Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

Concrete Flesh

Dankmeme, Soldadotheemperor, Музыка Для Фона, رومانسيه,اغنيه, STUP, الأهلي, hän musiikkia, Magie Instrumentale, Inferiority, Punk Rap, Devil Night, Malotebya, Shmaxwell, Mellow, Poki, Prosche, New Dawn, DandB, Xeu 98.1 Fm Veracruz, اغانى مصرية, Effet, grandprojectmusic, K-Pop, musicasincopyright, Ujico, All The Small Things, Kostenlose Epische Musik, Far-Right, Musica Del Mundo,  بيروت, Surpoids, hot beats, Edit), East Music, Forzan, Unreleased, Instrumentos Perfectos, Tocando

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A life experienced through the opposite sex and content/humility attained from wisdom to a certain extent & thoughts off femininity. 

Hope y'all picture alternate paintings of the future, whether or not I'll be in it. Happy women's month & BIRTHDAY to ME LOL!

flow like...

Till I'm Yours

Enter a world of contrasts and emotions, where the beauty of nature collides with the darkness of humanity.

Autumn Rich

I always look forward to the beginning of the year when this project comes around.  This year I used this piece as a study for a much larger work - specifically using it as a way to experiment with a complex scripting language I have built on top of the RTcmix (www.rtcmix.org) scripting language, MinC.
My scripts allow me to create algorithmic musical patterns in a large number of dimensions:  volume, pitch, sample selection, tempo, placement in a simulated room-space etc.  Each dimension can be moved about in via an algorithmic plug-in, for example, random choice, sequential access, fixed value, etc.
The Psychedelic Ice Machine uses three sets of ice sound samples I have recorded over the years.  The score loops, creating an ever-changing set of patterns.  The relationship between these is sometimes clear and sometimes obscured.

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More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

The Psychedelic Ice Machine

The Psychedelic Ice Machine [disquiet0575]

For   Cello  and  Piano

CELLO   --    ULRICH    LANGENBACH
PIANO   --    DROR        ELIMELECH

BEHIND  CLOSED  DOORS  -  4  --  COLLABORATION

palette sources — sampled feedback from moogerfooger delay (various channel inputs from lapsteel, mother32, dfam)sampled into MPC3K. The field recording is of a trip to a coffee shop where four young teenagers were trying to keep each other laughing for approximately 1m30s.

concept — creating a foundation with the delay feedback from a bass-y synth segment, and layering sampled phrases on top of that developed around feedback swells.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: disquiet.com/0590/ About the Disquiet Junto: disquiet.com/junto/ Subscribe to project

DeAmaral [disquiet0590]

ー龍郷ー真実は古き口伝に/Ancient Legends

This was my contribution for Disquiet Junto Project 0612: Drum Vector

Here’s a copy of my post on the Disquiet Junto 0612 discussion thread:

At first, I wasn't sure how to approach this project. Briefly fooled around with various ideas and percussive instruments, till I finally settled on composing this in Ableton Live. Not sure how accurately I followed the assignment though but at least I had fun.

Five tracks were created using Ableton Live's Wavetable synth, all with the Mallets/Crockhausen preset and Max for Live Octopulse sequencer. Different parameters for the synth and sequencer were adjusted for each track to try to emulate five different musicians. Audio was processed with Minimal Audio Cluster Delay and Arturia LX-24 reverb. Background noise/drone from AudioThing Noises. Image by Neosiam via Pexels.
 
More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/
Thanks to Mahlen Morris for having proposed this project.
About the Disquiet Junto: https://disquiet.com/junto/ 1
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Five Radials At Obtuse Angles [disquiet0612]

This track was created as response to the Disquiet Junto Project 0614: Do something you often do, but differently.
Instead of improvising a piano-melody over a field-recording, this time I created a background ambiance based on pianos and improvised noise sounds to it.
The 5 different background pianos are played by the generative MIDI sequencer Transition employing high measures of randomness (free VST-plugin available at www.codefn42.com/transition/index.html).
Three different noise-sounds were improvised with the MIDI-keyboard to this piano-background.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/ 2

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

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