IMP005 ­ 

Imperial Audio brings another underground artist forward with their fifth release, a label that is almost two years old delivers brilliantly produced Dubstep music from artists all over the UK and Europe.

DT lets us peer into his imagination with his first solo release. The Derby based producer, DJ and one quarter of Subconscious has been around for a few years, originally DJing Hip Hop or Drum and Bass he then started to produce and mix Dubstep around 2011.

Dan (DT) has a very recognisable style within his work, although being diverse in his ranges you can usually spot a DT track, sub bass plays a key element as you would expect in his music and he always brings something slightly unexpected to a track.

"Where's Reese" has a  "soundsystem" vibe about it progressing throughout the track, simple percussion, underlying bass­lines and then a spacey almost Trance inspired synth riff ­ all together equals brilliant production.

"Helix" brings back memories of a summer lost, something to relax to but even a good selection for the end of the night ­ everything's fits together nicely in this one.

"Reckless", this collaboration with CJBroad is excellently named, a "does what it says on the tin" kind of track, this one is perfect for the dance floor. A creative flow of pure Dubstep sounds roll throughout this track and the second "drop" makes everything a little more exciting, you can expect this in most DT tracks.

The label are taking bookings for room two events and festivals, please contact Liam or Elliot at imperialaudiouk@gmail.com

Links:
soundcloud.com/imperialaudio 
facebook.com/imperialaudio 
twitter.com/imperialaudiouk

IMP005 - DT - Helix

Better Than Animal

Download iTunes -> http://bit.ly/1seH7FZ
Download 320/Wav -> http://bit.ly/1zX8c51

Jillionaire & Salvatore Ganacci Feat. Sanjin - Fresh [My Nu Leng Remix]

 Haruki Murakami - Train Whistle | | Naruto's Theme song

The girl has a question for the boy: “How much do you love me?”

He thinks for a moment, then quietly replies, “As much as a train whistle in the night.”

She waits in silence for him to go on. Obviously there has to be a story there.

“Sometimes, just like that, in the dead of night, I wake up,” he begins. “I don’t know what time it is exactly. Maybe two or three, around then, I’d say. The time doesn’t actually matter. The point is that it’s the dead of night, and I’m totally alone, not a soul around. I want you to imagine that for me, ok? It’s completely dark, you can’t see anything. And there’s not a sound to be heard. You don’t even hear the hands of the clock, ticking out the time – for all I know, the clock could well have stopped. And then all of a sudden, it hits me that I’ve become isolated, that I’m separated some unbelievable distance from everyone I know, from every familiar place. I realize that no one in this wide world loves me anymore, that no one will talk to me, that I’ve become the kind of person no one even wants to remember. I could just disappear and no one would even notice. I feel like I’ve been pushed into a box with thick iron sides and sunk way down to the very bottom of the ocean. The pressure is so intense it makes my heart ache, I feel like I’m going to explode, to be torn in two – you know that feeling?”

The girl nods. She thinks she knows what he means. 

The boy continues. “I think that’s one of the most painful experiences a person can have in life. I feel so sad and it hurts so much that I wish I could just go ahead and die, seriously. Actually, I take that back, it’s not that I wish I could die: I can tell that if things go on in this way, the air in the box is going to get so thin that I really will die. It’s not just a metaphor. It’s reality. That’s what it means to wake up all alone in the dead of night. You still following me?”

The girl nods again, saying nothing. The boy lets a moment go by.

“And then, way off in the distance, I hear a train whistle. It’s really incredibly far off, this whistle. I don’t even know where the train tracks could be. That’s how far away the sound is. And it’s so faint that it’s right on the edge of being inaudible. Only I’m certain it’s a train whistle. There’s no doubt about that. So I lie perfectly still, in the darkness, listening as hard as I can. And then I hear it again. My heart stops aching. The hands on the clock start moving. The iron box begins to rise up, nice and slow, toward the surface of the sea. And it’s all thanks to that little whistle, you see. A whistle so faint I could barely hear it. And the point is, I love you as deeply as that whistle.”

With that, the boy’s brief story is over. And the girl begins telling her own. 


بيبليومانياك Bibliomaniac | Haruki Murakami - Train Whistle | إلقاء : سلمى وعمرو

"I was checking back and figured that I've done every year for you now since 1999 - when me and Alex Reece played the month after you opened! So... this is a 16 track mix made to promote and celebrate 16 years of me playing for you guys. It contains various solo tunes, collaborations and remixes from my catalogue going all the way back to 2003. It was lots of fun going through all the old tunes, many of which I'd totally forgotten about!" - Utah Jazz

Catch Utah Jazz playing in RM2 on 29/05/15 >> http://www.fabriclondon.com/club/listing/1068

Utah Jazz - History Of Utah Jazz Mix

Jim Coles continues to redefine high-velocity dance music at every turn. Following his recent set for Metalheadz - in which he utilised a legendary sample pack from the very infancy of the label, telescoping together two decades of drum'n'bass - comes his first solo release for his own Cosmic Bridge Records. It's spacious, sinister, psychedelic - and, on this deep and dangerous roller of a track, full of percussion that sounds like it's played by a multi-limbed artificial intelligence.

Om Unit "Spiritwerk" - Boiler Room Debuts

Dead Man's Chest - the hardcore/jungle revival project from Alex Eveson - returns with a third EP for Ingredients this March 18th.

Following on his Dreamscapes and Nautilus EPs, Alex's 4-track Farseer release sticks to his slower bpm and rave aesthetic guidelines, but leans in the direction of esoteric rollers. “Dead man‘s chest is simply me delving into and re-imagining the music that got me hooked 20-odd years ago,” says the Bristol producer.

Today's Debut Transmission 'Unnatural Mystic' is as arcane and unpredictable as its title suggests, with muffled chants that swirl through layers of relentless breaks and fuzzy pads. The track can be streamed exclusively below and picked up next month via digital download or red and orange marbled 12" vinyl.

Dead Man's Chest - Unnatural Mystic

https://shop.metalheadz.co.uk/vinyl/metalp009s
Another clip let loose from SCAR- The Orkyd Project. Thanks to Friction for playing this one!

SCAR - Yours Feat Orkyd (Drums VIP) Friction BBC Radio 1 'Murky Monday' RIP

More Info: https://www.xlr8r.com/news/2016/08/exclusive-stream-afriqua-soul-correction/

@cure-music
@afriqua

More Info

Exclusive: Afriqua - Soul Correction [Snippet]

The end credit song for the finale of the latest Black Mirror series, now showing on Netflix. 

Song by Alev Lenz, produced by Martin Phipps.

Buy here: https://itunes.apple.com/us/album/black-mirror-hated-in-nation/id1178577253

Fall Into Me

Fall Into Me - Alev Lenz

A mix of different tacks I've been playing during the abundance of free time I've had recently.

—

Echelon — Untitled

Look Like — Delta

Cameron Traxxx — Ode To Marshal

John Osborn — Epoch 4

V Rosso — Down & Out

DJ Slym Fas — Hula Hoop Dance (Slym Fas Mix)

The Raw Interpreter — Groove The Beat

Bleaker — Untrue

Deamonds — Through

TC80 — Dardos

Bok Bok & Tom Trago — Need this (12" Dub)

Geeman — Wanna Go Bang

Schatrax — Just for fun

Hysterics — Empty

Zennor — Never In Doubt

Cameron Traxxx — TNS The Night

Look Like — World Below

Blaqstarr — Automatic Lover

Scott Grooves — Detroit 808

Cherrelle — Saturday Love (Instrumental)

Ellis D — My Loleatta (Dish Apella)

Leisure

Fun fact: 23 year old producer living in London.

CONTACT: simplyded@hotmail.co.uk



Better Than Animal

Simply Ded

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