@pismo just came across this old set. Super nice. Grüße auch Neuköln!

01	Phantom Band - Relax (Sky 1981)
02	Popol Vuh - Vergegenwärtigung (PDU 1975)
03	Bröselmaschine - Gitarrenstück (Pilz 1971)
04	Trubrot - Is There Hope For Tomorrow (Tónaútgáfan 1971)
05	Crosby, Stills, Nash & Young - Guinnevere (Atlantic 1974)
06	Nektar - It's All Over (Bacillus 1975)
07	Bobby Goldsboro - Summer (The First Time) (United Artists Records 1973)
08	Alphonso Johnson & Flora Purim - Amarteifio (Epic 1976)
09	Katell Keineg - River Man (Field Recording Co. 2002)
10	Propaganda - Dream Within a Dream (ZTT 1985)
11	Paul Horn - Transitions (Golden Flute Records 1983)
12	Brand X- Touch Wood (Charisma 1976)
13	Quarteto Nova Era - De Repente (1968/ Bully Records 2008)
14	The Animated Egg - I Said, She Said, Ah Cid (Somerset 1968)
15	Larry Gus - With Your Magritte Mouth (DFA 2012)
16	Phil Manzanera - City of Light (Polydor 1977)
17	Chris Squire - Lucky Seven (Atlantic 1975)
18	? - Love Is Free (Haners edit)
19	Kraan - Degado (Spiegelei 1975)
20	Thierfeldt - Madly, Sadly, Badly (MMR 1986)
21	Weather Report - Badia (CBS 1975)
22	Akis - Space, Time and Beyond (Music Box International 1990)
23	Christopher Franke - Part 4: Black Garden View (Varèse Sarabande 1992)
24	José Feliciano - Wichita Lineman (RCA Victor 1971)
25	Rodriguez - Forget It (Sussex 1970)

mixed by skism at epicenter studios berlin
march 2013

http://www.youtube.com/watch?v=WLMogT64lVo

Pismo

✎_______________________________________

i found this funny review on "me" the other day on CHICAGOREADERdotCOM. 

"SKISM - At the top of his SoundCloud page, Berlin-based producer and DJ Skism has written, "Move on, no dubstep here. I even hate it." That's a pretty brutal sentiment, especially coming from someone who made his name with big, stuttery beats and wub-wub-wub bass lines. It does happen to more or less sum up the underground dance scene's current opinion of the style as played out, though. Abandoning dubstep looks to have been a good move for him because, to be honest, he was unremarkable at it. But he shines on the mixes he's posted to SoundCloud over the past year, which pile up unlikely combinations of Italo-disco, Krautrock, psychedelia, and some kind of fardled funk shit that sounds like a bunch of hippies locked in a studio with a Moog, a mess of percussion instruments, and about a hundred tabs of acid. — Miles Raymer"

dear miles raymer, thanks for the fairly good impression of what my mixes feel like, but here's the big bummer: i'm not the dubstep-skism you're talking about. that guy just chose the same name and probably would hate to be mistaken with me. at least i do. musically.


by the way: if you see me behind the decks on a party, don't get confused - that guy next to me is neither a deck shark nor a drunk that's getting on my nerves. it's most likely wunderwaffel, who's my dj partner most of the time.
well, the last sentence was kinda untrue. he is drunk and getting on my nerves. but he's a good guy with a great musical taste.
if we play together i switch my name to wasn. just to confuse everyone even more with names.

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