Drumcode - part 2

Adam Beyer & Alan Fitzpatrick - Tor

Marshamallows

DJs Supporting :
Paco Osuna, Stacey Pullen, Sasha Carassi, Axel Karakasis, Cristian Varela, Filterheadz, Joseph Capriati, Kevin Saunderson, Luigi Madonna, Miguel Bastida, Monika Kruse , Nuke, Oscar Aguilera,  Raul Mezcolanza, Roberto Capuano, Roger Sanchez & many more..
selectedmastering@gmail.com   
demos.selected@gmail.com

Gabriel D'Or & Bordoy - Gliese (Original Mix)

<p>Legend warning! The Advent teams up with Spiriakos and &#8220;Everybody&#8221; goes straight for the jugular with a rumbling bassline and obvious vocal running through the affair, as manic synths and tasty stabs take center stage. &#8220;Analysis&#8221; is toned down just a bit and the focus shifts to the busy rhythm section and streamlined electronics, but enough space is given for the haunting riffs and cavernous washes to truly shine.</p>

The Advent & Spiriakos - Analysis (Original Mix)

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Ben Sims - Bullet

Ben Sims - The Calling

Cari Lekebusch & Joseph Capriati - Missed Flight (Original Mix)

''The Signs Within'' is Drunken Kong's debut album on Tronic, featuring 12 original tracks including two collaborations with label boss Christian Smith and talented Victor Ruiz. With this work Japanese duo prove they are here to stay with some top notch techno. Whilst keeping the groove alive, they deliver some punching bass lines, rolling subs and deep synths.
Each track has a message of its own. The Signs Within, Life We Knew and The Rhythm giving us that hypnotic, infectious and sometimes deliciously sinister vocal stab. Secret Garden and Perfect Dominance both take it deep, dark and twisted with a serious fearless low end and eerie synth stabs. Grooviness can be felt in the funky bass laid down in Mission and As It, whilst rounding off the LP, they take it slow, mellow and mesmerizing with A New Day.
The whole production takes you through a variation of sounds and textures, appealing to many musical palates. Creating a selection of tracks which are not all for the dance floor, but unique in their own way, whilst acting as a perfect complement to one another on this LP.

Buy on Beatport

The Signs Within (Original Mix) [Tronic]

Out now on Beatport
https://www.beatport.com/release/forward-motion-ep/2165543

The new Intec release is from British born Rebecca Godfrey who is better known to Techno fans as BEC via her seminal releases on Pan-Pots label Second State. Now living in Berlin, BEC has received critical acclaim from publications like Pulse Magazine who recently listed her alongside the likes of Helena Hauff, Dasha Rush and Rebekah as one of The Underground's 10 Leading Ladies. BEC has a great future ahead as she continues to make waves and plays gigs everywhere from London to Hong Kong. Including a release on Hydrozoa this is only her second release outside of Second State, and Intec are honoured to welcome her to the family. Starting with pulsating synths "Forwards" builds with tightly sequenced percussion. The lead synths uplifting notation is offset by eerie bass stabs, and these contrasting moods combine to create captivating tension. Stripped back with subtlety at its core, this techno track takes control without you even knowing it's got you under its spell. Track two "Motion" has a clatter of metallic claps and morphing synths that ripple and shimmer. Understated with a hypnotic groove, the mechanical rhythms flow with precision engineering and attention to detail. Like lemon sorbet, this is the perfect palette cleaner, but can also be served as a bitter sweet dessert.

ID143 2. BEC - Motion

Artist: Ben Sims 
Title:  Smoke & Mirrors 
Label:  Drumcode 
Release: 27th October 2011 
Format: Vinyl / CD / DigiCat No:  DCCD005 

Late-October sees the long awaited release of Ben Simsʼ debut LP, ʻSmoke & Mirrorsʼ, on Swedish techno imprint 
Drumcode.  
 
Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every 
seminal techno imprint there is. As an A&R heʼs been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans.  
 
Most recently the London-based producer has seen his ʻWay Back Wednesdayʼ (with Tony Anderson), ʻFunk Youʼ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club 
night “Machineʼ alongside Kirk Degiorgio.  
 
Itʼs with Simsʼ multitude of achievements and notoritey in mind that the knowledge that ʻSmoke & Mirrorsʼ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyerʼs Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Simsʼ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Benʼs talents, influences and perhaps most importantly, his vision of what techno can and should be.  
 
From the off ʻSmoke & Mirrorsʼ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ʻSmoke & Mirrorsʼ.   
 
The rousing and prophetically titled ʻRiots in Londonʼ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ʻDescentʼ but subtly augmented with almost-there soulful vocal samples. This 
nod to soulful elements is then carried on in the less pacey, house referencing ʻ The Snakeʼ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin.  
 
As ʻSmoke & Mirrorsʼ develops, suprises like the out-and-out tech-funk of ʻBack To The Podʼ and the street party disco of ʻCan You Feel It?ʼ are hinted at but never lack surprise when dropped. The emphatic drive of the huge 
sounding ʻI Wanna Go Backʼ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ʻBulletʼ and the late-night discordance of  ʻThe Afterpartyʼ ramp up the tension.  
 
The twilight sections of Simsʼ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ʻThe Callingʼ trips proceedings out in anticipation of the closer, 
the Tyree Cooper vocalled and aptly titled ʻI Feel It Deepʼ 
 
ʻSmoke & Mirrorsʼ has been more than worth the wait. Itʼs as balanced, entertaining, engaging and powerful as youʼd expect from such an artist as Ben Sims and, comfrom Blake Baxter and Tyree Cooper, is essential stuff. 

DJ SUPPORT FROM: ADAM BEYER, SLAM, BEN KLOCK, MARCEL DETTMANN, CARI LEKEBUSCH, TECHNASIA and many more.

Ben Sims-Smoke & Mirrors 'Drumcode Album Mini Mix'

VONDA7
Analog Heart EP
Kneaded Pains 21

1. Analog Heart Original Mix
2. System Original Mix
3. System Dub

2.VONDA7 - System Original Mix

Buy Link: http://bit.ly/2MZ8xRi

https://soundcloud.com/drumcode
https://soundcloud.com/timmo

Release info

Premiere: Timmo - Black Moon - Drumcode

Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Full Premiere: https://www.wearesoundspace.com/premiere-resonances-it-daniel-beknackt-pulse

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Resonances IT
https://soundcloud.com/resonancesitaly
https://www.facebook.com/resonancesit

Daniel Beknackt
https://soundcloud.com/daniel-beknackt
https://www.facebook.com/DanielBeknackt

Riot Recordings
https://soundcloud.com/riot-recordings
https://www.facebook.com/riotrecordingslabel

PREMIERE

Premiere: Resonances IT, Daniel Beknackt - Pulse [Riot Recordings]

Ben Sims - The Afterparty (Original Mix)

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

Cari Lekebusch & Joseph Capriati - Missed Flight (Original Mix)

IMRDV

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