Name: Piano by Sir Edward
Duration: 7 min 19 s
Description: A soundscape inspired by Modernism made for Soundset II Project at Museum voor Schone Kunsten in Gent. A combination/confrontation of 'Danse pour piano' by E.L.T. Mesens (1922) with the poem 'Piano' by Gaston Burssens (1924). Piano played by Laetitia Levan.

Ghosts (Cv313 Re-Imagined Dub)

Ghosts (Cv313 Re-Animation)

Acid Dub Versions II

Tapped (Surgeons Girl Remix)

Coal deposits, mining operations and other coal dust feed his work and transport us to the subsoils of Northern France.

Watch out for "coup de grisou" and remember to keep your head down in the galleries!
https://nottebrigante.bandcamp.com/album/dans-le-nord

grisou

Detlev Holtz - Dehors Les Chiens (A3)

Please, use headphones or good loudspeakers.

vacant lot (strange bird) (2023), for large amplified ensemble
commissioned by Ensemble Intercontemporain

Live Recording, Klangforum Wien

vacant lot (strange bird) (2023), for large amplified ensemble

n1ghtrunners

130.56 Bm (Scanner)

First single from Sary Moussa's album 'Wind, Again', out June 27th 2025

White Dust

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "VA - Artist Series EP (Alt/Dub)".  Out May 26th 2025. Buy here : 
https://altdub.bandcamp.com/music

Based out of San Francisco, Federsen and his Alt Dub imprint are known as purveyors of
all things raw and intricate in the world of Dub Techno, holding the beacon and
championing the sound, introducing new artists and featuring highly respected figures
from the scene also. This new various artist package promotes exactly that.
Taking the lead is the widely revered cv313, the Detroit based dub powerhouse delivers his
signature sound with ‘Spectral Vector’ via hazy field recordings, textural noise,
modulating percussion and spiralling dub echoes all subtly nuanced throughout its nine
minute duration. Hidden Sequence’s ‘Azteca’ follows, picking up the energy levels
courtesy of swinging organic percussion, bubbling echoes, reverberated stab sequencing
and oscillating resonant synth flutters.
Opening the B-Side is Fletcher’s ‘A Distant Place’, an eight and a half minute excursion
through soft, dream like chimes, twitchy synth tones, a heavily swung rhythm section and
subtly nuanced structure. Sydney’s Taction then concludes the release with ‘Caesious’,
employing trickling water sounds, ethereal, expansive pads, pulsating subs and reduced
percussion.

Label social media :

https://soundcloud.com/altdub
https://www.instagram.com/altdubrecords

PREMIERE : cv313 – Spectral Vector (Alt / Dub)

Performed by Ensemble Laps, on 8/5/2025
piano: Nao Momitani
clarinet: Rudy Mathey
laptop :Quentin Meurisse

deep blue

If sound comes from a source, what happens if the source itself becomes an aberration? Artefact is a first attempt to address the perceptual strangeness that an artificial intelligence model can create. The sounds in this piece all emerged from RAVE, an AI sound model design system recently created by Antoine Caillon at IRCAM. The result is a kind of volatility of matter, as if it were constantly calling out the artificiality of its source and its mutation, beyond our decisions.

Si le son provient d'une source, que se passe-t-il si la source elle-même devient une aberration ? Artefact est une première tentative de réponse à l'étrangeté perceptive que peut créer un modèle d'intelligence artificiel. Les sonorités de cette pièce ont toutes émergé de RAVE, un système de conception de modèle sonore IA récemment créé par Antoine Caillon à L'IRCAM. Il en résulte une sorte de volatilité de la matière, comme si celle-ci ne cessait d'appeler l'artificialité de sa source et de sa mutation dépassant nos décisions.


Thanks to FW-B and FeBeME-BeFEM for all support

Artefakt

A soundscape inspired by Modernism made for Soundset II Project at Museum voor Schone Kunsten in Gent. A combination/confrontation of 'Danse pour piano' by E.L.T. Mesens (1922) with the poem 'Piano' by Gaston Burssens (1924). Piano played by Laetitia Levan.

Piano

Edward Dekeyser is the laureate of the 2021 'Influx Musiques & Recherches' Concours international de l'interprétation spatialisée des oeuvres electro-acoustiques 'Espace du Son'.
He has studied five years of acousmatic composition at Arts² / Royal Conservatory of Mons (Belgium) and sound-design at the Dko-atelier of the Academy of Fine Arts in Antwerp.
Sir Edward Belgian honorary guest, whose merit is actively involved in implementing the underground WAVEFORM get-together figures of Belgian wave. As a result of periodic events WAVEFORM AM (now WAVETEEF) in Belgium, with live music experimental analog electronics of both the old and new school
Sir Edward broadcasted (dUNK-podcast, Beatscapes ao. at Radio Centraal) and was resident dj for Salon Social, Kissinger, Bar Tabac, Waveteef in Antwerp and has taken Berlin, Moscow, Paris, Odessa, Beijing,.. and beyond.
He is since 2020 a member of the artist-run-space/multimedia-atelier toitoiDrome in Antwerp.

Piano

Sir Edward

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