Posse

Moonanga for Stereo Gang Radio 

01 - The Blue Magic Cumbia by Moonanga (Unrelease)
02 - Derun featuring Mara Aranda - Derun EP - 02 El Dolor del Desenganyo (Original Mix)
03 - Madar&Shariph - Special Chabbat by Mir4ge (Unrelease)
04 - Derun featuring Coral Filhos De Oxossi - Derun EP - 01 O Galo Cantou Na Serra (Original Mix)
05 - Earthly Measures - Earthly Tapes 02 - 06 ElPeche & Yaguareté - Rastro de Fogo (ft. Mari Branco)
06 - Red Axes - Waiting For a Remix - 04 Waiting For a Surprise (Von Party vs Red Axes Remix)
07 - Parvati Khan - Jimmy Jimmy Aaja (Aimes Edit)
08 - Earthly Measures - Earthly Tapes 02 - 05 Mytron - Oil
09 - Usha Uthup - Chhupke Kaun Aya 
10 - Lazy Flow - Jack Snitcher (Original Mix) 
11 - Asha Bhosle, Bappi Lahiri & Shashi Kapoor - Raat Baaqi Baat Baaqi 
12 - Prosper  Stabfinger - Boogie Bugi (Bombstrikes)
13 - Prosper & Stabfinger - Bounce With Me (Bombstrikes)
14 - Prosper _ Stabfinger feat Awoke _ Death Town  - Funk Sauce (Bombstrikes)

Love to Love mix by Moonanga

Une hypothèse dit que: les résonances inhérentes du granite, rayonnant sous la forme d'un champ sonore complexe durant le travail de la pierre, auraient pu influencer le développement de l'écriture hiéroglyphe. 
Etonnant!

Granit

Alex Garcia - Easy Killer (Original Mix ) - Didgeridoo Fredo Moussours - Mastering Loïs Wefine -

CLIP https://www.youtube.com/watch?v=NiTuZJtsakI

Alex Garcia - Easy Killer (Original Mix)

Track “Wonder” reminds us how wonderful our world is, with a warm and dancing atmosphere.
Bpm : 127
Label : U.T.H.RECORDS
Release : Album "ONE DIMENSION" out january 10, 2024
Bandcamp : https://pharpheonix.bandcamp.com/album/album-one-dimension

ONE DIMENSION

Wonder - Franck UTH

Live Set 11.11.23 @LeMorozoff

Ecoute tu verras bien Billy

Okaaayyy

swing jumpers

MIX-UP

***FREE DOWNLOAD***

Huge pulsing FM bass slams as hard as the most primal of natural forces...fiya🔥.  This monumental Leopard Step release is another layer in a neurofantastic pyramid of tech house power. Fiya is what's up in 2025! Let me know what you think in the comments! If you like it, please share!

🔥 https://www.beatport.com/release/fiya/5005184 🔥


Fiya

Producing my best house track so far in Ableton Live was a turning point in my journey as a producer. The goal from the beginning was not to overcomplicate things, but to focus on groove, atmosphere, and emotion. I wanted the track to feel warm, laid-back, and immersive—something that slowly pulls the listener in rather than demanding attention right away.

The process started with a simple drum groove. In Ableton, I built the foundation using a clean kick with a soft low end, paired with a shuffled hi-hat pattern to create movement. Subtle swing was essential, so I spent time adjusting the groove pool and MIDI timing until the rhythm felt natural and human. Once the drums were locked in, everything else was built around that pulse.

For the bassline, I kept it minimal and deep. I used a simple synth patch, focusing more on filtering and automation than on complex sound design. Automating the cutoff and resonance over time helped the bass breathe and evolve, which gave the track a sense of progression without adding unnecessary elements. Sidechain compression to the kick was carefully dialed in to keep the low end clean and bouncy.

Chords and textures played a huge role in defining the mood. I layered soft house chords with subtle pads, using reverb and delay to create space and depth. Ableton’s automation lanes were key here—slow filter sweeps, reverb sends, and volume fades helped the track feel alive and constantly moving. Small details, like background noise and vinyl-style textures, added character and warmth.

Arrangement was all about patience. Instead of big drops, I focused on gradual changes and smooth transitions. Elements were introduced and removed slowly, keeping the listener engaged without breaking the chill vibe. Ableton’s Session View helped me experiment freely with ideas before committing to the final arrangement in Arrangement View.

The final stage was mixing and polishing. I kept the mix clean by cutting unnecessary frequencies and leaving space for each element. Light bus compression and subtle saturation helped glue everything together without sacrificing dynamics. In the end, the track felt balanced, emotional, and true to my vision.



swing jumpers

mireje

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