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Skrillex - Voltage (LEAK WAV QUALITY)

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Recess

Recess with Kill The Noise, Fatman Scoop, and Michael Angelakos

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

dru-1 - corbeaux

"Scary Monsters and Nice Sprites EP" is available now. Support on:
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ROCK N' ROLL (WILL TAKE YOU TO THE MOUNTAIN)

“More Monsters and Sprites EP” is available now. Support on:
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More Monsters and Sprites EP

Ruffneck (FULL Flex)

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Scary Monsters And Nice Sprites (The Juggernaut remix)

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Out 10/9 on OWSLA

"Kill The Noise has announced his new album, OCCULT CLASSIC, a 10-track LP that showcases his versatility across different musical styles, pairing his signature brand of intricate electronic music with beautiful melodies and the intensity of a live rock show. For his first full-length, KTN has recruited electronic rock mainstays AWOLNATION, Bryn Christopher of I See Monstas, Dillon Francis, Feed Me, Tommy Trash, Madsonik, Stalking Gia and twoton for his most diverse body of work to date."


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Kill It 4 The Kids (feat. AWOLNATION & Rock City)

Kill It 4 The Kids (feat. AWOLNATION & R.City)

Kill It 4 The Kids (feat. AWOLNATION & R. City)

'Still Gettin It' Foreign Beggars Feat Skrillex

One year on from his seminal debut, the undead returns for his sophomore extended player.And what a year its been for 23-year-old Joshua Mellody. Having only made his first piece of electronic music six months prior to signing to Never Say Die, Zomboy has well and truly been thrown in at the deep end, and straight onto festival stages worldwide. Remixes for DJ Fresh, Skrillex, Flux Pavilion and Hadouken! have kept the hoards of fans (90,000 and counting) at bay, but the time has come for the follow up E.P of the year.The Dead Symphonic is a snapshot of a producer who is developing his palette at an alarming rate. No tempo is left uncovered as the EP twists and turns through hands-in-the-air drumstep, daft punkesque electro, orchestral interludes and of course, the sonically perfected dubstep for which he has become so well known for.
Less...

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Vancouver Beatdown

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Scary Monsters And Nice Sprites (The Juggernaut remix)

Skrillex

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