I Wanna

'Are You Trending?' is released digitally on 20th May 2016

Official video: https://www.youtube.com/watch?v=u6dA_iY8_TU


Are You Trending?

Following two radical reinterpretations earlier this summer from Truncate and Yaleesa Hall, which earned plays from Roman Flügel, Laurent Garnier and Ben Sims to Dusky and Huxley; Kamera’s ‘Ventoux’ EP is further expanded with two remixes that tastefully expand the producer’s original vision of uncompromising body music.

Throwing Snow’s remix of title track ‘Ventoux’ deconstructs the bright, IDM inspired anthem into something equally frenetic yet utterly different. Punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling Throwing Snow’s noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and EBM.

Meanwhile, festival and club favourite George FitzGerald, delivers a blistering remix of Consignia, one of his personal favourite club records in recent times. Here, FitzGerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one that’s certain to leave bigger rooms in throes.

Listen here: https://soundcloud.com/kameramusic/consignia-george-fitzgerald-remix-edit

This is PH49RMX2

Buy the heavyweight vinyl (with free download): go.phantasysound.co.uk/PH49RMX2
Buy from Juno Download: http://po.st/PH49RMX2JunoD

Check out PH49RMX1 - Truncate and Yaleesa Halls version of 'Consignia' here: soundcloud.com/kameramusic/sets/consignia-truncate-yaleesa-hall-remixes

Follow Kamera:
www.facebook.com/kameramusic
twitter.com/kameramusic
www.residentadvisor.net/dj/kamera

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Ventoux (Throwing Snow Remix) EDIT

Buy Emergence: http://maxcooper.lnk.to/Emergence

I started this track with a simple Prophet patch running through a Moog ring mod with loads of overdrive. It wasn't so much overdrive that it became aggressive, but enough so that it had a simple tonal quality overlaid with plenty of honest low-fi grittyness. Sometimes all it takes is getting that first timbral feature right for the rest of the track to flow from there, and this was a good example for me. 

I also knew I wanted the track to fit later on in the Emergence story, where it should be rhythmically straight enough to fit into a club show where needed, but also for the part of the show where we explore visually, the range of complex living forms and evolutionary change - it needed to capture some of that beauty of life's morphogenetic creativity.

I found the chord sequence fairly quickly, and built the drums and smooth dynamics within a few days, but I got stuck on how to complete the track. I tried hundreds of different ideas, and thought I might need to bin the project, but then luckily stumbled across some old synth jam recordings that had some moments that sounded ok. So I jumped on those and went to work on an editing job. 

It turned out that a lot of the problem I had been having was that I was trying to add too much, when for me, the chords were the hook, and what was needed was a sparse melodic addition to support the chords rather than any sort of traditional tuneful hook. In recent years I've been more and more drawn to just chord sequences as the main features of tracks musically, with the rest stripped away. When Ryan Rival Consoles was considering a remix he commented the album seemed to be all about the chords (or something to that extent), so I guess that idea is in there. Chords just seem to carry the most emotion for me for some reason (as opposed to melodies or lyrics for example).

So there it is, I hope you like the track!

Emergence

12"/Download/LP Stream

Organa [Mesh001]

Two Thousand And Seventeen

The line-up! The music! The setlist (though not the best one they did)! The voca... erm... yeah... okay, it's one thing Gillan could not remember a lyric line or two. But another thing is, probably, drinking before the gig. We know Gillan used to be a bitter drinker, so I suspect that wore him out at the concert, because otherwise he's an absolutely fantastic singer, my most favorite one (for instance, try singing "Take me to the hot line yeah" on a very high pitch 8 times in a row, or Child In Time loud vocal parts just once). But even I myself know drinking alcohol before the gig, even just one can, is a bad idea. It wears you out quickly, you can't remember some things... it's bad. And to try hiding it behind screams is even worse.

Born In Hell

Smoke On The Water

Claro

Brothomstates - Mdrmx

SW9 9SL

📀 https://orcd.co/blinddance_vonderhaardt
Out Today - my remix / improvisation of Sophie Hutchinngs beautiful song “Blind Dance”. 

It’s part of Von Der Haardt charity compilation featuring Kiasmos Pantha Du Prince, Hania Rani, Jose Gonzalez, Lambert, Grandbrothers, Brandt Brauer Frick, Christian Loeffler, Poppy Ackroyd, Masayoshi Fujita amongst other artists who have contributed with different songs and collaborations. 

The full release is out on Christmas Day and you can pre-order it here https://orcd.co/haingeraide_vonderhaardt

Sophie Hutchings - Blind Dance (Sebastian Mullaert Remix)

Used to be about the size of a baby. Grew very very slowly. Now roughly as big as a man.

Smoke On The Water

sirchutney

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