Coding

I guess I'll have to shut you down for good this time,
Already tried a SIGQUIT, so now it's KILL DASH 9.
You gotta learn when it's time for your thread to yield;
It shoulda slept; instead you stepped and now your fate is sealed.
I'll take your process off the run queue without even asking
'Cause my flow is like reentrant and preemptive multitasking.
Your sad rhymes are spinnin' like you're in a deadlock,
You're like a synchronous sock that don't know when to block;
So I pull out my keyboard and I pull out my glock,
And I dismount your girl and I mount /proc
And I've got your fuckin pid and the bottom line
Is that you best not front or else it's KILL DASH NINE.

KILL DASH NINE,
No more CPU time.
I run KILL DASH NINE,
And your process is mine.
I run KILL DASH NINE,
'Cause it's MY time to shine
So don't step outta line or else it's
KILL DASH NINE!

See it ain't about the Benjamins or Pentiums or Athlons,
But you rappin' 50 meters while I'm spittin' in decathlons.
Your shit's old and busted, mine's the new hotness;
You're like CLR and I'm like CLRS.
You're running csh and my shell is bash,
You're the tertiary storage; I'm the L1 cache.
I'm a web crawling spider; you an Internet mosquito;
You thought the 7-layer model referred to a burrito.
You're a dialup connection; I'm a gigabit LAN.
I last a mythical man-month; you a one-minute man.
It's like I'm running Thunderbird and you're still stuck with Pine,
Which is why I think it's time for me to KILL DASH NINE.

Yeah it's KILL DASH NINE
No more CPU time.
'Cause it's KILL DASH NINE,
And your process is mine.
I said KILL DASH NINE
'Cause it's my time to shine,
So don't step outta line or else it's
KILL DASH NINE!

My posse throws down like leaky bucket regulators;
I was coding shit in MIPS while you were playing Space Invaders.
With my finger on the trigger I run ./configure
Yo, this package is big, but MY package is bigger.
I roll my weed with Zig Zag while I zag-zig splay,
And I do a bounds check before I write to an array.
I'm a loc'd out baller writing KLOCS a day,
'Cause it's publish or perish, fool, what can I say?
I'm 26 now, will I live to see 28?
Some days I wonder if I'll survive to graduate.
But hey, that's just fine, I won't ever resign,
And if fools try to step then it's KILL DASH NINE!

Yeah it's KILL DASH NINE,
From my command line
It's KILL DASH NINE
Sending chills down your spine,
I said KILL DASH NINE,
'Cause it's my time to shine,
So don't step outta line or else it's
KILL DASH NINE!

fs sa rlidwka
I'll chown your home and take your access away
Comin' straight outta Stanford, ain't nobody tougher,
Control-X, Control-C, I'll discard your fuckin' buffer.
You're outside your scope, son, close them curly brackets,
'Cause I drop punk-ass bitches like a modem drops packets.
Dump your motherfucking core, and trace your stack
'Cause where your ass is going, there won't be no callback.
See my style is divine and my code is sublime,
My career's in a climb and yours is in a decline.
I'll write a pound-define and assign you as mine,
So refine those sad rhymes or remove your plus signs,

Or it's KILL DASH NINE,
No more CPU time,
'Cause it's KILL DASH NINE,
And your process is mine,
I said KILL DASH NINE
'Cause it's my time to shine,
Bitch you stepped outta line and now it's
KILL DASH NINE!

(via http://www.monzy.com/intro/killdashnine_lyrics.html)

"Kill Dash Nine" by Monzy

In 2004, We released a mix compilation on Nettwerk Records called "Bloom" - it was a 2 disc affair which included some of our favorite songs we were playing in our sets along with our newest tracks and remixes. 

Once we had most of the songs compiled, we felt like the compilation was missing something. Something that "took you there" but also with a bit of soul and real instruments. 

So one day, on a lark, Josh decided to pick up his Fender Jazz bass and start playing some stuff. Dave immediately loved what Josh was playing and implored him to record what he was doing so it would not be lost in the ether of "great ideas never recorded."

What happened next was pretty incredible. We started building this song layer by layer. By the end of that day, we pretty much had it finished. A couple days of tweaks and it was done. 

We were so over the moon that we had made a song in such a short period of time that we didn't know what to call it. Enter Dave's realtor, Carol Robbiano, who was showing him a house on Arcadia Avenue in Oakland, CA. While driving to see the house, Dave played her the song. She suggested we name it "Arcadia" if Dave ended up liking the property. 

in 2005, we decided to start our own label called "Organized Nature" and we knew immediately that "Arcadia" would be our first release. For the single we updated a couple of things, re-mixed it to sound bigger and fatter and added a swing-y house beat. So the version of "Arcadia" on the "Bloom" compilation is technically a demo.





Gabriel & Dresden - Arcadia (Original 12" mix - edited)

The Crystal Method - Vegas - HQ Full Album

Percussion driven track that takes you on a journey 

Noah Diamond - Underground Neighbour [Free DL]

We are very proud to present our remix for 'Glory' by the legendary Jean Michel Jarre & M83!

Get it here:
iTunes: http://smarturl.it/jmjrmxtunes  
Spotify: http://smarturl.it/jmjrmxspotify 

Follow 16 Bit Lolitas:
www.facebook.com/16bitlolitas
twitter.com/16BL

Jean Michel Jarre & M83 - Glory (16 Bit Lolitas Remix)

This is le voyage II 

Ponle playy ▶️ 


le voyage II

F***k pig techno with Italian spice. sweat, noise and ritual for the darkroom sessions.

Sperma di Maiale

Second single from our debut "We Are Barely Alive", out now:
Beatport: http://bit.ly/HackersBP
iTunes: http://bit.ly/HackersiTunes

Follow Armanni Reign:
https://twitter.com/armannireign
https://soundcloud.com/armannireign
www.armannireign.com

We Are Barely Alive

Buy on Beatport.com

BARELY ALIVE - Hackers Ft. Armanni Reign

Late night alumni - Empty streets (seamus haji&paul emmanuel remix)

Paul Oakenfold - Dark Machine.mp3

Gabriel and Dresden ft Jan Burton - dangerous power

Conjure One

Conjure One feat. Sinéad O'Connor - Tears From The Moon (Hybrid Twisted On The Terrace)

Filter & The Crystal Method - TriP Like I Do (ChemFatale Mix)

2002:
16B, the name used by producer Omid Nourizadeh is probably one of the hardest working men in dance today. In addition to a hectic DJ schedule, and many high calibre productions and also remixes for the likes of Jamez, CM and many other artists, he has made a name for himself, with his unique deep grooves and gorgeous melodic basslines. In addition to this he runs the label Alola, Amongst all this he has found time to follow up on the 1998 debut ´Sounds From Another Room´ and his recent Alola compilation, ´Everything, All Of Them And Every Year´ to unleash his second solo album upon us, ´How To Live 100 Years´.

´Inbetween Your Choice´ eases us in at the start, but unlike most albums, Omid decides to whet the appetite with this opener, which can only possibly be described as a musical masterpiece that refuses to stay within the confines of dance music. Amidst the deep trickling bassline and glorious melody lay all matter of drum arrangements and eastern sounding strings that will quite literally dazzle your senses and leave you breathless. 

The laid back mood is continued with the familar guitar riffs and gravely vocals of ´Escape (Driving To Heaven)´, featuring the vocals of the excellent Richard Morel who´s performance still sounds as fresh today as it did upon it´s intial release. ´Keep On Changing Shape´ alters the flow of the cd slightly with its upbeat percussion and rolling groove which culminates in the trippy funktastic bassline of ´De-Org Song´, adding a slightly darker edge to the album.

´Doubt´ is one of those tracks that you could quite easily melt to at your favourite pre club bar, favourite drink in the hand, good company, good vibes and a general happy feeling being emitted by the soulful vocals being belted out coutesy of the mysterious Stephan. 

´Colours´ on the other hand is a downbeat drum ladden beauty that just shimmers softly and makes your mind just to drift away to the sound of Kate Jackson´s evocative vocals, but unfortunately this is cut way too short by the acidic loops and grooves of ´The Room´ which teases a more uplifting pace before ´We Will Again´ cuts that vibe short in a subtle way with the cinematic strings and atmospheric sounds that are carried over nicely into the rapid fire percussion of ´Virus´ and into the rough melodic layers of ´Behind The Face´, a soft vocal murmuring away in the backdrop and nicely complimenting the groove which brings the album to its penultimate high before the vocaless vesions of ´Colours´, simply entitled ´Reprise´ brings the album to the perfect end.



Following on from ´Sounds From Another Room´ this surpasses that debut in every way, and showcases that Omid 16B is not just a talented DJ, not just a talented musician or producer, but is quite simply the fking don.

Paul Oakenfold - Dark Machine.mp3

Sky Hunter

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