Decided to slow things down as we come closer to the end of our exciting summer [of 2013], which has gone by so quick. It's also been an intense time musically as many artists have been releasing their summer-time records, especially within my own #POLY community. This record, in particular, is meant more or less for those who need music for their SUMMER-NIGHTS to create balance to those SUMMER-DAYS.

S/O to all my CORE-FANS/FAMS that have been listening to my music from the BEGINNING, when no one else would give me a chance. HONESTLY, I love that you wait on me, but hate that you do at the same time- my apologies on that though. Also, S/O to my inspirations and those who have given me the experiences to write about. I LOVE YOU ALL and THANK YOU! BLESS UP-

When I Show Up

14 months since my last single (LiE)— that’s a pretty big gap. I think it might be the longest time between any of my releases to date, second being 8 months or so. You may or may not be wondering.. Why the silence? Honestly, I didn’t realize how much time had actually passed until a relative of mine asked me when my next one’s comin’. Felt like I had JUST dropped a record not too long ago, but sure enough, it’s been THAT long. Time flies when you’re having fun, as I’ve heard.

“Brand New Secondhand”. Produced by 2 very talented individuals; EDY & ASTRO, lyrics by yours truly. Credit where credit’s due; EDY & ASTRO composed & arranged this song in what seemed to be less than 3 hours. I sent my vocals to EDY (AKL, NZ) around my midnight hours (MST, USA). Went to bed soon afterwards.. Woke the next morning, the bredren made sure the track that you’re listening to now, was sitting in my inbox for a few hours. I’m still blown away by the efficiency and TALENT. Special thanks to them for making this happen- probably wouldn’t be droppin’ this record were it not for their help.

If the song sounds familiar, it’s most likely because you’ve heard the hook once or twice before. I’m a fan of reggae music; roots, rock, one-drop, old & new. You may or may not hear how reggae has inspired my music over the years, but I’ve used lines, melodies and chord progressions from bands like Steele Pulse, Big Mountain, artists like Beres Hammond, Dennis Brown- the list goes on. In this case, this track in particular is MY version of Peter Tosh’s classic, whose title I had to take as well.

There’s an element that Reggae carries in general that’s scarcely available in more modern music- an element that has always resonated with me on a personal level. That element being consciousness or morality- God as the strong underlying commonality within the genre, without being directly categorized as a religious one. I’m my opinion, there’s an abundance of wholesomeness to Reggae, it’s impossible for me to ignore as an artist who strives to get right with God. Not sure how well I’ve done so, but I try to implement that very element as much as possible. Especially now as a father.

At this point of my career, I’m hyper focused on the joy music brings listeners and establishing a connection with them, as oppose to detaching myself as I’ve tried to do in the past. Meanwhile, I’m trying not to succumb to being part of any lump sum by embracing individuality. We live in a time where opinions, if not aligned with a certain group, may get you shunned into outer darkness- or in other words.. cancelled. That said, I strongly believe that there is no world where freedom of expression & music are not attached. After all, music IS a form of expression; There is no NWA, nor Bob Marley without freedom. Sadly, we’ve lost our understanding of the most fundamental God given right.

Onward. As stated in the first verse, this may anger many people who buy into pop culture’s version of womanhood (modern feminism). I express what deters me from viewing a woman as a prime prospect, which I think most men would agree with. I also think it’s a fair preference in that women have inherit privileges that men don’t. I won’t get into details, but if you believe I’m wrong, express so in the comments section. In all honesty, this song is more comedy than something to be taken too seriously. Matter of fact, I laughed throughout the whole writing process. The concept itself is funny, but where there’s humor, there’s a high chance it may be offensive to someone out there. To those offended, I say.. get over it, biatch haha.

I appreciate you folks for tuning in- and for reading through this nonsense. I’m goin’ in 10 years this year and I’m happy that I can still provide the vibe you folks enjoy. Got another one coming next week Friday, but until then, in the words of the ever wise 5-5 criptologist himself, CripMac “Never commit suicide- everything’s gon’ C alright”. Much love, people! BLESS.

BUY!

Brand New Secondhand (Prod. by EDY & ASTRO)

HAPPY COLUMBUS DAY! Celebrated by mainly the Americas, but a very significant segue from the old world to the modern one we live in today. Regardless of how you feel about the holiday, let’s be grateful for all the blessings we reap that have stemmed from the discovery of the new world by way of ol’ Chris.

2 months since my last drop— not too shabby considering that I’ve gone 8 months between singles before. 4 months might be my average, but who’s counting?

Got a nice, positive one here for you. I know my last couple had been a bit harsh/intense according to the feedback I received, but this single should act as a counter weight to all that.. I hope. 

Anyway, for those of you who aren’t familiar with the name, Shane Co. is a very prominent jeweler here in Utah. Fun fact, Shane Co. is the largest privately owned jeweler in the United States. There are many locations across the country, and if you’re in any area with a Shane Co. jeweler, you probably know that their ads have aired consistently on TV/radio over the years. I remember when I was younger, hearing Tom (Shane Co. CEO) on the radio boast of their exclusive, handpicked, imported diamonds- and I was (and still am) convinced early on that Shane Co’s got the best of the best when it comes to jewelry.

Shane Co. doesn’t sponsor me in any way, but hopefully that changes once this gains some traction haha.. Seriously though, Tom- if you’re listening, I could use your support! Hahaha..

That’s about it regarding the title- onto the song itself. A few of you will notice a very familiar segment in the song, specifically the 2nd half of the hook.. That’s right- I consider it a tribute to one of my favorite bands growing up.. Small Axe. “Peninaolemoana” was and still is a very valid song in my opinion- and I’ll go as far as to say the song is timeless. I’m always blown away by almost every element of the record; the instrumentation, the quality of the recording given the timeframe it was making its rounds, the musicianship, the writing, the vocalist, etc. It truly is a great piece of art and I thought I’d pay homage by implementing one of my favorite parts of the song.

I already have the next single lined up for release, but in order to let this release breathe, I set it about a month out. I heavily rely on word-of-mouth when it comes to the spreading of my music, which is partly why I go months between releases. Social media helps a ton, especially when you’re an independent artist, but like I’ve mentioned before, I believe social media does more harm than anything else. So I try NOT to utilize socials as much as I can help it. Might be a fight in futility, but I like making my life harder haha..

Let me know what you think of the song, my friends. I appreciate you taking the time to listen to my work and read these rants. Got more on the way, but until the next drop. Take care & BLESSAWP!

Shane Co. (I'm On One)

Told you I’d be back sooner than later. Trying to be a man of my word, even when it’s more convenient not to be haha.. My dad used to use that saying on me from time to time- the one about how an honorable man’s word is his bond. When I was younger, I thought I knew what it meant, but as I’ve gotten older and somewhat wiser, I’ve found that there’s much more to what he was trying to instill in me in order to become a man- a man of honor at that. It took my fathers passing for me to learn, but that’s life for you. Sometimes you gotta lose in order to find yourself.

Speakin’ of which, I didn’t have to dig too deep to get this one out on wax. The words came and next thing I knew I had a finished song on my hands. Sat on it for a month or so, not knowing when would be the appropriate time to release, but with Thanksgiving right around the corner, it just feels right. This may be the last one for the year, but we’ll see. I’m hoping to have a brand new Christmas joint for you this winter. Don’t hold me to it, though.

There’s quite a bit of verbiage in the song altogether, but I’ll give some insight on the record. Let’s start with the title. “Good with God” refers to how I’m living. Not to brag or boast, but things are goin’ really well in my life and I believe it’s because I’m doing right by God; I pray and give thanks, I fast and pay tithes, I provide for my family- anything that I believe is pleasing to God, I try my best to take action on. I used to suppress my spirituality because I didn’t think it was appropriate or cool to share through music, but I realize I was making up excuses so that I would write about the worldly things instead. I have no intention on being a Christian artist, but that doesn’t mean I gotta stop being a Christian while I’m writing these songs haha..

“Momma look, no hands— S/O to Elon Musk!” a reference to the autonomous driving mode, which is available in all three models of the Tesla. Had to mention the smartest man alive, especially after his legendary acquisition of the Twitter platform- which I’m very happy about, by the way. I may become more active on Twitter, then again.. maybe not.

I mention a few names in the second verse; String (George Tuiasoa), AK (Ake Fulilangi), Sione Ray (Tu’ineau), Wild Bill (Pila Toki), FatCat (Tomasi Burke). All of these brethren have passed, but I felt inclined to keep their legacies alive, somewhat, with this song. George has a record called “Simple Man” and I used his hook to open the second verse with. I could’ve added a slew of other names, but we don’t want a 10 minute song, do we? Haha..

Anyway, I poured my heart out on this one. Let me know if you feelin’ this- if so, don’t be a gatekeeper and share it with anyone and everyone you know. If you ain’t feelin’ it, let’s hope I get it right on the next one haha.. As always, my people, THANK YOU. Much love for your continuous support & love. Got more to come so stay with me. ‘Til next time- BLESSAWP!

Good with God

Recently, for the first time ever, I performed in AUS/NZ. Prior to, I didn’t know what to expect, but it certainly wasn’t bad to say the least. It’s the furthest I’ve been from the states since I was a kid, so needless to say, I was shocked by the different culture(s) and environment. Somehow at the same time, it wasn’t far from what I’m familiar with. Utah’s filled with some of the kindest folks, and in relation to that, I didn’t encounter any hint of animosity from anyone— I guess that was the most familiar part of it all. Even amongst peers, whom I respect fully, were nothing but embracing and a joy to be around, namely; Swiss/Tree, BLKB3RRY, TTWFO band, Havea, Ron Moala, Donny Mahanga, HolyBoyDom, Ponifasio, JP, Wayno, DJ Spyce, DJ Peter Gunz, LecczBeatz and the list goes on. As far as I’ve been from any of them in distance, they could’ve easily been close friends of mine with how cohesively the acquaintances went. I learned much from each of them, even in the little time there— big S/O to all these brethren for their love, kindness and of course talent.

I learned a lot about myself during the trip. Mostly, that I have a really bad case of Imposter Syndrome, and if you don’t know what that is, here’s the definition: The psychological pattern of doubting one's accomplishments and fearing being exposed as a “fraud”. I’d hate to seem ungrateful for all that I’ve gained (and will gain) as an artist, but it’s extremely hard for me to accept that there are real souls out there who listen to my work. And with that, it’s not often I interact with any of you, let alone release music for you as often as I should. This self-diagnosis has led to much missed opportunities, I have no doubt. However, now that I’m more aware, I believe I can get out of my own way haha..

Mike Tyson says “you are nothing without discipline”, and if there’s one thing I’ve struggled with throughout my life, it’s just that. That struggle may or may not contribute to the Imposter Syndrome, but either way, mastering the mind is something I’m in dire need of. The creative within in myself is chaotic, adventurous, and constantly hungry. When you have nothing to counter balance such traits, it’s easy to lead a life that’s dysfunctional and completely unpredictable. At this point of my life, I’ve learned that the more control one has over his/her own habits, the more fulfilled and free that person is. Ironically, freedom IS discipline.

I say all that to say, this latest song I have is called “Temptation”. It’s less than 3 minutes long, so it ain’t the deepest of songs in that regard. The track is sort of satire with a bit of an edge, but it’s more or less about a man’s struggle in keeping himself an honest man. The beauty of this concept is that the temptation itself is interchangeable. We all have vices that knock and wait at our doors and it’s easy to entertain the thought of letting them in. I think this is more than relatable to folks of every background, but I might be wrong. Anyway, whether it’s cake or cake laced with crack, you can agree that a level of control is needed to fight the urge. The ending is pretty much left open for interpretation, so YOU as the listener can determine for yourself what that end will be. Lastly, I’ll add the fact that I referenced “Just My Imagination” by The Temptations, which I thought would bring this whole thing back, full circle.

There it is, I hope you enjoy. Much love, my dear friends. ’Til next time, stay well. BLESS, BLESS!

Temptation

Lyrics / Buy

A collaborative record between the ever talented MAKISI, who is also my fellow teammate (of the RAWKASYAWD) & myself (Sione Toki). We felt inclined to cut against the grain of our modern music with this laid back, oldie-inspired track. Although the sound may be old-school, we decided to put a modern twist of lyrics to it, making it unique in it's own way. We have plenty more where that came from, so follow us for the latest music! DOWNLOAD is FREE, so have it, friends! Thank you ALL so much for your support- until the next upload, stay BLESSED! OFAS/ALOFAS -RAWKASYAWD

Sione Toki & Makisi - "#IJS (Keep It 100)"

Happy Turkey Day! Another year practically down & gone already. Grateful to be alive and still in the mix as far as droppin’ music goes. The last release (Temptation) was so well received—I’ve gotten countless compliments online and in-person, so thank you all!

I don’t like holding too tightly onto the past, but I always find myself reminiscing tough during the holidays. Something about the change from fall to winter triggers my nostalgia. I start to think about past Thanksgivings/Christmases. My fondest memories take place during those times, so I tend to try n’ capture those thoughts within these Christmas songs. If I could drop Christmas music every year, I would—I mean, I try.. but as most of you know, I struggle keeping up with the regular releases as it is.

Music is such an effective book marker for our life stories. For example, when you hear a particular song and you’re taken back to a time and place- or even recall the emotions you had. Some studies suggest that listening to music, especially classical music, might enhance spatial-temporal reasoning and verbal memory in tasks. This means your brain gets better at visualizing shapes, movements, and figuring out how things fit together in space and time. It's like when you're trying to solve a puzzle or imagine how things move and relate to each other. In individuals with Alzheimer's or dementia, music often triggers memories from their past. This can improve mood, stimulate cognitive function, and temporarily enhance memory recall.

I kept all that in mind while making this Christmas song. My hope is that all of my Christmas songs play a part in your holiday celebrations, big or small. I’m not sure how true this is, but I’ve heard Christmas music is often associated with reducing stress by promoting relaxation and easing tension, making the holiday season more enjoyable. That’s the goal for me, at least.

As you can see, this time around I got some help from Toki.Mo, who delivered a simple, yet catchy second verse that helped tie the whole song together nicely. S/O to the bro for coming in clutch ‘cause I was close to not making it in time for Thanksgiving (songs need to be submitted to distributors 4 weeks in advance). Snowman’s an easy going song, not too hyped, not too mellow. I think it’d make a great addition to most Christmas playlists, so give a guy a chance haha.. Thank you so much, as usual, my friends. Here’s to another year down and another new one to come. Merry Christmas & Happy New Year!

SNOWMAN

SNOWMAN (feat. Toki.Mo)

Fast

YELLOW

YELLOW (Clean Version) [feat. Stone II]

YELLOW (feat. Stone II)

I Need Ya

Bless Up Music & Tux Production brings us "Holla My Name" by RAGGADAT CRIS of Australia featuring myself, Sione Toki, and New Zealand's own talented ELK©O on the production. Please follow, like, share & comment- let us know what you think! Thank YOU so much for supporting the cause- BLESSAWP FROM THE YAWD! #RAWKASYAWD

Raggadat Cris ft. Sione Toki - Holla My Name [Prod. by ELK©O]

YHWH’s Light (feat. Sione Toki & Stone II)

Obsessed

Rabbit

"Pull Up". A record that I hold as an ultimate achievement & highlight in my pursuit of success in the music industry. Not only because of it's GREAT vibe in composition (provided by AUSSie's own #LECCZBEATZ), but it features a TRUE ARTIST whom I greatly RESPECT, ADMIRE & consider a living LEGEND among us for his accomplishments.. The one-&-only #F1J1. I'm very proud to claim this record as my own, but just as proud to say that I'm not the only one responsible for making it what it is.. a straight up SMAASH haha. Massive SHOUTS to #F1J1 and his team for their skill, as well as #LECCZBEATZ for his craft & the toko #HENELE (graphics/artwork) who is responsible for the awesome "Pull Up" artwork. Last, but NOT least, I thank our FATHER in HEAVEN for his countless blessings- though I do not deserve it, this track being among them. My hope is that you ENJOY the record just as much as we did CREATING it. BLESSAWP my bothers & sisters- 'til NEXT post, #OFAS.

Pull Up

4 THE FANS

In my room

Polynesian Everything - "Van Gogh" feat. Sione Toki (Prod. by Armadeazy)

Nice

Nice (feat. Blxst)

WASSAWP, MY FRIENDS & FAMS?! Again, I come to you with the deepest gratitude & humility for the massive amount of LOVE & SUPPORT I've continued to receive from YOU. I can feel my head gettin' bigger & bigger every day haha- but I try my best to stay GROUNDED & HUNGRY. THANK YOU 10FOLD.

As the seasons change and we've long said "good bye" to the Summer. I've conjured up what I could musically (with the help of #MoMusiq) to create a record that would mesh well with the Autumn time. Not sure how well I've done, but I hope you enjoy the record nonetheless. Ideally, I want my music to speak to you, spark up GOOD feelings, memories & thoughts. If it hasn't or doesn't, then I've failed completely as an artist.

"In The Morning" is a song that simply speaks on the heartbroken. Love ain't always the sweetest thing. When it gets bitter and falls apart, it could leave one lost and confused- many times depressed. I know this, but don't ask me how- I just know haha. Anyway, in this story of a woman in heartache, a friend reaches out to help her through. Relatable or not, you'll know exactly what this record is about.

#RAWKASYAWD

In the Morning

¡Hola, como estas! haha I know, I know- it's definitely been some time since my last release, but this should let you know I haven't forgotten about YOU, and that I appreciate your patience. FOREAL.

I typically do NOT unofficially remix another artists' work (let alone remix another remix) unless I'm feelin' it THAT much- but in this case, the vibe was right and I really enjoyed Eric Bellinger's rendition, as well as the original record by Kent Jones. I honestly could not help but put everything else aside to create this. Another BIG reason for the remix (to the remix) is to showcase my ability to hang with a Top 40 songwriter- who is Eric Bellinger, and also a Top 40 artist such as Kent Jones; All while representing where I'm from #UTAH, which is who I dedicate this T-MiX to. All my #UTAHANS.

I'm very proud of where I reside as it is a big part of who I am as an artist. And I don't take pride in that just because I was raised here, but because it's also the most UNLIKELY of places for someone like me, a Hip-Hop/R&B songwriter and first generation #Polynesian-American, to be successful in the music industry. 

Anyway, the last time I did something like this was with Drake's "Girls Love Beyonce", and that record came out nearly 2 years ago! 2016 has been a much slower year for me, but the plan is to turn that around starting with this record.  (I'm done ranting). THANK YOU, FRIENDS! More coming SOON. TRUST.

Eric Bellinger & Sione Toki - "Don't Mind" (T - MiX)

Wassup, wassup AGAiN, my people?! I’m sure you're surprised with how soon I’ve made it back, and in a good way too. Very stoked to bring this next record, as I am trying to rebuild momentum that was lost due to complex reasons- in other words, you don’t wanna hear about it, because it’s boring haha..

Instead, let me tell you the story about this specific song “10Fold”, which is kinda funny.. kinda. I wrote the song a little after I had written “#IJS (Keep it 100)” with #Makisi, which technically means that this record is over 2 years old- the lyrics are, to be more accurate. 

Long story short- “10Fold” was initially written and recorded to a #Harikiri production. I wasn’t feelin’ the final cut of the song, so I decided to sit on it- no release. Throughout the entirety of withholding the track, I tried manipulating it in every way I possibly could, but just couldn’t break the threshold of satisfaction. It lacked.. something, but I couldn't put my finger on it. Finally, after 2 years of believing that this record would NEVER surface, #MoMusiq swoops in to save it- like the super hero he is haha.

I sent Mo the stems to “10Fold" 6/30/2016. Mo Musiq sent THIS VERY VERSION to me on 7/16/2016! What took me over 2 years to get right, it took my dunny 17 DAYS! What’s even crazier is that the bro didn't even worked on this solely in that time. The boy is a phenom. Anywho, please enjoy the record, people! We do what we LOVE for who we LOVE, which is YOU. Thank you very much for your support. Much LOVE & BLESSAWP 10Fold!

10 Fold

WELCOME, my ever faithful friends & family- also massive welcome to all my NEW listeners. Here we are again in the Fall season, this time in year 2016, where football is already underway and the holidays are a foot. Of course I’m coming to you humbly with another SELF-WRiTTEN record. I emphasize on the "self-written” because unfortunately we live in a time where the normality is “artists” don’t write their own shit. Though it’s a debatable subject and many are fine with the fact, I personally disagree with this fawkery- all the more reason to PUSH even harder.

On a brighter note, this latest record is entitled “Ride It Out, Run It Back”. On this record, I lightly touch on my feelings towards the lifestyle as an artist and how I do appreciate it. However, I made the decision not too long ago that I would invest myself in this for the sole purpose of making money. It’s been rough to say the least, but at this point, I’m still faithful in my pursuit- and because of the support from my loved ones and YOU, I remain with my head above water. HERE. Endurance is the name of the game and not so much speed. Although, it does feel as if I’m limited on time haha..

It’s another piece from the heart, so I do hope you appreciate it, just as much I appreciated receiving inspiration from The Most High to create it for you. For the first time, a record of mine will be avail via ALL major streaming services; AppleMusic, Tidal, Spotify, Pandora, etc. As well as all online media outlets, such as; iTunes, Amazon, Google Play, etc. Come 9/14/2016 ’twill be all yours. Thank you so much for ridin’ with me, even to this point. BLESSAWP 10FOLD.

Ride It Out, Run It Back

SUPPORT BUTTON

Hello, hello! Johnny here, on a brand new day, month, year and chapter- READY to take this music thing to new heights. FOREAL. I come to you this time with a record that may or may not sound ignorant and/or flashy, but that's just how the record manifested itself in the creative process. Anyway, as the song reflects where my mind/heart is, I hope to direct that vibe to YOU, the listener- in hopes that such may inspire, influence, encourage & promote PAWSiTiViTY. Not only that, but this is a statement. A statement to my peers/competition, letting them know that as much as I appreciate their work (and the relationships that have spawned from being apart of this music circle), I'm here with a valid PURPOSE.

TiME will tell which of us are really set apart for GREATNESS and which are not. With the upmost respect, I'm trying to CHANGE THE WORLD- what are YOU here for, if not that? If not that, you may need to re-evaluate your purpose. This is the TRUTH as I have come to believe it. Music is POWERFUL in so many ways- and if you aren't using that power to benefit the people around you and those who come in contact with it, then I'm afraid your contribution carries no value- No TRUE VALUE, I should say. Especially NOW when it seems like anyone can sell records..

Enough pep-talk haha.. Regarding "FANTASTiC.", I've brought on the help of my fellow artists; #KELEGi, #MOMUSiQ & #CHUCCNORRiS..

Kelegi (Terrance, as I call him) is the skill behind my latest artwork; "Ride It Out, Run It Back", my SoudCloud header, avatars across all social media, etc. I've been blessed to have his help with the visual presence of my work- has come in clutch so many times, so I'm very appreciative of his time and effort in bringing the appearance of my work to where it is.. FANTASTiC. Haha..

Mo Musiq (SUPER PRODUCER) and I have developed a great chemistry that allows us to bring to you, what you hear. I haven't been able to duplicate such vibe with any other producer, so the content is authentic in it's feel- I'm very grateful for Mo and his art- Such an OUTSTANDiNG musician he is. But aye- somebody tell him he ain't gonna find an artist better than I on his beats. ON THE REAL! Hahaha..

Chucc Norris is not only a Utah native artist, but he is also of my maternity bloodline (#TUiTA). Though Chucc may be new to you, he's actually been with me since I first started years ago. My brother will soon have his debut single ready come 2017, so be on the lookout, my friends. I vouch for his sound, so take my word for it- you already know I'm good for it haha..

This was my last release of 2016- now avail for the NEW YEAR of 2017. Like I've mentioned before, 'twas a slow year for me (2016), but it ain't nothin' a yoko like me can't bounce back from. I'm here for a REASON- and you're favorite artist is only here for now. TRUST & BELiEVE. Thank you all ever so much. I LOVE YOU for your LOVE and support. UP n' UP YASELF!

FANTASTiC. #DARKHORSE

Fantastic

Fantastic (feat. Chucc Norris)

EVENiNG, my beautiful friends & fam! Already almost half way through this first month of 2017, and I’m hearin’ a plethora (word of the day) of great music from so many different artists- bad among them as well, but that’s to be expected, especially now haha.. Gotta power through all that though, so let’s be STRAWNG.

As we’ve all been dreading taking down that Christmas tree, I’ve found that good music can help make the process a little less dreadful. Which is partly why I’ve done you the great & noble deed of making you this “LOVE.” song. We must acknowledge the fact that in a month’s time, it’ll be Valentine’s Day, and with that tree still up, not only does it devalue V-Day, but it makes you look lazy.. not saying you ARE, but it would sure seem as such.

Instead of opening up 2017 with a “BANG!”, I’m gonna go the opposite route and open with something laid back and jazzy. “LOVE.” is the title of the song I’m releasing tonight.. in case you haven’t read it haha. Slowing it WAY down for ya this time, ‘cause it seems now would be a good time to just.. RELAX. With that, I’d like to show versatility in what I do, as I believe it is important as an artist- of any kind. In this record, I speak (sing) on “LOVE.” as I have experienced it to be. Obviously there are many variations of “LOVE.” everywhere, so I think it safe to eliminate the possibility of a standard form of it. Because “LOVE.” carries so much weight in meaning, there’s no way I could do the word justice in just one song.. but this is my attempt to do so.

I suspect that more than a few of us have come down from the highs’ of the holidays and back to the norm. Let this song help with your settling down from all the ruckus and wild tings haha.. Thank you folks ever so much for the support, as usual. NEXT release coming to you soon. BLESSAWP 10Fold.



#DARKHORSE, #KELEGi, #801EST.

Love.

Before I get into anything, I do want to acknowledge the fact that I’ve been silent. NOT DEAD, just.. preoccupied as it were. My apologies for the delay, though. Time really flies when you’re in a rush, am I right? Haha..

It’s funny how things don’t always go according to plan. On the same note, it’s funny how things ALWAYS workout. For a while now I’ve dreamed of making music for a living, but the closer I’d get to that so called “dream”, the more I found that it was not the path for me. I used to envy many of my peers, but I’ve reached a point in which I can truly say that I’m happy I’m not them. No disrespect of course, but that's where I'm at.

The introduction to this release features one of my favorite rhymesayers of all time.. MF DOOM. He explains the reason for wearing a mask, and how Hip-Hop used to revolve around the music itself and not the image. The mask is worn in rebellion against the “system”, which is something I try to incorporate in my own music because it’s something I believe in very strongly. I’m a purist of sorts. As frustrating as the changes in the industry are, I accept and try hard to keep an open mind to stay hip- However, I can’t (and won’t) stray too far from what I feel is genuine and honest.

Obviously the instrumental used is not my own, but was used by Cam’ron- which is a classic. I'm taking note from Russ, who put out his version of a throwback record (T-Pain’s “I Can’t Believe It”). A few other artists are doin' the same with various old school instrumentals, so I figured why not? This was a fun project (as most are), and the instrumental itself brought back a lot of memories of when I was younger.. a lot younger. This was also sprung out in the midst of working on other projects. Knowing how long it has been since my release of “Ketchup”, ’twas a MUST that I interrupt what I’ve been working on to bring you this freestyle.

As far as the release goes, it will only be available for stream on Soundcloud and Bandcamp. Sorry to those who’re subscribers to other streaming services- I got you on the next one. TRUST & BELiEVE. Because this instrumental is NOT mine, I'd more than likely get into some trouble with a major record label for making money off their work haha..

Anyway, as always, THANK YOU for continuing to support despite my inconsistencies. I mean that with everything that makes up who I am. THANK YOU a million times over. ’Til NEXT TiME, my people! BLESSAWP! 

HIT THAT "Buy" LiNK for FREE DL!

P.S.

This song was made in honor of Mate Ma'a Tong (MMT) who competed at this year's RLWC (2017). Also in memory of my tokoua James Hingano and his family. 'Til we meet again, brother. OFA ATU.

The Whole 9 (T-Style)

The Whole 9 (T - Style)

PEACE! What is up, my people?! Long time, no release.. First off, let me apologize yet again for my absence. Almost seems these releases are getting further & further apart, huh? My bad. Life’s got me spread thin these days, but as said by the great philosophizer Christopher Wallace himself, ‘believe me sweetie, I got enough to feed the needy..’ haha.. So yeauh, I’m aware of the timing, and I sincerely am sorry, friends. Because of your patience, and because I have a lot of making up to do, I’m bringin’ a couple tracks back-to-back, no less than a week apart, starting with K-Pop sensation, Red Velvet’s “나쁜 소년” (“Bad Boy”).

Now, for those that’ve been with me for a while know I’m no stranger to K-Pop. I’m actually very much into the genre, and it’s probably obvious at this point. Also, oddly enough, this is the second Korean song I’ve messed with titled “Bad Boy”, which’ll probably make things confusing in the future, but that’s cool. However, those are the only connections between the two songs- outside of which, they couldn’t be anymore different.

The original record is performed by a girl-group (5 members), based in Seoul, named 레드벨벳 (Red Velvet). This song in particular is the single off their latest album “The Perfect Red Velvet”, which is actually a re-packaged release of their previous album “Perfect Velvet”. They’ve been #1 on the Billboard World Charts a few times, and the music video to this single has reached over 59M views since it’s release on 1/29. Needless to say, these girls are the definition of BiG TiME, even by the American pop standard. They have every element of what pop stars are made of. Don’t believe me, see for yourself: https://youtu.be/J_CFBjAyPWE

From when I was younger, and even currently, music from different parts of the world intrigued me. My logic was, and still is, the world is too vast for good music to only exist in English- let alone American English. ‘Cause even then, we were being fed so much garbage through the radio, the songs that were “less garbage” were more or less considered “hits”. My classmates like to think that our era (‘90s-2000s) was the greatest era for Hip-Hop, but on the contrary, that time is literally the father of the trash (my opinion) we hear today. On the other hand, there are GREATS/LEGENDS that stood out amongst the lesser, of course. Though, that fact carries through- probably as far back as Jazz goes (don’t quote me). It is as they say though, and I’m paraphrasing here, but you know a tree is good by the fruit that it bares. This is my own humble opinion, the ‘90s-2000s’ tree was more a bad tree than good.

Not to say that there are no good fruit, of course. There are definitely exceptions to this rule, like any other. Let’s just not overlook too much of the trash, I guess is all I’m sayin’. But yeauh, I think having an open mind to all kinds of music really developed my palette. Setting aside that most (if not, ALL) modern day music is heavily influenced by American culture- more specifically, African-American culture. It’s a wonderful thing to hear musicians from different backgrounds provide their own take on the art form. It’s even more fascinating that the internet enables us to take it all in at the rate we do.

I’ve gone on quite a bit, as I typically do. If you’ve made it this far, you’re the reason I write these captions. But please, don’t buy too much into what I write, as I tend to rant and say things that may or may not be of much substance- though I try. Really, I should just write a book- and I probably could with all these captions, but I’ll look into that later. What I need to do is make more music at a faster rate, huh? I think I’ve found just the thing, but I’ll reveal that next week, with the release of “Done” featuring my dude Sefa M. In the mean time, I’ll go ahead and leave it at that. My best regards, friends & fam. MORE TiNGS comin’ soon- TRUST & BELiEVE.

나쁜 소년 (RMX)

Red Velvet - 나쁜 소년 (8654RMX)

1st official mixtape by Sione Toki. Features include Jovi, Loa Pole'o, Chola and U.L.A. of TAKE CARE ENT.

I Am Sione Toki

Make Up (feat. Loa Pole'o)

Happy 2019, everyone!

Back at it like I never left for 8 months. I know I say this a lot, but I’m sorry for the absence. As much as I want to explain myself and the reasons behind the slowdown, it’s best we look forward and let our past experiences, good & bad, better us. That being said, onto “Sade”!

For those that don’t know, Sade (Helen Folasade Adu) is a British Nigerian singer, songwriter, and actress. A very prominent artist in the late ‘80s and throughout the 90s’. If you don’t know who she is, you’re more than likely Gen-Z. You get the idea- she’s had a big influence on the game. 

Speakin’ of which, this song here is heavily influenced by the legend. I’d be arrogant to claim that this record would live up to even an inch of Sade’s work, but I’m not that dumb. Truthfully, I probably shouldn’t affiliate her name with the record, but my funds  startin’ to slack and plays are gettin’ low, so I need the clickbait haha.. This sort of composition is not my forte. The track had been on the back burner for a bit, but came across it while goin’ through the archive. It came down to a few tracks when deciding which would be the one to put out at the start of 2019. Because this one sounded like something I wouldn’t normally do, I’m runnin’ with it. 

Whether the record does well or not (whatever that means), I’m never too sure, but I certainly hope it might capture one person’s attention at the very least. That’s all I can hope for in the end, anyway. Not that I don’t care if these songs reach a good number of people, ‘cause I most definitely want to be heard. At the same time, I’ll take what I can get haha..

Alrighty, fam. Feel free to let me know what your thoughts are on the track. I appreciate the input when I get it. Also, if you haven’t already, sub to my YouTube channel  as I will be utilizing that much more often than I have in the past. There’s even a lyric video in the works and that’ll be on the YouTube channel soon after the release. Also coming soon is my Patreon page. I believe I mentioned It before, but I got hemmed up on that too. If this year permits, it might be the busiest year yet, but that’s if everything goes accordingly. But alright, friends! Enjoy this single. More on the way!

BLESS, BLESS.


Scheduled with http://scplanner.net

Sade

You ever get the feeling like people are waiting on you? Me neither. Ok, that’s how I been feelin’, but I’ve heard the call (more like a whisper), and I’m here to answer.. months later. Not 100% sure of my answer, but it’s an answer nonetheless. I might be taking a chance on all sides with this one, but we’ll find out soon enough if it’s a chance worth taking..

“FAST”. Produced by yours truly. If it ain’t obvious, the song revolves around a sample, which is an old childhood favorite, “Funga Sia” by Ulise Pole’o. Released in the mid ’90s as part of the album “Love Is All We Need” (a title that could’t be more relevant for our time now), it wasted not a second in becoming an instant classic amongst the Tongans. The Pole’o name is well-known amongst the Tongan community for their unweathered music, so it’s definitely a risk on my part in sampling this renowned record. However, as we all know, with great risk comes great reward.. High time for me to rise to the occasion. I’m confident in it, but you can never be too sure. 

I digress. The record is a fun, upbeat song that I think may cater more to the younger audience; 9 and under range.. It’s summer, so I guess it’s only right I pander to the ones that’ll be the most energized and active. The decision was between this and the the next one I’ll be throwin’ out (soon), but I’m equally happy with both. My latest releases were a little serious and a bit gloomy, so I thought I’d lighten the mood a bit with this one. The record still carries some introspect, but I think I stayed true to the vibe- I don’t know, let me know how I did.

Official release date for major streaming services only is May 27th- due to approval issues. Also, there are 2 versions to this release. I acknowledge that my audience is well mixed in background, so I kept one all in English and the extended version mashed up with lyrics from the original song sampled and my own. However, if you’re lookin’ for the all-English version- both are actually available as FREE downloads through my bandcamp [https://sionetoki.bandcamp.com], follow the “buy” link or stream it on Spotify!

Onto the artwork/Israel Folau. Honestly, I don’t follow the bro all that much, so I couldn’t tell you what his stats look like. Although, I definitely took notice when the media here in the states started covering his “controversial” posts. I happened to be workin’ on this record when it all started snowballin’, and yet again, kismet, as far as artwork goes.  Obviously I’m sidin’ with my dude, since I got him on the artwork and all. NOT because I’m in total agreement with his actions and what he believes in, but because I believe in freedom of expression. Folau was found guilty in violating his $4M contract a few days ago, so I suspect his career as a ball player might take a turn for the worse. He was presented a peace-offering by the AFL, but he stood firm by his convictions and declined. I truly admire Israel’s faith and his courage to put EVERYTHING at risk for what he believes in, showing many of us that material things are not important. At least, not as important as we might see it. If you’re not gonna take it from anyone else, maybe we should take it from someone that really is wealthy.

Alrighty, people. I hope you enjoy the record, as much as you have my others in the past. I’m slow at puttin’ content out, but I try my best to make the wait worth while. Feel free to let me know how you feel about it. BIGG SHOTS to ‘Ulise Pole’o for his personal approval of the sample, as well as BIGG TANKS to my dawg LOA POLE’O (of 3RP) for being my liaison to the legend. Last, but not least, I thank God for his countless blessings, one of which patient listeners like YOU. ’Til next time, friends and fam. FAST.

FAST.

FAST. (Extended)

This is an UNOFFICIAL remix of Valu Fa ft Chente's "Tenderoni" track. Couldn't get it out of my head, so I decided to put this together. ENJOY!

Sione Toki

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