The grime on this is like when you have an inch in the middle of your back that you haven’t been able to scratch, and then it gets attacked by a rabid wolverine.

It's tradition at this point. Every October 31st

DEXTER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I am clueless on how you can get such a dirty sound.

A Skoof set of underground releases revolving around the sampling of various Horror Films, Movie Monsters &amp; Serial Killers; an interview with Charles Manson, Nightstalker News-Clips and more.

[HELLRAISER]
[AMERICAN PSYCHO]
[EVIL DEAD]
[HALLOWEEN]
[DEXTER]
[SAW]
[FRIDAY THE 13TH]
[TEXAS CHAINSAW MASSACRE]
[PRINCE OF DARKNESS]
[A NIGHTMARE ON ELM STREET]
[& MORE]

Skoof Presents: Creepshow!

Fear and Loathing. Always.

“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .

History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.

My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .

And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”

Skoof - The Gonzo Way

Original production: cooked in the crock with a heavy hand of Migos Vox.

Skoof x Migos - Bad & Boujee [G-Mafia Records]

Long trips to Space and Back.
Not sure if the Attacker or being Attacked.

Get lost.

Mars Attacks!

Skoof - Mars Attacks!

#HappyMunkey420 #NYC
A Tribute to Happy Munkey.

happymunkey.com
#MembersOnly

Mondo Munkey

Skoof Presents: Mondo Munkey [Tribute2HappyMunkey] happymunkey.com

Cabin Fever

Skoof - Cabin Fever

Skoof - Stripped

✯ Supermarket Records (Spain)
✯ Amathus Music (USA)
✯ Red Robot Records (UK)
✯ Esoteric Records (Germany)
✯ Beat Rude Records (UK)
✯ Side B Underground (Costa Rica)
✯ Kushtee Beats (Spain)
✯ Amazonian Ethnic Records (Costa Rica)
✯ Hutman Records (Germany)
✯ Subtec Records (Denmark)
✯ Tainted Buddah Records (Spain)
✯ Religion Breaks Records (Russia)
✯ Operating System (UK)
✯ Sensual Sounds (UK)
✯ Silver Screen (Denmark)
✯ Coznection Inc (USA)


Skoof’s trademark sets and productions often incorporate B-Movie, Grindhouse & Horror Cinema-Samples and have been supported by the likes of Marco Bailey (BEDROCK RECORDS), Liquid Todd (SOLID STATE RADIO), Jonathan Peters (SOUND FACTORY) & many more, including air-play on BBC Radio 1 & other syndicated programs.

Skoof Presents: Creepshow!

Skoof

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