GOLD ALBUM

Someone To Be Around

Finest Wine (2021 Remix / Remaster)

Country Roads

Paradise 35

Paradise 35 (feat. Classick J)

Unaware

Ready To Ride

Israel Starr - Long White Cloud Ft Awa & Lion Rezz
Riddim by Nicorebel Music JA
Mix by Israel Starr
Art work by Juse 1

Israel Starr - Long White Cloud Ft Awa & Lion Rezz

Nesian Mystik - Brothaz

In Collaboration with VLSC , South Korea
Kindom Of Jah Riddim 🔊🔊
Mixing & Mastering by NOTM, Ghana - Africa
Produce by TruMon Productions, Canada
Available on SoundCloud, MixCloud, AudioMack, Audius, YouTube, TikTok, Instagram and Facebook

This is a non-profit channel, i created those Dubplates to bring inspiration , motivation , relaxation and ease the stresses of life for fellow Reggae fans. It is not intended to infringe on anyone's rights. Any producers, artists, or singers featured here often contribute voluntarily but most of the time I paid them/fan funded to help bring these projects to life. I'm not backed by any record label—everything you see here is self-funded. If you're interested in sponsoring, feel free to reach out. All of my content is 100% original

BEN HAMMS  - After Here / TruMon Dubplate

SIX60

Rivers

Please Don't Go

Raining

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Raining

SIX60

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