KP CO

AMIAZING. P.DISE ft Blaze The Emperor
Beat by HEPAKLYPZ. Produced by Crime Heat GRAFICS

P - Dise - Amazing

Before You Leave

Available now here: http://bit.ly/1tlUQye

Site: www.six60.com
Facebook: www.facebook.com/Six60
Twitter: www.twitter.com/SIX60
Youtube: https://www.youtube.com/user/Six60NZ

I've been aiming for the top
Just like a rocket taking off
You got me high, I'm flying in a dream
Got me feeling like I won
And after everything you've done
Just let me take this little moment to say

You're so special to me
All that I want and need
You're so special to me
And I want the world to see

See I always get a rush
And I don't tell you this enough
But you're the one who makes me happy
You're my future don't deny it
From time to time I get to write it
But I guess what I am trying to say

You're so special to me
All that I want and need
You're so special to me
And I want the world to see

I know ,you know, I know that you know, that
You're so special

You're so special to me
All that I want and need
You're so special to me
And I want the world to see

#SIX60SPECIAL

Special

Six60

So High

Roll With Me Ft Jesse (Sovereign) at Logan City

Deserve the Love I Give

Nesian Mystik - Brothaz

Released October 10th 2011
Massive Entertainment
Universal

Only To Be

Track from Rex Martel - Death Of Mareko mixtape

Rex Martel - Free At Last (Dreaming)

Not My Neighbour

Wavy

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Only To Be

SIX60

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