DJ Spence from montreal / DOO records joins for 2 hours of laid back, refuge techno-ban appropriate, electronic music. originally broadcasted on refuge worldwide, berlin.

PLO_radio // drizle.FM - Ep:002 PLO man, DJSpence - 16.11.23

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-6th-march-2025

drizle.FM w/ PLO MAN ft. Olya Smok 060325

The Phase Group Mix continues with an entry by close friend of the label and our guest at the TC LK launch this weekend at Spanners, Scottish selector DJ Peanut. 

London-based DJ Peanut is known for her mastery of dark and psychedelic downtempo sounds as well as bass-heavy, dub-wise club fair. She can regularly be found playing in some of the capital's finest musical establishments including Ormside Projects, Spanners, Kindred and The Gun as well as regular trips back north to play in venues like La Cheetah, Berkeley Suite and Exit in Glasgow and residencies on Clyde Built Radio and Noods. Katie has been invited to join multiple Phase Group line ups in the past, either solo or playing back to back with her regular spar partner Lo Kindre, which shows the appreciation we have for her skills behind the decks.  

Her Phase Group Mix delivers exactly the kind of heads-down listening journey through dubbed out, bass-and-noise-driven downtempo club sounds that we love. A great warm up listen ahead of her set at Spanners this Friday. 

Peanut joins Brussels-based selector Rick Shiver and TC LK this Friday at Spanners to celebrate the release of PHASE008, the new album by TC LK on Phase Group.

Phase Group Mix - DJ Peanut

Floor Length Skirts - 22.03.25

| THEORY THERAPY | w/ Low End Theorists | E35

"This is a mashup of my favorites from a couple sets I've played recently in Seattle and Portland. When I play opening sets, I like to slowly appeal to people for the reasons that they may be going out: to move their body, to get away, to hear familiar and unfamiliar sounds, to feel sexy, to create new connections, or to obliterate something inside. Once I feel like I've finally got everyone on board, I get to push things into a stranger direction."

@miseryconfusion

Tracklist:

Conjoint - earprint nr3
Torch Song - Shine on Me (Aurora Mix)
Electro Force - Acid Stars
Move D - Sur Un Bateau Avec Eric
Sonnen Blumen Kerne - Opomo
Olivia Newton-John - I Need Love (A Deep Need for Love mix)
Laura Peck - Hallogallo
DJ Tjizza - Rap House Jam
Mr. PC - Boogie With Me
Hot Bullet - Want Some
G.Rizo - Eye Wanna C U (P.Pulsinger's Stalker Mix)
Gabriel Ananda - Doppelwhipper
Rick West - The Flow
KMFH - Finna Pop
Codine - Solve for X (Derek Plaslaiko Remix)
Andy Vaz - Minimal Acid
Synapse - The Freak
Kid Ginseng - Konstrukt
Second Storey - London Isn't Easy
Kings of Tomorrow - Fade II Black

Mantissa Mix 365: 'nohup'

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

NTS 30.06.2025 — Moopie invited by Pavel Milyakov

ARBOU-Oh Lord, I tried…  [DARK NATURE CONCEPT]

Fantasy | Reality

September 8, 2025 (Original black::sea: June 29, 2024)

black::sea (v1.2)

| Welcome to Skylab Radio | Online community radio streaming from Naarm / Melbourne, Australia | www.skylab-radio.com

| THEORY THERAPY | w/ Low End Theorists | E35

Skylab Radio

Recent comments

Magatha Christie

Related tracks