Niou

THIS IS NOT MY SONG!! original artists (@JME & @Skepta)

Skepta x JME Freestyle

'Good Times' is Jeremiah Jae's second mixtape since signing with @warp-records, taking inspiration and its title from the '70s TV sitcom set in a Chicago housing project. Download it free from <a href="http://www.datpiff.com/Jeremiah-Jae-Good-Times-mixtape.605534.html" target="_blank">DatPiff</a>.

The mixtape features Black Jungle Squad regulars Oliver the 2nd, Tre, Isreal and additional production contributions from Lord Raja and Stones Throw artists Jonwayne and Knxwledge.

Good Times follows Jeremiah Jae’s Bad Jokes mixtape, also available on <a href="http://www.datpiff.com/Jeremiah-Jae-Bad-Jokes-mixtape.512844.html" target="_blank">DatPiff</a>, and <a href="http://warp.net/records/jeremiah-jae/dirty-collections-vol-3-out-now" target="_blank">Dirty Collections 7"</a> series released at the end of last year.

<a href="https://www.facebook.com/pages/Jeremiah-Jae/111580498919269" target="_blank">Jeremiah Jae Facebook</a> / <a href="https://twitter.com/Jeremiahjae" target="_blank">Jeremiah Jae Twitter</a>

Download

Get Mine Feat. F.A.B.L.E

Skepta & JME freestyle in New York - Westwood

Skepta & JME - Crank That (1Xtra New York - Westwood)

skepta x 808mystic - the hood dream

Skepta x Jme - Crank Dat

Jme x skepta New York freestyle 2007

Skepta x Wiley Freestyle

note from https://soundcloud.com/moonbounce: "I wrote this song to celebrate my lady’s body and worship carnal desire. It’s my raunchiest song to date, but also the purest. I didn’t attempt to tackle any complex emotional themes, I just wanted to praise my woman!" 

note from ryan: "shouts to my dood noah breakfast for putting me onto moon bounce. MB is such a strong example of what i've been seeing as the next evolution of the producer -- morphing into the singer-songwriter. it's really all coming full circle. these are kids who grew up learning guitar, drums, and then naturally just relying on computers. but that cycle is coming back around again. the producer - not even the *DJ* now - but the sitting-in-their-mom's-basement producer is comfortable being the frontman; singing, writing real songs about real things. moon bounce is like a secret weapon within this new movement, but he probably won't be secret for much longer."

https://twitter.com/moonbounce_

artwork: Anjela Freyja
http://anjelafreyja.com/

shh016: Moon Bounce - Body

Taken from 'Sour Soul', the new album by BADBADNOTGOOD & Ghostface Killah.

Released February 24th US & CA / February 23rd UK on Lex Records & Eone Music (Canada)
http://smarturl.it/GhostfaceKillah2015
https://badbadnotgood.com
https://www.facebook.com/GhostfaceKillahOfficial
http://lexrecords.com
https://www.eonemusic.ca

Sour Soul

Ray Gun (feat. MF DOOM)

Pre-Order 'Sour Soul'

“Satin Black” is the first single off of the third Converse CONS compilation, CONS EP Vol. 3, with three more tracks being released throughout Spring 2015. The song was written by Hanni El Khatib and Freddie Gibbs, with Khatib handling production as well. 

Produced by: Hanni El Khatib
Music by: Hanni El Khatib
Lyrics by: Hanni El Khatib and Freddie Gibbs
Vocals by: Hanni El Khatib and Freddie Gibbs

Hanni El Khatib x Freddie Gibbs – “Satin Black”

'Imago' is an aural, visual and soulful blend of organic innovation with sonic virtuosity that will entwine the listener to their innermost primordial vibrations. This EP is available both digitally and on 7" opaque cream vinyl, plus features production from elite beat makers Elaquent, Black Cat, Phat Tony, and Quasar, with a special guest appearance from Tona. The record jacket features artisan photography by Celine Saki and avant-garde original artwork directed by Jesse Read, George Kish and Radek Drutis, who has collaborated with Stones Throw, Eglo, Digitalis, and All City Records.

'Imago' is an unmistakeable exposition of the evolution Deez has undergone to reach the final stage of his musical self-actualization. From rapping, to singing, to playing keys, then back to rapping and beat making, Korry displays his artistic growth and how comfortable he has become in all facets of composition.

Nasty

SKEPTA

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