The way the drums come back here, incredible

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Where do dead souls die?

Composed and mixed by love life all the time (@ 123john123)
Compilation mastered by Bademjan (@bademjan)

Based on "Sample pack from my nightmares" by Lulu (@wormworld), released on 31 oct. 2021.

A&R : Gracchus Nortug (@gracchusnortug) & Luca Fonty (@mysterymysterymystery)
Master : Bademjan (@bademjan)

Artwork : 

Pumpkin sculpture : Tad McCarthy Budzynski
Picture : Rhubarcode  (@rhubarcode), Tad McCarthy Budzynski, Elisabeth Laulié-Sur & Shela McCarthy
Edit : Rhubarcode  (@rhubarcode)

Compilation of my nightmares

Bandcamp

love life all the time - U R Bug E

OS005 - Notte Infinita - Atmosfera

For our next release, Notte Infinita mediates the balance between dub-laced frequencies, introspective melodies and atmosphere. His propulsive 'Atmosfera' three-tracker focuses on digital signal processing and embraces the shimmery, hyper-realistic synthetic quality of FFT manipulation.

Pre-order: https://oscillasound.bandcamp.com/album/atmosfera

A2 - Notte Infinita - Ion (Tool Mix) (OS005)

It was me

additional production and mixing: @sss7-o_o7
artwork: @daria-ivans-506239642

shemergency

https://mnlth.bandcamp.com

https://www.youtube.com/@davemnlth

Dave Monolith - Heatrave 909 - MN-LTH-105

Resort

Hedwig Transformation Group

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BB Care

Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production ‘Ganzfeld’. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfeld’s influence has resonated, 2024 seemed like the perfect moment for a re-release.

Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milan’s Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.

Objekt - Ganzfeld (Djrum Remix)

APPX:16 by @teleself

Tracklist:
01. enigmadub – 07:25
02. everything ft. alona – 06:00
03. eternal game – 03:50
04. cartilage – 03:29
05. all around you – 04:16
06. fireworks in the garden of eden – 03:31

Appendix.files presents Eternal Game, the latest EP from Teleself, the project of Berlin-based producer Jordan Nason. A journey through the emotive undercurrents of 90s downtempo rave, steady breakbeats, and trip-hop influences, Eternal Game captures a nostalgia-tinged exploration of sound and self. Across six tracks, Teleself weaves big beats, introspective atmospheres, and cinematic textures into a release that feels as at home in a smoky backroom as it does in sprawling, dreamlike landscapes.

Opening with enigmadub, Teleself sets the stage with over seven minutes of trippy, big-room energy—triumphant, hypnotic, and as if plucked from the soundtracks of The Matrix or Blade. everything follows, layering Alona Verzun’s ethereal vocals over steady, polished grooves for an atmospheric six-minute reverie. Title track eternal game shifts gears, evoking the slowed-down, syrupy aesthetic of DJ Krush but pairing it with emotive melodic elements, immersing the listener in a nostalgic montage of self-reflection.

On cartilage, Teleself leans into darker territory, blending boom-bap rhythms with Mob Deep-style aggression, while weaving in trap and Detroit techno influences for a sinister, kinetic cut. The energy eases with all around you, which delivers a halftime sway infused with rich, textured atmospheres that feel like a deep exhale. Closing track fireworks in the garden of eden is a stunning finale—a transcendent journey that lives up to its name, as lush soundscapes evoke an ascent into the ether, hand in hand with everyone you’ve ever known and loved. 

Releases February 6, 2025

Written and produced by Jordan Nason
Mastered by Ike Zwanikken
Artwork by Amos Turner
Vocals by Alona Verzun on ‘everything’

Pre-order

APPX:16 – Teleself – Eternal Game (previews)

CCL launches their subglow label with Rebuild, an EP from Bristol club provocateur @georg-i, featuring remixes from @Metrist and the elusive B. McQueen.

Rebuild is influenced by math rock's feverish and cataclysmic energy, eschewing conventional club BPMs in favour of dizzying tempo trickery and polymetric wizardry. “Torn In Two” gets off to a slow, chugging start, with raucous synths riffing over emphatic drums, but soon swirls into a juddering, pointillistic frenzy. “Bridging The Gap” is a cathartic shout, an acidic crescendo whose triplet meter offers tempo-transitioning opportunities for adventurous DJs who don’t mind a bit of maths. “Communication” gallops along cathartically through ricocheting synths and drums, unfolding into a thrilling breakdown. On remix duties, B. McQueen re-imagines “Torn In Two” as a sultry, dubbed-out roller, charting groove across a heady plain, while Metrist’s ambitious rework of “Communication” amps up the tension and primes it for a peak-time dancefloor sometime in the next millennium.

Rebuild

Buy now

[subgl01] georg-i - Rebuild

Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.

The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.

The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.

The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.

The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.

For Julien, this new album marks a deeply personal return to his roots, is the culmination of six years of growth—both personal and artistic, and the first release under his real name during this period. Free from conceptual or genre limitations, the album is an intimate statement.
While releasing music as santpoort on the LA label Friends of Friends allowed him to explore a narrative, lo-fi identity, this release reconnects with the detailed, exploratory sound design that first put Julien Mier on the map. 

All music written and produced by Julien Mier (julienmier.bandcamp.com)
Recorded on unceded land of the Gadigal people of the Eora nation, on whose land we meet sonically.
Additional performance by Daisuke Tanabe on track B3.
Mastered by Jack Prest.
Artwork by Aleix Font.
LPS42.
©️ & ℗ 2025 Lapsus Records.
www.lapsus.cat

lapsus.bandcamp.com

Buy link: https://julienmier.bandcamp.com/album/gradually

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