All For Nothing

Matador (instrumental)

Matador opens with a stalking riff and minimalist verses framing the singer as a lone bullfighter outside a locked door—part predator, part seeker. The chorus flips the imagery, revealing vulnerability and growth: ‘I was a matador / that was before… everything is clear.’ Dynamics rise from hushed confession to roaring walls of sound, marrying desert-blues leads with alt-rock punch. Fans of Queens of the Stone Age, Royal Blood, and early Foo Fighters will dig its mix of swagger and introspection.

Matador

Automating Meaningless pairs driving guitars with pulsing electronic drums, layering reflective lyrics about humanity’s struggle against soulless automation. Inspired by late-90s industrial rock and modern synth-wave, the track builds tension through call-and-response vocals chanting ‘Automating meaningless’ before resolving in an anthemic bridge that reminds us not to ‘gain the world and lose your soul.’ Perfect for fans of Nine Inch Nails, Muse, and Bring Me The Horizon’s electronic experiments.

Automating Meaningless

OPness Zoned 2.0

Pop Funeral

Bottom Feeder

Sleeping

First Goooo

Little Boy is the one-man alt-rock project of Dallas songwriter-producer Matthew S. Pitts. Fusing snarling guitars, glitch-lit synths, and lyrics that wrestle with technology, faith, and identity, Little Boy sounds like a late-night collision of Nine Inch Nails grit and Muse-style futurism. Debut cuts “Automating Meaningless” and “Matador” showcase Pitts’ knack for pairing hook-heavy riffing with introspective storytelling—recorded, mixed, and mastered entirely in his home studio. The result: raw, cinematic rock that asks big questions while hitting with arena energy.

Little Boy (man)

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