Live At Humphrey's

No Other Love (Live at Humphrey's)

KMT KI Media 2025 (01.05.2025-10.05.2025)
Album Nr. 39 "Dreamstate Navigator by KMT" - Style: Progressive Trance | Tracks: 31 (ai generated)

Track 01: Hypnotized by You
progressive trance and much more

Track 03: Soaring Beyond the Stars
Soaring beat, female vocals, euphoric, progressive trance, lush pads, shimmering synth arpeggios

Track 05: Echoes of the Unknown
ethereal soundscapes, pulsating bassline, hypnotic, deep resonant male vocals, male vovals

Track 07: Eclipsed by Shadows
haunting female vocals, dark progressive trance, melancholic, distorted synths, powerful drop, female vocals, progressive trance

Track 09: Euphoria in Motion
female vocals, acid lines, progressive trance, euphoric melodies, complex synth patterns, complex

Track 11: Journey to Dawn
progressive trance, atmospheric sound, soothing, sunrise feeling, male vocals, gentle, dreamy pads

Track 13: Eclipse of Emotions
layered synths, intricate rhythms, female vocals, complex, progressive trance, epic climax, cinematic soundscapes

Track 15: Shining Horizon
bright, female vocals, progressive trance, uplifting, bright synth melodies

Track 17: Echoes of a Dying Sun
powerfull brass, cinematic progressive trance, tense atmosphere, dramatic, progressive trance, dramatic strings, epic feel, male vocals

Track 19: Whispers in the Dark
smooth bassline, sultry saxophone, female vocals, sensual, jazz, saxophone, progressive trance

Track 21: Heavenly Glow
female vocals, progressive trance, ethereal synths, blissfull feeling, heavenly sound design, shimmering pads

Track 23: Bounce Through the Cosmos
progressive trance, female vocals, glitchy effects, fun energy, unexpected twists, bouncy synths

Track 25: Broken Horizons
cathartic release, progressive trance, emotional male vocals, tearful breakdown, male vocals, melancholic

Track 27: Command the Fire
powerful female vocals, female vocals, intense energy, progressive trance, distorted bass, aggressive synths

Track 29: Intertwined in Sound
deep, pulsating bassline, progressive trance, emotional, hypnotic, male vocals, emotional build-up

Track 31: Mystical Journey
male vocals, hypnotic rhythms, organic textures, tribal-infused progressive trance, ethnic instruments

If you would like to use my music commercially, contact me. No financial income may be generated from my music without my permission. For private purposes my music is free if my name is mentioned.

Thank you very much for your time and ear. Enjoy the your journey through my artificially generated music paradise.

© Album cover and music generated with AI by Kurt Michael Treichl

Best Regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me at
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

14 Eclipse of Emotions v2

Fade Away

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Fade Away

SIX60

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