I like

Aethiopes

Wharves

FaceTime

FaceTime (feat. Samuel T. Herring)

Soft Landing

Sam Wilkes, Craig Weinrib, and Dylan Day

Standing In The Doorway

LIE DOWN..

INSTANT TRANSFER

INSTANT TRANSFER (feat. billy woods)

TAKE THE PAIN AWAY PLZ

ODE TO A WEEDMAN

Maybe in Nirvana

Double Trio 2

Voyager

New Joy

The second iteration of this eastern-tinged tale of spies and seduction. The starlet of scandal, the woman Europe loved to hate, Mata Hari was decades ahead of her time in claiming her absolute freedom from societal norms. 

Daisy (Fluidity)

On December 8, 1970, Jim Morrison walked into The Village Recorder in Los Angeles on the day he turned twenty-seven and laid down what would become his final poetry recordings. Half a century later, those words — raw, unfiltered, and buzzing with danger — resurface not as dusty relics, but as fire in the hands of Australian producer Uone.

The connection runs deeper than chance. In 2018, Morrison’s nephew Sefton, inspired by Uone’s sets, handed him the original poetry recordings — a gift from bloodline to turntable. The result is a wild collision of poetry, psychedelia, and pulse-driven electronic music.

Politics of Ecstasy

A psychedelic western surf-rock fever dream — Morrison’s words ride shotgun through a desert of echoing guitars and hypnotic rhythms. Uone fuses raw poetry with cosmic swagger, pulling Morrison’s voice into a kaleidoscopic soundscape built for twilight journeys and endless horizons.

Music has always been a voice of freedom — from the 60s & 70s counterculture to today’s underground dancefloors.

I’m giving away my track Politics of Ecstasy as a reminder that sound knows no borders, no barriers, no rules. It’s about expression, liberation, and the freedom we find together in music.

New Joy

Slauson Malone

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