PREMIERE COMME DES LARMES – CDL

PREMIERE CDL \\ HEIMAT - Tu Miedo (TOULOSE LOW TRAX REMIX) [Teenage Menopause Records] (2022)

Artist » HEIMAT - https://meineheimat.bandcamp.com/

              Tolouse Low Trax Remix - https://soundcloud.com/detlefnet

Ep Name »   Zwei - REMIXES 

Label » Teenage Menopause Records - https://soundcloud.com/teenagemenopause

Paris, France

Format: ViNYL  + DIGITAL ALBUM

Release date:  November 25, 2022

BUY HERE  >>> https://meineheimat.bandcamp.com/album/remixes

>> Following two manifesto-albums, which quickly became an influence of marginal musics in France, Olivier Demeaux & Armelle Oberlé asked artists whose directions they share to revisit some of the flagship titles of their catalog.

We thus find there the priest of the English pysché Sonic Boom? the cantor of slow techno Toloose Low Trax, the experimenter of the modular_synths Le Crabe or Zohar, UVB76, PlimPlim and many others. 

>> Faisant suite à deux albums manifestes, rapidement devenus influences des musiques de marge en France, Olivier Demeaux et Armelle Oberlé ont sollicité des artistes dont ils partagent les directions pour revisiter certains des titres phares de leur catalogue.

On y retrouve ainsi le grand prêtre des psychés anglais Sonic Boom, le chantre de la techno lente Tolouse Low Trax, l'expérimentateur du modulaire Le Crabe ou encore Zohar, UVB76, PlimPlim et bien d'autres.

Artwork and layout by the almighty Valfret


Bandcamp: https://teenagemenopause.bandcamp.com
Facebook: https://www.facebook.com/teenagemenopauserds/
Instagram: https://instagram.com/teenage_menopause_records

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#teenagemenopauserecords
#heimat
#tolouselowtrax
#minimalsynth
#electro
#commedeslarmes
#vinyl
#80s
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#ambient
#techno
#ebm
#newbeat
#paris
#france
#leftfield
#idm
#avantegarden
#musiqueconcrete
#synth

REMIXES

PREMIERE CDL \\ HEIMAT - Tu Miedo (TOULOSE LOW TRAX REMIX) [Teenage Menopause Records] (2022)

Gold

Go Away (Daisy Chain)

Available on 7" vinyl at http://www.ChoiceRecords.com 

Graffiti Island - Demonic Cat
©2010 Graffiti Island

Choice Singles

Graffiti Island - Demonic Cat

Physical: geographic-north.com/cassette/death-on-the-hour/
Digital: geographicnorth.bandcamp.com/album/death-on-the-hour-aural-apparitions-from-the-geographic-north
Catalog #: GN38
Wilted lilac cassette, limited to 100
Mastered by Sean McCann

Geographic North proudly presents 'Death on the Hour,' a ghastly collection of Halloween-inspired recordings intended to spook and seduce through every turn of the season. Spanning 11 harrowing tracks, Death on the Hour boasts a ghoulish smattering of Geographic North mainstays and a healthy dose of new blood weaving through original recordings as well as disfigured renditions of Halloween classics.

Arriving long past the witching hour, the looping vignette of Moon Diagrams’ (Deerhunter’s Moses Archuleta) “Omegaplex” repeats a curious and oddly familiar phrase of suspense not far removed from the "Opening Titles" of John Carpenter and Alan Howarth’s Prince of Darkness suite. Similarly, Leech's (Brian Foote, Peak Oil/100% Silk) "Utah" writhes in fits of rhythmic revulsion, perfectly soundtracking some doomed narrative of paranoia and peril. 

For a more spectral sense of evil, Windy & Carl's (Kranky, Music Fellowship, Darla) "Witch & a Cauldron" drifts in a cloud of black feedback and tonal haze proving once again that Dearborn's darling duo can find weightless beauty in a fit of foreboding harmony. Another product of the Great Lakes, Lansing’s Auburn Lull opens the B-side with “Unknown Color,” layering distant metallic clatter, muffled low-ends, shuffled static, and processed throat singing. It's a jazzy and noirish waltz through similar scenes haunted by Pan•American and Moritz von Oswald.

M. Sage (Patient Sounds) revises "I Put a Spell on You" into something equally mesmerizing, covering Screamin' Jay Hawkins' blues ballad into an unsettling bit of obscured, manic pulsing, lo-fi pop, while Lyonnais (Hoss Records, Geographic North) takes J.P. Shilo’s recent and stunning work "SLEEP" and re-imagines it into a majestic wide-shot of symphonic minimalism. An army of stringed instruments are bowed to their limits, holding on to the grim waking dream just long enough to make sense of it all. 

A warm and delirious trip through hauntingly alluring astral planes.

The Flag - Cannibal Nite-Life

Remix of the US Girls single off of US Girls on Kraak (also released as a 7" on Calico)
Plus Boy is Mine produced by Onakabazien released off the same record, and the b-side to
the Calico single. 

US Girls - High School Poetry

from the compilation Never Die -- Already Dead (AD216), on Already Dead Tapes from Sept. 2016

AD216 'Already Dead VI: Never Die Already Dead' Compilation

"Cinnamon Gurl"

We meant to record our set on 2.25.17 and forgot. We replayed it straight through with no studio magic. A faked show.

1. Suck My Left One (Bikini Kill)
2. Endless Mess
3. Dead
4. What I Like
5. I Think I'm A Mother (PJ Harvey)
6. Mon Cheval
7. Nest
8. Shack
9. Desiree (Laura Nyro)

Live(ish)

'Strawberry Milk' is taken from Darlene Shrugg's self-titled debut album, out October 27th through Upset The Rhythm.

Darlene Shrugg is unabashedly a rock ’n roll band. Formed in Toronto in 2013, it’s something of a local enigma; Darlene more or less abstains from an internet presence, and its public performances are sporadic at best. Now, over two, reticent years, Darlene has completed an LP, coaxing out an imaginatively produced debut album of brash theatricality and uninhibited Rock and Roll.

Darlene represents collaborative convergence. The band was conceived initially by Maximilian Turnbull (formerly Slim Twig) and Simone TB, who played together for ten years as art-punk duo, Tropics. Seemingly having exhausted the limits of their angular, hermetic approach, they felt it time to broaden horizons. They invited Meg Remy, creative force behind the critically lauded U.S. Girls project, to compose lyrics and vocal melodies for a new band’s repertoire. It was quickly apparent that Remy should also perform in the band, at which point both Carlyn Bezic and Amanda Crist, known for their electro-pop duo, Ice Cream, also joined. An interesting dynamic developed. Turnbull & TB generated instrumentals for Remy to write to. Furnished with lyrics and melodies, the songs were then arranged by the entire group. This work and a schedule of infrequent live shows continued for a couple of years until Young Guv, of Fucked Up fame, cajoled the band into a studio with engineer-producer Steve Chahley to finally record some of the exciting new tunes.

A certain alchemy has helped to establish the unique force found on the debut album: four women, one man; four Canadians and an American; musical collaborations stretching back to nascent high school years; punk exuberance meeting studio finesse. Darlene exudes an easy confidence in combining the raw, blunt power of the band’s writing and arrangements with Turnbull & Chahley’s layered and, at times, elaborate production. The concise blast of their self-titled debut seeks to compress, absorb and invert the energy of classic rock. They profane, as much as pay tribute to a lineage of foundational bands, arguably stemming from Black Sabbath and Alice Cooper through Thin Lizzy, and on through the boy’s club fantasy of early 2000’s, ‘raw’ rock revival bands, like The Strokes or The Hives. Gauche rock moves are ransacked and transformed with the glee of an amateur cast production of the Rocky Horror Picture Show. All of this unfolds in less than half an hour, leaving time for a detour into the sublime with album centrepiece, Strawberry Milk, an interstellar power ballad turned meditation on Eve, and the confrontation between sex and eternity.

With their glammed-up, high intensity live show featuring all members contributing vocals (save drummer TB), Darlene Shrugg seems not to rebut so much as disregard the notion of Rock’s diminished cultural capital. Their diverse brand of hard rock resists genre pigeon-holing. They fan out an array of stylistic threads, which they might later choose to follow up, or perhaps just as likely, skip past. They’ve laid waste to the Toronto underground. Now, they’re hungry for more.

Darlene Shrugg

Darlene Shrugg - 'Strawberry Milk'

This is the second podcast from U.S. Girls - this time Meg has put together a compilation of tracks by artists who played on GEM. 


TRACKLIST
01 Onakabazien, "No. #1" (from That Young Shit: Needle & The Damage Done)
02 Onakabazien, "Early Morning Reflections 3" (from Power of the Dollar)
03 Slim Twig, "Mary Jane" (from 4 way "STATEMENT" split)
04 Slim Twig, "Labeija Pen'davis" (from Sof' Sike)
05 Chocolate Chips, "Feel For The Industry" (from Cancel My Appointments)
06 Tropics, "Pale Trash" (from Pale Trash Single)
07 Onakabazien, "The Price Is Right II" (from That Young Shit: Needle & The Damage Done)
08 ZACHT AUTOMAAT, "Untitled" (from Bags Inside Bags)
09 ZACHT AUTOMAAT, "Untitled" (from Bags Inside Bags)
10 Tim Westberg, "Scope Creep demo" (Unreleased Demo)
11ZACHT AUTOMAAT, "Untitled" (from Bags Inside Bags)
12 Slim Twig, "Clerical Collar" (from A Hound At The Hem)
13 Onakabazien,Stuck In Church (Unreleased Demo)
14 My Mind, "A New Man, My Life Coach, He Shine" (from Path Masher)
15 Onakabazien, "Abandoned Luncheonette" (from Power of the Dollar)


LINKS:

SLIM TWIG : www.slim-twig.com
ONAKABAZIEN : onakabazien.bandcamp.com/
ZACHT AUTOMAAT: http://zachtautomaat.bandcamp.com/
MY MIND: http://mymind.bandcamp.com/
TROPICS: http://tropics.bandcamp.com/




U.S. Girls - GEM Playas

SISTER PACT is Logan Sibrel and Omar Afzaal

Live(ish)

Sister Pact

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