witching hour

Bear Hands' new album, You'll Pay For This, out now

CD/Vinyl: smarturl.it/bearhandsshop 
iTunes: smarturl.it/youllpayforthis-I
Google Play: smarturl.it/youllpayforthis-gp
Amazon: smarturl.it/youllpayforthis-a
Spotify: smarturl.it/youllpayforthis-sp

Distraction: smarturl.it/bhdistraction.
See Bear Hands live: bearhandsband.com/events

http://bearhandsband.com
facebook.com/bearhandsband
twitter.com/bearhandsband
instagram.com/bearhandsband
youtube.com/bearhandsband


Buy Distraction

Giants

A sampling of each band on the Joyful Noise 2014 Flexi Disc Series (joyfulnoiserecordings.com/joyful-noise-2014-flexi-disc-series.html) NOTE: these are not the actual tracks featured on the 2014 flexi series. This is just a sampling of the awesome bands participating this year. The Flexi series features never-before-heard, exclusive tracks from each of these artists -- limited to just 1000 copies on flexi disc.

Born Ruffians "Needle"

Animal Shapes EP -- Released 2010 on Tricycle Records

Geographer - Kites

"A Good Look" EP now available on Spotify (http://spoti.fi/1PZWVMu) &  iTunes (http://apple.co/292ZUT7)
---
Recorded, produced, mixed and mastered by Bob Curtin at The Alamo
---
Twitter: bit.ly/1PGOaCa
Facebook: on.fb.me/1SLfRzT
Instagram: bit.ly/1Rv6J0N
---
LYRICS:
Take me back now, take me back now

I see you standing in the driveway
Looking hotter than a California summer
My lips were drier than the drought that day 
You lay one on me you lay one on me anyways

I see us passed out at your pool
I know we got shit to do but that ain't no new news
So take me back now, take me back now
Take me back now, take me back now

Everything's different now but change is all good
I haven't seen you in a minute and that's on me
But know when they say your name, they can watch me, watch them watch me dissolve

Skip town along with the sunset
My pretty baby and my golden afternoon
My window's always rolled down
Take me back now take me back now

Everything's different now but change is all good
I haven't seen you in a minute and that's on me
But know when they say your name, they can watch me, watch them watch me dissolve

But know when they say your name, they can watch me, watch them watch me dissolve (x2)

Spotify

Dissolve

Magic Bronson - Fences 
Off the Debut Full Length "Wildlife" available Nov 4th via War Cry Records
Available for Pre-Order in Digital, Vinyl and CD formats
https://magicbronson.bandcamp.com/album/wildlife-lp

Recorded at: Los Angeles Producers Club (Van Nuys, Ca), Revolution-Sound (Reseda, Ca) 

Engineered by: Michael Nicastro, Matthew Lieberman, Tim Hilliard 

Produced by: Michael Nicastro, Matthew Lieberman, Tim Hilliard, Prometheus Glover 

Mixed by: Isha Erskine 

Mastered by: Dave Cooley at Elysian Masters 

Music and lyrics by: Magic Bronson 

Magic Bronson is: 
Michael Nicastro - Vocals / Synth / Percussion / Production 
Matthew Lieberman - Bass / Synth / Production 

Additional Musicians on Fences: 
Michael Carlito: Electric Guitar 

2014 War Cry Records 

www.magicbronson.com



Fences

LIZ - RULE THE WORLD (PROD.  BY SOPHIE)

Come talk to me on twitter: twitter.com/bearsonmusic
..or have a look at my life on instagram: instagram.com/bearsonmusic
..or an even closer look on snapchat: snapchat.com/add/bearsonchat

twitter.com/itsmarkjohns
instagram.com/itsmarkjohns
@itsmarkjohns
facebook.com/itsmarkjohns

Art by: Sam Chirnside / instagram.com/samchirnside

Imposter

Imposter (feat. Mark Johns)

"Psychic Reader," the new full-length LP from Minneapolis' Bad Bad Hats, will be out on 7/17/15 via Afternoon Records.

http://afternoonrecords.com/bad-bad-hats

Bad Bad Hats - "Psychic Reader"

seventeen

Day Wave - Headcase

Lyrics:
You’re not twenty and detached now
Way too easy to push your chest out
Well I’ve been watching you
From way across the room
I like the way your body moves
They’re pushing like a riot
Acting like you like it
I would leave if I were you

But I won't let you down
(I said) I won't let you down

I wear glasses so that I can see you better 
I put shoes on so that we can walk together
Late at night when all I see are spinning faces
I wear glasses so that I can see you better

Wait, don't just sit down
Here's your drink, come and dance now

I've been watching you
from way across the room
I like the way your body moves
You don't need anyone
To tell you that you're done
You know just what you wanna do

I won't let you down
(you know that) I wont let you down

I wear glasses so that I can see you better 
I put shoes on so that we can walk together
Late at night when all I see are spinning faces
I wear glasses so that I can see you better

Facebook: facebook.com/matingritualsounds
Twitter: twitter.com/ritualmating
Instagram: instagram.com/matingritual
Spotify: open.spotify.com/artist/4ZeB1hzT2mSZrf7wszOqHs

Mixed & Mastered by Jason Suwito
Drums by Rob Humphries
Additional Vocals by Lizzy Land
Written by Ryan Marshall Lawhon & Taylor Lawhon


I Wear Glasses

Where Are My Friends

Floors (feat. Foster Cazz)

Drugstore Heaven

Fast Talk

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

seventeen

sjowgren

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