It's hard to miss those Wheelwright vocals. Great track

dreamy track, and made even more so by Wheelwright's vocal, and lovely collaboration and a great mix as well!

So wonderful song dreamy and lovely well done my friend￼

@christoffersen-weber: The track has such a great on/off subdued-into-anthemic feel to it - and I did my best, but I definitely see what you mean - it could probably do to be bigger and/or have a vocalist who is intrinsically a lot more anthemic than me!

A nice marriage of talents, Michaels voice draws one in as always, and the long brushstrokes of echoey sounds reflect and change gently allowing the repetition to create a dream like trance state that is only punctuated by the big, thumping, enthusiastic drums that not only bring their own agenda but put down a floor and also bring a courageously surrealist existentialism. Lovely sounds, gorgeous lyrics. Enjoyed that guitar too!

There's a whole new dimension I have discovered Michael with your collabs with Six Four Zero Two. For starters this is wonderful.

Love the bass line and of course the vocals. 

A playlist of other people's tracks (most recent first) that I have contributed to.

Collaborations Elsewhere

I had the great pleasure of collaborating with Martin Hirsch.  Martin is a recording genius and I was along for the ride.  Thank you Martin!  I hope you enjoy our track.

@martin-hirsch-656665916

Take Me Back To St. Augustine w/Martin Hirsch

Image c/o NASA (Asteroid 'Psyche' NASA/JPL-Caltech/ASU NASA PIA24471)

Blue Asteroid

Look, there she's walking around
She got no borders no bounds
she knows that there's still a way
and with her magical smile she sweetens our day

Peace, Love and... Sandy, amus.
Composed/All instruments/Mixing & Mastering by amus
Cover by amus

Easy Sandy (Single Version)

Credits:
Music, instrumentation and production: Six Four Zero Two.
Lyrics and vocals: Wheelwright.
Cover design: 6402.

To the Light (Wheelwright x Six Four Zero Two)

Stripped

This Song Goes Out To Tom And Peg 
I love you with all my Heart and Soul
You Were The Best Grandparents 
That Ever Walked Gods Green Earth
Walk Softly And Carry A Big Fucking Stick Mother Fuckers

HATE CATZ 4 EVER

God Knows You Are A Liar

White Wedding Ballad

Recorded in Modesto, Ca.   Featuring Acoustic Piano solo, Harmonica solo, Gibson 335 Electric guitar solo. Fender Electric Bass. Gibson L5 Electric Guitar Rhythm. Fender Rhodes Electric Piano Rhythm. Horn section, Tenor Saxophone, Alto Saxophone, Trumpet. String section. Trap Drum set. Percussion Tambourine.

Got the Blues

I got the Blues

Music & mix Guiville @guiville
Vocals, lyrics, and additional string arrangements by Michael Wheelwright @wheelwright
---
https://soundcloud.com/guiville/sets/truth-guiville-wheelwright

VHS 22 (Feat. Wheelwright)

Wheelwright: voice https://soundcloud.com/wheelwright
Beckenstein: music, lyrics, vocal melody, instruments

Fictive Sisters is a Trans-Atlantic online collaboration between Wheelwright and Jonathan Beckenstein.
________________________________________________________________

hibernating
the days grow dark
suffocating
so pull your boots on
walk out the door

frozen ridge line
and silver moon
distant tree line
the sleeping forest
is under snow

crystal flakes will crunch underfoot
icicles agleam
father winter will tread by your side
to the frosted stream

calculating
the solstice tide
enervating
procrastinating
walk out the door

frigid meadow
in moonlight glaze
dormant willow
is waiting naked
for your embrace

crystal flakes will crunch underfoot
icicles agleam
father winter will tread by your side
to the frosted stream
________________________________________________________________

Michael and I will be introducing two new songs in roughly a month, and at that time the Fictive Sisters album "Immaculate Distraction" will be available on Bandcamp. We will let you know when and provide a link. Thanks always for your listening!

image from Wikipedia

Father Winter (with Wheelwright)(Fictive Sisters)

Wheelwright: voice, vocal melody, lyrics @wheelwright
Beckenstein: initial music, instruments, mix

Fictive Sisters is a transatlantic collaboration between Wheelewright and Beckenstein. Our album Immaculate Distraction is available at Bandcamp: https://fictivesisters.bandcamp.com/album/immaculate-distraction

lyrics below
_______________________________________________________________________

Born in Belarus in 86 yeah
Worked in construction back on the farm then
Dressed as a bishop she did deals in St Peters now she
Drives a Bugatti through the streets of Lausanne

It's not the money that's what she said
Don't want to end up with a hole in the head
We'll rule the world with the power of love
Oh do you think so coz
I don’t think so

We took an Uber to the conference centre she said
They’ll act like animals to get what they want
Blood on the dance floor but you get what you pay for when you
Hang with the cool kids at the policy disco

It's not the money that's what they said
No one looks good with a hole in the head
We'll rule the world with the power of love
Oh do you think so

I can't stay in bed for ever
My real life will never start
Complications don't want to know
Happy ending I don't think so

Hybrid warfare
Grand synthesis
Do the practice
Get dog biscuits
Keep it simple
Keep it stupid
Makes us feel good
We’re gonna use it
______________________________________________________________________

Image credit (detail, processed): Girl with red hat unsplash.com/@girlwithredhat

bandcamp

It's Not The Money (Wheelwright)(Fictive Sisters)

Wheelwright: voice, lyrics, vocal melody, synthesizer, theremin sample @wheelwright

Beckenstein: initial music, guitars, bass, drum programming, mix

--------------------------------------------------------------------------------------------------

We stayed up very late then took the flight from Kyoto 
The blossom on the wind the artificial sky reminded us of something

Oh did you hear that a storm is coming 
Oh did you hear that we were making plans

That girl said she was you when you were in that noise art band
 But it was hard to tell if she was really real or just another ghost

The shadows on the wall 
The clinical blue light 
The trouble's hidden in my heart

I'm watching from above it's like we're in a TV show
 We're standing on a bridge the mountain in the distance like a Hokusai

----------------------------------------------------------------------------------------------------

image: Marlon Josué https://unsplash.com/@paladin_04 further processed by Wheelwright

Thanks to Fady for inspiration various.

We Were Making Plans (with Wheelwright) (Fictive Sisters)

Prod. by Monotronaut
Vocals & Lyrics by Wheelwright
https://soundcloud.com/wheelwright
Mastered by Gus Elg at Sky Onion.

--
Oh do you harbour some great sorrow or regret
Do the sins of the fathers pray on your mind
Oh if I lost my fear, my righteous anger, would I no longer be a danger to myself
Then we could walk like spirits through this complicated world
Forgetting all we know

Here comes the blue wave here comes the new wave
The frozen moment
Here comes the blue day here comes the new day
The frozen moment
Here comes the blue wave

I dreamed the moon was burning a cold white fire in the night
Like a scythe across the sky
It cut the stars free from their moorings and they became a second sun
And then we walked like sprits through this complicated world
Forgetting all we know

Forgetting All We Know (With Wheelwright)

Ballad filled with thoughts for everyone struggling with reality. Some amazing drums by JACOB and guitar solos by Larry Mac. Engineered and Mastered by John Seals

dreaming of home

Dreaming of Home

thelem (mast)

This one was the hardest song I’ve ever written. This and Red are both siblings; and they’re both chronicles of Love, loss, longing… and dreaming. I really hope you guys enjoy it. To all my hopeless romantics and irrevocable lovers, cheers 🥀
- it’s all for you 🧀 & 🍞

The Dreaming

A sonic sketchbook. 
Independent, Not-for-profit, Post-Punk.
Featured on BBC Introducing.

Music's got a hold of me.
I am also half of Fictive Sisters https://fictivesisters.bandcamp.com

I have a soundcloud manifesto too (I know almost no one cares):
(1) I do not want to win at soundcloud
(2) I respect people who listen by trying to do work that is as good as I can make it but I may attempt (and possibly fail badly at) different kinds of music so you will probably find some of my tracks suck quite badly even if you like others
(3) If I follow you please feel no obligation to follow me back or to listen to my tracks because I know different people like different things
(4) If you follow me please don’t expect me automatically to follow you back because as I said different people like different things. I try to listen to most new uploads of the people I do follow, so there are only so many people I can meaningfully follow (and only so many reposts I can cope with) at any one time before it all gets a bit overwhelming
(5) If I add a track of yours to my likes that means I particularly like it and if I comment on a track that means I really did want to communicate something. I do not do these things expecting or wanting anything in return or fishing for listeners/followers etc.
(6) Soundcloud (still) can be wonderful and has wonderful people in its universe but some aspects of it do my head in and so I am putting this out here so everyone knows where I am coming from. This is not intended as criticism of anyone else, it is just what works for me

To the Light (Wheelwright x Six Four Zero Two)

Six Four Zero Two

Recent comments

SuZanne Ledwith

SuZanne Ledwith

markjbennett

Phil McWalter

Related tracks