Garden Gaia

Liquid Lights

New track written exclusively for the For Nihon compilation.

Buy the album digitally now, or pre-order the CD at http://www.whitevinyldesign.com/fornihon/

All proceeds go to the Japan Earthquake Relief Fund. 


Also contains new tracks by Ryuichi Sakamoto, BIosphere, Robin Guthrie + Harold Budd, Olafur Arnalds, Helios, Max Richter, Alva Noto, Ulrich Schnauss and many more.


Jon Hopkins - Abandon Window

"Us" is the new Haring's song extracted from EP "Nowadays".
Follow Haring :
https://soundcloud.com/haringmusic
https://www.facebook.com/haringmusic
http://www.haring-music.com/
http://haring.bandcamp.com/

Composed, recorded and mixed by Haring
© 2014 Haring

NUCLEUS

Roman Flugel  -  Wilkie

I did a little reproduction of Closer Musik's 'Maria'…one of my all time favorits. 

Closer Musik - Maria (Barfod Edit)

Dear dancers,

Ramona is proud to present Fort Romeau's second installment for her Live at Robert Johnson audio enterprise. His take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. Ramona is still in love.

Stay gold, 
Ramona

Fort Romeau – Secrets & Lies (Snippet)

Released Oct 3rd. Vinyl Only 12".
Cos-Ber-Zam "Ne Noya" appears courtesy of Analog Africa (www.analogafrica.com)

02 Daphni - Yes, I Know

formant sex EP, release 28.3.2016 on darkroom dubs records
DRDLTD013

FROMAGE SOCKS SNIPPET (out 28.3 on darkroom dubs records)

Live At Robert Johnson is happy to announce the release of Time Travel, a compilation of treasures from the label's back catalouge including tracks by Roman Flügel, Lauer, Massimiliano Pagliara, Fort Romeau and many others. Time Travel will be available for download and streaming only.

Massimiliano Pagliara – Sometimes At Night (Snippet)

Casualty

Reissue of the first ISAN album (originally released on Tugboat/RTD in 1998) as a limited Record Store Day first time ever vinyl release! Including previously unreleased bonus tracks. Re-mastered and cut by Dubplates & Mastering.
One explanation for the 90s-fascination with Casio, Korg and other analogue synthesizers is quickly at hand: The 1st video-game generation was coming of age and were happy to hear that their dearly loved “Space Invaders“-soundtrack was suddenly popping up in electronic music. It takes slightly longer to explain why one record from that time - “Beautronics“, the debut by UK-synth-duo ISAN first released in 1998 - kept its appeal until today.
“Beautronics“ does not grab you immediately. You don’t hum these tunes after a few listens, in fact you might not even hum them after dozens of spins. It’s not about humming. It’s about soft cushions and a cosy duvet made of sounds, it’s about aural sheets floating around like warm humidity during a hot bath. Occasionally it’s even about IDM, but in a very late-night kind of way.
Antony Ryan and Robin Saville, the two English lads behind ISAN, are very open about their goals. They separate the longer tracks with short, often abstract pieces they called “Tints“. So it’s as much about tonal colour, as it is about melodies. The “Tints“ form an interesting contrast between ambient sounds and the more focused tunes. But even their most bass-dominated songs such as “Skeek“ are not exactly four to the floor. There’s no more than one to the floor, while the rest is sailing somewhere above in a haze of beautiful sounds and melodies. The album’s sleeve and title are straightforward about this: it’s all about the human beauty in electronica.
Just like your mom’s heartbeat that set the tone for the first nine months of your life, “Beautronics“ produces sounds that radiate a warmth and naturalness that make them feel familiar upon first listen. The 15 years since its initial release don’t change a thing about this. That’s why it’s certain, that “Beautronics“ will win a new generation of listeners with this re-issue.

ISAN - Xylomat

skinnerbox is no more since june 2021. all of our sets / music will still be available as long as we remember to pay the annual sc fee.

thank you all for the amazing years <3 

Olaf Hilgenfeld and Iftah Gabbai aka Skinnerbox met under strange circumstances in Berlin back in 2003. The first years of their musical marriage has been a rather abstract electroacoustic journey that slowly got transformed by the neo-hippie rave renaissance that washed Berlin the years after. While growing up with places like the Bar25 and legendary party makers as the Bachstelzen, Skinnerbox always maintained a very individual identity, famous for their infamous improvised and truly live played shows (reaching another peak while performing a 12 hour live set at Kater Holzig, Berlin 2013) notoriously free from any obligation or trends. With a good dozen of singles on labels like BPitch Control, Darkroom Dubs, Bar25 Records, Tonkind and more plus a highly acclaimed full length studio album on Doxa Records ("If this is the future of techno, then we have a lot to look forward to!", Xlr8r) Skinnerbox have positioned themselves well above the inflationary electronic scene hailing from Berlin.
In 2009 Skinnerbox released the sbx 2049 - a drum machine which made them the first artists to release an instrument in conjunction with Ableton.
In 2014 - after 3 years of intense work - Skinnerbox ended up with another official Ableton Live instrument, an epic drum machine which is unlike anything you ́ve ever seen before: Time & Timbre.

FROMAGE SOCKS SNIPPET (out 28.3 on darkroom dubs records)

skinnerbox

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