Composed in Conservatory of Pantin - 2015
This is a binaural mix of an octophonic piece :
Use your headphones !

Thanks to Ana Dall'Ara Majek for the help in the binaural re-recording !

This piece is a slice of discomfort

Ce vide qui déborde - Binaural octophony

Mineral Life 2 (2016), for solo viola. Généviève Strosser.
Live recording of the WP at Auditorio Miguel Delibes in Valladolid, 13.03.2016.

Mineral Life 2 (2016), for solo viola. Généviève Strosser.

Carícies cap al blanc (2013) / Cinq études d'art, Nº 2
pour piano
Dur. 03:45
Éditeur : Durand, Paris / Universal Music Publishing Classical
Commande du Festival Nits de Clàssica (Girona, 2013) pour le pianiste Àlex Alguacil
Création : Àlex Alguacil, piano. Festival Nits de Clàssica, claustre de la Catedral de Girona, le 3 juillet 2013.
José Menor, piano. Enregistrement: Catalunya Música. Palau de la Música Catalana, Petit Palau. 09.09.2015.

Carícies cap al blanc. José Menor, piano

Cell (Arch of Hysteria) (2016) / Cinq études d'art, Nº 4
pour piano
Dur. 09:00
Éditeur : Durand Éditions Musicales / Universal Music Publishing Classical (Paris)
Commande du Festival Nits de Clàssica (Girona, 2016)
Création : José Menor, piano. Festival Nits de Clàssica, Girona, 14.07.2016.
José Menor, piano. Spectrum 2016, NY.

Cell (Arch of Hysteria). José Menor, piano.

For his strange and hypnotic theatrical piece "Malte's Masks," my good friend Patrick Scheid asked me to create a soundscape to accompany him reading a section of Rainer Maria Rilke's "The Notebooks of Malte Laurids Brigge" concerning a neighbor's struggles with the nature of Time.

Patrick is one of my very favorite readers; genuine, humorous, excited, clever, and carefully-paced, he brings texts alive in ways that make a listener hearken closely, like a skilled storyteller of yore. In creating the soundscape, I asked him to give me a demo recording of himself reading the Rilke passage. Because the reading was just a draft, recorded hastily on a phone, with a few slip-ups, I hadn't considered posting it publicly along with the music.

But re-listening to it recently, I'm struck by how much I enjoy the two together, and have decided to share it; the little occasional word fumbles and smiles you can hear in Patrick's voice actually made me enjoy it all the more, as if he's immediately there. Rilke's text is absolutely mesmerizing, and Patrick's reading draws out the wonders of wandering its bizarre, half story/half stream-of-consciousness trails.

I've tried to do the same with my sonic contributions, blending new material, re-imaginings of some of my old material, and additional samples into a dreamy atmospheric meditation.

"Malte's Masks" was performed on September 25th, 2015, at Dixon Place Theater, New York.

The soundscape instrumental version is available for listening and download here:
https://soundcloud.com/hwarg/something-stable-on-which-to-keep-a-steady-gaze

Something Stable On Which To Keep A Steady Gaze (with Rilke, as read by Patrick Scheid)

composed for IRCAM CURSUS 2016-2017
in collaboration with Ieva Sruogytė

Au départ - for viola and electronics

Juliette Raffin-Gay, mezzo-soprano. Sivan Eldar, live electronics. Jérémie Bourgogne, sound engineer. Recorded live at Festival ManiFeste 2017.

Original text by Cordelia Lynn. Lighting and concept by Aurélie Lemaignen.

Created at IRCAM under the supervision of Hèctor Parra and Jean Lochard (Cursus 2016-17)

http://www.sivaneldar.com/youll-drown-dear

Sivan Eldar: you'll drown, dear (Juliette Raffin-Gay, IRCAM)

HTP_011

Three tales of. 3 mvt.
Soliste, Youmi Kim (soprano)
Orchestre des lauréats du Conservatoire
Guillaume Bourgogne, direction

Three tales of. 3 mvt

Suumer Chaos 1.0

Taken from 'Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996)' (MFM053)
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HTP_011

Siting Jiang

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