Remix!
Hector Romero - Serious groove - Sexy and I'm all over it!!
Yass - Very good one!
DJ Booker T - Big tune love this mix
Martin Ikin - Nice work lads, support :)
Soulmagic - Classic! Love the Audiowhores take on it
Danny Krivit - Great!
DJ MEME - Cool!
Seamus Haji - Nice!
Hed Kandi - I absolutely love this...
Craig Stewart - Stunning, Stunning, Stunning
Mannix -  Amazing piece of HOUSE!!!
Dave RedSoul - Sublime!
Pete Gooding - Very nice house!
Johnny Fiasco - DEEEP! Very nice!
Richard Earnshaw - Nice!!!
Jask – Sweetness
Harri - Liking
Russell Small - Pure Class


Z Shop

Joey Negro feat. Thelma Houston - I Need Somebody Tonight (Audiowhores Remix)

<b>GoldFFinch - 11th Hour</b>
Available on DRIP.FM: http://bit.ly/11Z1hWX
Available on Beatport: http://bit.ly/11Z1hWX
Available Worldwide: 7/16/13

With a change in the season and the promise of balmy city sunsets on the horizon, it feels natural that dirtybird should drop a much welcomed curveball into their 2013 EP catalogue. Courtesy of Belgium born duo, GoldFFinch, the ‘11th Hour’ EP explores the label’s more implicit approach to bass, with all the richly textured, distinctively UK sounds we’ve come to expect from the pair. The EP also marks GoldFFinch’s first original dirtybird release proper, after proving their worth on the heavy hitting Players compilation and remixing French Fries’ ‘Space Alarm’ as an induction.
 
‘11th Hour’ opens the EP with a beautifully carved intro of muted, sensual synths and a blunted percussion beat that immediately picks out a swinging, London-centric rhythm. As the distant yearn of afterhours city lights emerges, the intro melts into a fluid-yet-funky roller, a languid longing for the urban twilight hour. ‘Sultry Steel’ flirts with UK Garage foundations, as the drums skip along with knowing skill and a slinky vocal sample punctuates the fuzzy atmosphere. As the track name suggests, it’s the steel drum melody that gives the beat its memorable dance floor significance.
 
Erring on the subtler side of late night bass, dirtybird has uncovered a veritable gem here. Enjoy!


https://www.facebook.com/goldFFinch

http://www.facebook.com/dirtybirdrecords
http://www.dirtybirdrecords.com

House/tech/elec tracks

simonuid