Collaboration between Roughage, [sic] and Alan Courtis for Hushush Canada Argentina exchange 2004

Grupo De Tres [sic], Roughage & Anla Courtis

This track is part of an online museum for sound art out of the netherlands called SoundMuseum 2009
http://soundmuseum.fm

Happenis by [sic]

Live at Acorn Studios January 28th 2014
Jen Morris: String instruments and pedals
Stéphane Neri: Guitar & pedals

Mastered at Autocalve Studio 

All instruments made by friends or myself. 
Daddy Mojo stove pipe guitar. 
Landman Homeswinger and Vasarahait 
SCM pedal by MASF.

Span by MORRISNERI (live at acorn studios)

This is our latest live shit. We used pedals galore and string instruments.
love,
MORRISNERI

Mastered at Autocalve Studio.

Garrot by MORRISNERI (Live at Acorn Studio)

my contribution to the HLE collective's manifesto
oct 2012
released on blank VHS

Shin by [sic]

it is a song that i composed using sounds i sampled from
this release. http://www.dincise.net/insubordinations/releases07.html
that was released on this http://www.insubordinations.net/releasesrwk01.html

i never samples other artists, i leave that job to others who are good at it.
the difference here is that they asked me to do it and it was amazing source material, so it was very inspiring!
instead of remixing one song, i decided to remix their entire album... in one song.

johnny brossard by [sic]

my mom collected bells, i made this song with her and my dad for a track on netlabel Adozen.org years ago.

Bells of beaconsfield by [sic]

Album: Gorilla Masking Tape
Piehead Records 
Toronto Canada 2004

Feeble Wee One by [sic]

Composed by Jen Morris for Stardust Manifesto 
(words Mari Bastashevski, video Tina Frank)
www.stardustmanifesto.net

Stardust Manifesto

[sic]: Sound artist Jen Morris prefers avoiding the beaten tracks. She brings an earned legitimacy to her introspective compositions, which are constructed from fleeting sonic contrasts, dissonances, and impositions. Using sources as diverse as the Japanese koto and assorted field recordings, [sic] remains aloof and bemused. Deep in the analog cabin, she records and processes the sounds through a variety of ornery effects mechanisms. The final product provides a refreshingly soothing atmosphere in which one can either bathe, exercise, or make love. When [sic] hits the road, her eerie soundscapes are accompanied by equally arresting visuals, comprised of digital imprints from her sordid life. The [sic] roadshow has travelled extensively in Europe, from tiny Ilirska Bistrica to bustling Berlin.

jen morris

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