Released 13/10 - pre-order from R&S - http://randsrecords.greedbag.com/buy/mountain-divide-0/

Mountain Divide

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Faith In Strangers

All Music by @userHardy42964
All Rights Reserved

2024 The Immensity Of The Universe By J - Luc Hardy

Limited edition (250 copies worldwide) 12" vinyl.
Includes Flektro, Dink, No More Snow Time, Traffic and Gemswon.

March 2015.

MNLTH - FLEKTRO

Time to hit the vape and embark on the journey of your lifetime, or at least a most pleasant trip this week…or as long as your attention span can handle it---> RISING SUN SYSTEMS "OBERHEIM SPACE" 11 tracks of ambient g-funk slow jams and psychedelic space muzak ********
Using special frequencies to alter your brain waves and make u a smarter and better human being. get it here ---> https://legowelt.bandcamp.com/album/rising-sun-systems-oberheim-space

Rising Sun Systems - I Was Born In A Valley Of Freaks

Gescom - Viral Rival (Autechre remix)

Meat Beat Manifesto - Lurker - Kasm02
Kasm is a new series of ten 10”s. 
We are very proud for the Second release in the series to be Written & Produced by Meat Beat Manifesto.


Meat Beat Manifesto - Lurker

Andy Stott - New Romantic

Buy on Bandcamp

∫ret Not [Mill enium Arrangement]

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Buy: https://mikeparadinas.bandcamp.com/album/challenge-me-foolish

Mike Paradinas returns to his µ-Ziq moniker after five years. Inclement is a lumbering, spooky, peak-time Paradinas melody from 1998, it's arpeggios intertwining to make more than the sum of it's parts.

From the album "Challenge Me Foolish" out 13th April

Meat Beat Manifesto - Lurker

skam

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