saw htrk in London 2005/6? seemed perfect 

HTRK – Body Lotion

Body Lotion is a collaboration between Belgium's Sleeperhold Publications, Australian duo HTRK and London-based artist David Ferrando Giraut. The three tracks on the record—"Sugar," "Punch" and the title track, "Body Lotion"—date back to the sessions that led to the band's 2011 album, Work (Work Work). For any HTRK fan, the opportunity to hear three unheard Work (Work Work)-era tracks is reason for both celebration and reflection. Two of the songs feature the unmistakable basslines of Sean Stewart, who died in 2010, before Work (Work Work) was released. 

Both "Sugar" and "Punch" were recorded live in HTRK's London rehearsal room, the then trio of Jonnine Standish, Nigel Lee-Yang and Sean Stewart. On "Sugar," Jonnine's voice smolders through smeared drums and Sean's bassline. "Punch" is spare and confessionary; "Body Lotion" is suggestive, winking and bruised, a trademark HTRK hook submerged beneath the murk. All three tracks mutated from the recording sessions that ultimately led to Work (Work Work) track "Slo Glo." While they all stand as striking individual songs, they share subtle elements in common—a lyrical idea here, some guitar parts there. 

David Ferrando Giraut's distinctive artwork adorns Body Lotion's sleeve and one side of the wax. (All three tracks feature on the record's A-side.) The Spanish artist has a deep and intimate connection to HTRK—he was living with Nigel in London at a time when Sean would visit to sketch out songs in Nigel's tiny room. They've collaborated before, too: Jonnine has narrated and appeared in some of his films, while Nigel has provided the music. Giraut's previous installations have often carried a musical lean—he's used LP covers and turntables in the past—and he's found a rich stream of creative inspiration in music's ability to create meaning and change in memory and behaviour.

This year has seen HTRK return with Psychic 9-5 Club, a bold and triumphant album, one that marked the beginning of a new era for Nigel and Jonnine. Body Lotion presents a beautiful, bittersweet glimpse into the recent past. 

About Sleeperhold Publications:

Sleeperhold is a Belgian-based publication platform. It's aim: to produce ten outputs, spanning different realms of the arts, and then cease to exist. Its current project is a run of ten vinyl records—HTRK's 12-inch follow previous efforts from Tropic Of Cancer, Moon Duo and Disappears. Before the vinyl series, Sleeperhold put out a photobook, a poster set, a deck of cards and short stories. They say: "There is no recurring theme, there is no recurring format, there is no recurring audience."

SHP #5.4: HTRK - Body Lotion

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

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DADRAS – Yuppie Scum

Outside

Myttys "Sloggilukio" Oma333 No.024 

Seeing Myttys perform at H2Ö festival in Turku last summer was a jaw dropping experience. Certainly my favourite set amongst a damn fine line up and I demanded to release something of theirs before they'd even packed away their stuff.

I'd known Heta for years via Olimpia Splendid/Toblerones and Samuli from when he came to play with Clouds. The idea of them as a duo had gold stars written all over it but the results are far beyond my already high expectations. This is one of the best tapes I'll ever put out.

Delving in to the music and attempting to describe what I hear was quite a daunting task and my notes got kinda fun in the process. 
For example Lenak and Street Person made me think of Drunken Fist Kung Fu. Heta's effortlessly cool vocals (and the occasionally perfectly placed scream) echoed by either an imaginary twin sister or the weirdo boy next door. 
Ekkä Ota comes across like an off kilter hip hop soundtrack for a Sci-Fi film. 
Kallupää, Pamsypak and some of the interlude tracks sound, to my ears, beautifully close to the Broadcast and The Focus Group experiments of the "Witch Cults of the Radio Age" album and I hear traces of early Múm stuff in Paksotal. 
Another favourite Foliojakku holds its own unique beauty, quite different from the other tracks. Its machine music with heart and grace which builds and builds until waves of submarine echo's and rapid morse code sequences wash over you. 
Oh and the title track Sloggilukio is the bees knees! 

Certain parts of some of these tunes veer into territory only Finns seem to get away with. I find this hard to explain but there is a certain kind of relaxedness I often hear amongst my favourite Finnish bands which oozes either tons of self confidence or a massive indifference to not fitting into any kind of musical category. Or both. This unpindownable quality is what makes me instinctively trust most of the music which comes my way from there, in whatever form, yet I'm also aware of how blessed I am to have got to know the Fonal/Avarus etc crew so early on. 
The experiments they all create help make that country shine to me and I'm dead proud to finally be able to play a small part in that great history

133 jelly green tapes with white body printing will be made available from Feb 27th. Cover beautifully designed by the band themselves and risograph printed by Jan Matthé at Het Bos in Antwerp. 

Pre order; http://oma333.com/product/no24-myttys-sloggilukio

"Lenak" by Myttys from "Sloggilukio" on Oma333

from the album 'precious systems' available 7/15

mj guider 'lit negative'

Appears on R.A.N.D. MUZIK — RM Picture 01 12"
Buy: https://randmuzikrecordings.bandcamp.com/track/b3-circular-ruins-ta-voix-tes-yeux-snippet-vinyl-only

Ta Voix, Tes Yeux

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Brainwaltzera debuts on FILM. The anonymous producer, whose work has has already received online approval from legendary british IDM auteur aphex twin, offers up an extended EP for the berlin based imprint. In 2015 a soundcloud profile under the name user18081971 - now identified as belonging to richard d. james, commented on curious Brainwaltzera upload quilat spring 1 [outtake]. The move prompted speculation as to who exactly is behind the music. Exquisitely produced and executed in such fine fashion so as to decry pure imitation - there’s plenty to theorise here. Regardless of their true creator - which will undoubtedly remain a secret for the time being, the compositions on FILM006 are of similarly high calibre. Varied in approach and marrying both electronic & acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dance floor fare - but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality. whether weaving soft electronic tones in and amongst snappy breaks or detuned drum-machine strikes, the artist’s ear for acoustic harmony is perhaps the pervading theme across the six tracks that make up the aecoba EP, marking it out as an excellent addition to the FILM label’s growing catalogue. OUT today ! Cop it here : https://clone.nl/item45727.html or there : https://bleep.com/release/83711-brainwaltzera-aescoba-ep

Aescoba EP

LISTEN ON YOUTUBE

PREMIERE : Brainwaltzera - 17 Acetonia [Au Pied de Cochon Aescoba]

from the "New Season" CS (NNF338)
Not Not Fun / 2017

TIS THE SEASON:
https://chikissecrets.bandcamp.com/album/new-season
https://midheaven.com/item/new-season-by-chikiss

Chikiss "Baby, Bye"

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between a technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.

SHP #5.4: HTRK - Body Lotion

Sleeperhold Publications

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