Name: Tied Up in Nottz by Sleaford Mods
Duration: 2 min 40 s
Description: Written by Andrew Fearn and Jason Williamson. From the album 'Divide and Exit', released by Harbinger Sound 2014.

your greatest fan from Ukraine is here!!!

thanks from Ukrainian people for support🤜🤛👃

The smell of piss is so strong it smells like decent bacon🖕

love all your shit, you guys are fucking mental, love it

you have to go bac
k, sometimes to appreciate forwards...

Just Like You

It’s a huge honour for us to work with Massive Attack, a band who visual output has been as important to us as their music. Vocalist Robert ‘3D’ Del Naja first gained fame as a graffiti artist and member of the ‘The Wild Bunch’. Karmacoma was a single from their second album Protection released in 1995.

Massive Attack - Karmacoma

The Brian Jonestown Massacre  - Feel it

(from the Peel sessions '98)

The Brian Jonestown Massacre - Feel It (Peel sessions 1998)

Written by Andrew Fearn and Jason Williamson. From the album 'Divide and Exit', released by Harbinger Sound 2014. 

Tied Up in Nottz

Double diamond mp3

Raoul

taken from the forthcoming album 'Key Markets"

No Ones Bothered

MY CHOPPA SPRAY. Chaotic// Hype// Freestyle Energy 

BLAH!

EUROPE IS LOST

NOTES FROM Michael Rother (For Australian Tour 2012) 

Recorded 1971 in Hamburg. Original release 1972 on the first NEU! album

Klaus Dinger and I recorded Hallogallo and the other tracks of the first NEU! album with Conny Plank, the legendary producer, in late 1971. We did not ask a record company to pay the studio rent because we wished to remain completely independent but we had little money and therefore we were forced to finish the recordings in only 4 nights. We didn´t rehearse at home or even discussed our ideas before we entered the studio. Klaus and I started out from scratch and each of us only had visions of the music that we wanted to produce. In the first step we recorded basic tracks together, with Klaus playing drums and myself on guitar or bass. We worked like action painters when in the next step we individually added overdubs. It was thrilling and also frightening because there was absolutely no certainty that we would end up with an album and, if so, would find a record company for it. I guess we were very fortunate. Recording overdubs for Hallogallo I suddenly had a wonderful feedback on my guitar with which I could play thoses long drifting notes that hover like clouds over our basic tracks. Conny Plank contributed a lot of creativity to the recording process, he picked up our intentions with great sensitivity and was a wizzard at the mixing desk. Hallogallo is one of my favourite tracks of all time. The minimalistic drone and the optimistic fast-forward movement of Hallogallo is still close to my heart. In my view it is one of the best examples of my collaboration with Klaus Dinger.




Tied Up in Nottz

Sleaford Mods

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