Ah - tell it how it is Davy.  Superb stuff - fantastic lyrics beautifully delivered.

Hi Davy,  just stumbled upon your song :D To me you're a true Rock'n'Roller :D :D. I can only sign your opinion which you gave in the song description. You don't have to reinvent anything. Good music transports mood and feeling.  It's made of heart and soul. And you do this masterly with your music and singing!!!

@larrydru: I very much appreciate your kind encouragement,Larry.  :)

Great vocal, neat concept and good song!!! Thoroughly enjoyed!

Sounds very good...great vocals and guitar tunes !

In 1771 in the fens of Cambridgeshire a miller manages to escape the smoking paws of Black Shuck , but at what cost ? If anyone could bluff Shuck it be a miller I suppose. Cautionary note , this is a true story.
https://youtu.be/j54v4pA5sPg

A Brush with Black Shuck (Video on You Tube)

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

Words I never thought I would have to write.

The great eSyrup, Thom Palumbo has tragically left us.
I am heartbroken. He has been a frequent collaborator and loyal correspondent over the last ten years. When I play guitar, I think of him and whether he would like it. When I write, I imagine his reaction. And now he is gone. He achieved his lifelong ambition of returning to Maine to live over the last few weeks. I was so proud he had done it. I had hoped for more of his time, his music and his humour. An incredible man.

We never met, but we had an uncanny connection. This was done but not finished nearly six years ago, in December 2017. Life and stuff got in the way. Time was our only enemy and sadly a cruel one.

Please listen to his fantastic legacy here and appreciate his beautiful art 
https://soundcloud.com/esyrup

Released with kind permission from David - I thank you and salute you.

Hedd, perfaith hedd, cariad

Be good

Nick

All other instruments - Thom
Guitars  - Nick

Pic: https://www.terragalleria.com/index.html

In Loving Memory Of ESyrup (Thom) - ESyrup and Nicholas Ridiculous

Une ode aux perdants , à ceux qui n'arriveront jamais les premiers ...
Compositeur - Musique : Philippe SEGUINARD
Auteur mélodiste - Chant : Guillaume DULER
Chant : Sylvie TIRET
An ode to the losers, to those who will never get there first ...
Composer - Music : Philippe SEGUINARD
Songwriter - Vocals : Guillaume DULER
Singer : Sylvie TIRET
Lyrics:
Quand est-ce qu'on boit à nos étoiles
Même si le ciel est déjà mort
C'est vrai qu'elles brillent encore
Mais la plupart ont mis les voiles

Quand est-ce qu'on boit à nos défaites
A la puissance des vaincus
Nous nos blessures ont survécus
Quand leurs victoires sont obsolètes

Quand est-ce qu'on boit à nos amours
A celles qui saôulent de souvenirs
Celles qu'on n'a pas pu retenir
Mais auxquelles on pense toujours

Quand est-ce qu'on boit à nos héros
Aux révoltés aux cœurs ouverts
Ceux qu'ont joué avec l'enfer
La vie tatouée sur la peau

Quand est-ce qu'on boit à nos succés
Ces étranges malentendus
C'est à peine ce qu'on a voulu
Et tout juste ce que l'on pouvait

Quand est-ce qu'on boit à nos enfances
Illusions perdues à jamais
Comme la douleur d'un condamné
Qui sait qu'il va mourir d'avance

Levons nos verres aux regrets
Aux perdants de la gloire
Cicatrices laissées
Dans un coin de mémoire
Aux survivants sans médailles
A nous les moins que rien
Sur nos champs de batailles
Ombres du quotidien

Quand est-ce qu'on boit à nos fantômes
Toutes ces peurs qui nous soutiennent
Main dans la main elles nous souviennent
Vers la dernière demeure des hommes

Quand est-ce qu'on boit à nos futurs
Retournons nous voir s'ils nous suivent
Mais y'a personne pas âme qui vive
Y'a même pas de rats sur les ordures

When do we drink to our stars
Even if the sky is already dead
It's true they still shine
But most of them are gone

When do we drink to our defeats
To the power of the defeated
Our wounds have survived
When their victories are obsolete

When do we drink to our loves
To those soaked in memories
The ones we couldn't hold back
But still think of

When we drink to our heroes
To the rebels with open hearts
Those who played with hell
Life tattooed on their skin

When we drink to our successes
These strange misunderstandings
It's hardly what we wanted
And only what we could

When we drink to our childhoods
Illusions lost forever
Like the pain of a condemned man
Who knows he's going to die in advance

Let's raise a glass to regrets
To the losers of glory
Scars left
In a corner of memory
To survivors without medals
To us less than nothing
On our battlefields
Shadows of everyday life

When we drink to our ghosts
All these fears that sustain us
Hand in hand they remind us
To the last resting place of men

When we drink to our futures
Let's go back and see if they follow us
But there's no one, no soul
Not even rats in the garbage

© Philippe SEGUINARD/Guillaume DULER  Novembre 2023

Ivre"S" (feat Sylvie Tiret) Version intégrale TRANSLATED

Man-below

Gear / Paploviante 
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering 
BPM 120
Free Download

Gear - Paploviante

the captain, mad captain
he told the men his plans
and then they went out stealing things
so they could rule these lands

they stole four antique cannons from the castle
hijacked a truckload of metal from the factory
they stole a jet engine from the old air force base
the mad captain nodded satisfactorily

they welded the metal into a battering ram
and the big jet engine was for extra speed
cannons armed in every direction
the mad captain had returned to the sea (x2)

they were a terror in the open waters
they’d sink any ship that they saw
and with their jet engine, they were able to avoid apprehension
and stay a step ahead of the law

vengeance in the form of a storm
came rolling across the sea
the mad captain pulled his eyes from the sky
he’d seen more than he wanted to see
"all hands below deck", the captain roared
"tie yourself down so you don’t go overboard"
------
bass, piano, beatbox, guitar and vocals by andrew salvner (aka lil' spaceman, pretzels malone)
drums from my cheap old digitech bp90 bass pedal
thunderstorm field recording by Arnaud Coutancier www.freesound.org/people/arnaud%20coutancier/
additional sound effects supplied by @pliable-tones
drums/bass/bass/piano recorded on 4-track cassette / vocals and beatbox added using Audacity.

the mad captain (on speed)

an unexpected leap to Sapporo, at 140 bpm

more images here:
 https://www.instagram.com/p/CpU80y7r-gG/?img_index=3

and a video here:
https://www.instagram.com/p/C3Altd5NlzN/
https://www.tiktok.com/@rollocarpenter/video/7332497680737799457
https://youtu.be/2sEpdzhEB4o

Sapporo

This is a song for my Mary, but it is applicable to all Mary's. 

This is my first attempt at recording new material since last summer, I've been writing and playing a lot, but I just haven't had the time lately to get my ideas on tape. So it's nice to get this one out, and hopefully, it'll not be as long a wait for my next. 

Thanks for all the listens and support, it's greatly appreciated as always. cheers!

lyrics

don't let the world dictate to you
be your own girl
in a world that's you

don't always swim against the tide
time won't always be on your side
so don't go wasting all your time 

don't let the world
loose from your grasp
come up for air
whenever you get the chance 

don't always swim against the tide
time won't always be on your side
so don't go wasting all your 
wasting all your
wasting all your
wasting all your
wasting all your
wasting all your time

you always think there's somebody 
better off than you
don't listen to the boys 
they all screaming that it's true

you always think there's somebody 
better off than you
but there's nobody out there
can do you as good as you

so don't let the world
edit out your past
look back with pride 
and don't
catapult so fast

don't always swim against the tide
time won't always be on your side
so don't go wasting all your
wasting all your
wasting all your 
wasting all your 
wasting all your time

Time, For Mary

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Just You And Me

Just You and me

Ya know what it's like with music and those who sit in judgement. It all has parallels in life. 
In my case,I'm not laying claim to being the next 'anybody',I'm merely letting out what comes from within. That'll be my take on everything I've heard and all that's gone before...t'ain't reinventing the round thang.

Perhaps this song is encouragement to all the folk who feel dispirited by those who listen,then dismiss it as 'heard it all before'. Well,at least they 'listened!

Play what's inya folks,it's all good and no one does music like you do,so be the best YOU there is and for those expecting you to be what you are not,just tell them.. I'm not the man/woman for you. :)


I'm not the man for you
I like the old,tried ,tested and true

I'm not out to bring anything new
I play just what I feel
What I've heard is what I do
I won't reinvent the wheel

I'm not the man for you
I like the old,tried ,tested and true

I'll never be mister innovation
You won't be amazed at my skill
I'm not into social agitation
Three chords are my biggest thrill

I'm not the man for you
I like the old,tried ,tested and true

I don't feel the need to push the limits
I couldn't,if I tried
I don't write songs to please the critics
I don't need to be ratified

I'm not the man for you
I like the old,tried ,tested and true....

I'm Not The Man For You

Second album of 10 songs 'Looking Up',available from bandcamp,Spotify and the rest.

https://vancemagill.bandcamp.com/album/look-up

First album of songs. 'Flying Solo'.
https://vancemagill.bandcamp.com/album/flying-solo

And on Spotify
https://open.spotify.com/album/4BOvUv16dOl6cgcWANX1Dz
This is my first solo venture. It's an album of ten songs and it can be downloaded  from bandcamp free,or for whatever you deem it worth. I'd be happy if you just take a copy and listen to my musical ramblings. 
Thanks to all who take the time.  :)

Follow on Spotify  https://open.spotify.com/album/4BOvUv16dOl6cgcWANX1Dz
A while back I viewed s/c as merely a hosting platform for posting on forums,but then I realised there was access to so many wonderful compositions by other folk,it then became my prime source of listening to music.
This little corner of the internet is actually a thriving musical community where nobodies such as myself can share songs with the great and the good.
All that just has to be positive and welcome.
Thanks to all who listen and comment,be assured I will return the favour,as I love finding new artists. Please don't follow me if you are going to unfollow,I only wish to listen and share music,I am not a follower collector.


Songs are a mix of solo work with all instruments played by myself,plus my own world weary vocals! I tend to favour my home made Telecasters and a Strat,though the odd acoustic makes an appearance. I use Logic Pro X and am a recent convert to DAW.

I play and write for the joy of expression and always with the hope my songs may be a positive force to anyone who takes time to listen. I'm an old boy now,so I harbour no dreams of success in the conventional sense,having the odd comment is just fine for me. Thanks to all who bother.

 Also earlier songs from a project in 2015, with Fiona and Martin Magill,Vocals and keys. Martin is a very talented working keyboard player,but sadly Fiona no longer sings. Our loss.
Lastly there are tracks from late 80s/early 90s from SOS,a band I was in back then.

I'm Not The Man For You

Davy Vance

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