A very rocking sound, voice and rhythm!!! Great job! ❤️Love, 🕊️Peace, 🙏Respect

Infinite jukebox wc 28 March 2022

Flowers

Travel

Prism [Original Mix]

Kimble on kiwa peli!

specter

Paper Labyrinth

First written in 2010 with a single verse, the song slowly developed since then, going through several developments since its inception. I wanted the drums in the verse to have a bombastic 1/1 feel, hence the heavy bass drums and tom-toms. The song lacked a proper chorus for several years, so Adam Becker helped me structure one.

The "bones are brittle" passage was originally structured as a third verse; it would have been twice the length of the first two verses with eight lines as opposed to four. In 2019, the third verse was replaced with a new bridge section, and only the first four lines were retained from the original verse. Leo Scarselletta was responsible for giving this section a half-time feel.

Sinny: assorted drums (electronic drum kit, kick drum, bass drum, tom toms, snare drum, buffalo drum, brake drum, toy drum); percussion (congas, bongos, djembe, cowbell, tambourine, sleigh bells, shaker, gong, slapstick); piano, midi guitar, kazoo, conch shell, samba whistle, found sounds (paint can, carpet, fire extinguisher flap, bleacher, scissors); drum, synth, mellotron, and bass programming, lead and gang vocals, yelps

Luke Giunta: bass guitar, rhythm guitars

Sebastian Fredette: lead and rhythm guitars

Adam Becker: electric guitar (sirens, shredding, riffing, interpolations), vibraslap, gang vocals, vitamin endorsement

Bad Bone Betty: “guest vocals”

Bad Bone Betty

Musik & Text: Gabriel
ENGLISH TRANSLATION
OF THE LYRICS CAN BE FOUND HERE:
http://www.gabriel.land/gabriel-zeiten-wie-diese.htm

Zeiten wie diese

he wasn't that fuzzy in math/it all /added up

It Couldn't B Jimmy/Had To Be/All In The Chemistry

Pinky Dub ft Lioness Pinky 🇯🇲

Spirit Of My Mind

Asience (Ryuichi Sakamoto violin cover)

When I was cooking this song, at first it felt like a journey in space.  Then it sounded like a wilderness wander or lost in somewhere or whatsoever.   I eventually ended up with this title here.
Regardless, just hope you like the music.

[CREDITS]
Music / Keyboards / Arrangement / Programming – Michael C. Lynn
Piano  (rhythm & outro) – Miles Black @Band_in_a_Box

Somewhere In Nowhere

Poverty
The "Schwabengehen", which finds its first mentions already in the 16th and 17th century, experienced its peak in the 19th century. It is estimated that at that time five to six thousand children worked annually on farms abroad as herd boys, maids or as farmhands. The background to this was the extremely low soil yields in the alpine regions and the associated poverty, which drove parents to send one or more of their numerous children abroad.

The Ways
The ways from Tyrol and Vorarlberg or from Switzerland to Upper Swabia were long and arduous. For some of the children, most of whom were between 5 and 14 years old, it led over mountain passes such as the Arlberg, which were usually still covered in snow in March and which many had to overcome with poor shoes and scanty clothing. Usually their companion was an adult, sometimes a priest, who made sure along the way that the children could settle down to sleep in warm stables and who negotiated prices at the markets. The construction of the Arlberg railroad in 1884 made the journey easier for the Tyrolean children.

The "children's markets" in Upper Swabia usually took place around Josephi (March 19). At Simon and Juda (end of October) or at the latest at Martini (November 11) they went back home. In the luggage were then the so-called "Doppelt Häs" (a double set of clothes from the headgear to the footwear) and, depending on the age and the negotiated price, a few guilders.

The Hütekinder arrived at the port of Friedrichshafen by ship from Bregenz. Since 1891, the central market place for the Hütekinder was in Karlstraße in Friedrichshafen. The children who were not placed traveled by train to Ravensburg to be placed there.

The work
In their homeland, Swabian children were exempted from compulsory schooling every year, and in the Kingdom of Württemberg the compulsory schooling that had existed there since 1836 did not apply to foreign children. The politically repeatedly demanded extension of compulsory schooling was prevented until 1921 by an Upper Swabian farmers' lobby.

Schwabenkinder (Swabian Children)

Civilization Camp

La fureur du dragon

A drummer/percussionist/tinkerer who creates electronic music consisting of percussive textures, syncopated rhythms, and an odd sense of humor.

Consistency is not an absolute necessity, although I sometimes maintain a steady output of material.

All music is released under the Creative Commons. Feel free to remix, sample, create derivative works, and/or cover any of these songs. You can even message me on Soundcloud for the chord progressions and/or original stems. Music is meant to be shared collectively, not owned.

Welcome to the load-bearing wall of sound.

Music: No boundaries / Knows no boundaries. I don’t look anything like my profile photograph; I'm actually slightly shorter and a figment of my own delusions.

I’m also known as the wild man of transcendental meditation.

संगीत: कोई सीमा नहीं। / कोई सीमा नहीं जानता।. मैं अपनी प्रोफ़ाइल फ़ोटो की तरह कुछ भी नहीं देखता; मैं वास्तव में थोड़ा छोटा हूं।

Музыка: Без границ / не знает границ. Я совсем не похож на фотографию своего профиля; Я на самом деле немного короче.

الموسيقى: بلا حدود / لا تعرف حدود. لا أبدو مثل صورة ملفي الشخصي ؛ أنا في الواقع أقصر قليلاً.

音乐：无界限/无界限。我看上去不像我的个人资料照片；我实际上略矮一些。

(Translation by Google)

Bad Bone Betty

Sinnyseven

Recent comments

The Bird Inside

davst

Steve Liebschwager

Clay Young

Related tracks