I legitimatley feel like my life is changed because I found this.

eayh

THE SP1200 PROJECT: A RE-AWAKENING (x2LP)

Without question fans of Lord Finesse always refer to the mid 90s, and his 'Awakening' album, as THAT production sound they crave for...as do we all. The SP1200 Project has effectively been 20 years in the making as we take a trip back in time and restore a grip of previously unheard beats from Finesse's stash of floppy disks. THIS IS TRULY A RE-AWAKENING!

SOS is proud to present the SP1200 Project: A Re-Awakening, which has seen these beats resurrected, sequenced, mixed, and mastered for your listening pleasure. As always no expense has been spared to ensure we provide y'all with superior quality vinyl. These beats have been mixed by Eddie Sancho, mastered by Tony Dawsey, and lacquer cut in one of the best pressing plants in the World. Add to that we've pressed to double 180 gram vinyl, placed within a gatefold jacket designed by Mr. Krum, featuring the photography of Dan Love. 

WE CUT VINYL, NOT CORNERS: eepurl.com/dDNmk

EARLY SOS SHIPPING: 7.14
STREET DATE: 7.28

TRACK LIST:

A1 Re-Awakening
A2 Gothic Thoughts
A3 Cinematic Soul

B1 Electric Impression
B2 Vibe Out
B3 Hand It Over

C1 Check Mate
C2 Moog Montage
C3 Get Down

D1 Hear The Vibes
D2 Street Theme
D3 Skyline Soul


Slice Of Spice Records on Facebook:
facebook.com/sliceofspicerecords
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instagram.com/sliceofspice
Slice Of Spice on Twitter
twitter.com/Slice0fSpice

SUBSCRIBE FOR VINYL PRE-ORDER INFO:
eepurl.com/dDNmk

GET MORE INFO, BUY VINYL, & MORE:
http://slice-of-spice.com/

SSR-043 - Lord Finesse - The SP1200 Project: A Re-Awakening (SAMPLER)

Big Scoob - Champagne On The Block (King P Pete Remix)

Ill Street Blues

A journey through light unfolds in layers, from silently glowing embers to horizons painted in radiant colors. Bridges rise above the invisible sky, carrying echoes of tomorrow through streaks of aurora and scattered fragments of blossoming heaven. Each track contains the pulse of renewal, a gentle revelation of sunlit truth, where silvery dawns dissolve into infinite rays and the future softly shines through the present moment.

Radiant Silence

Snippets taken from the new EP by legendary NY lyricist OC (DITC), produced and mixed by Debonair P. Out now on limited vinyl and digital formats.

Buy Vinyl: http://gentlemansrelief.bigcartel.com
Buy Digital: http://debonair-p.bandcamp.com

BUY VINYL

OC (DITC) & Debonair P - Dive In EP (Vinyl/Digital) - Snippets

Sneak peep from the amazing SWC Records camp (Switzerland) ! cooked up by Producer / DJ  'EAGLE' displays his ILL JAZZ remix of the 96' street classic from Constant Deviants 'Competition Catch Speed Knots' ALPINE METROPOLIS JAZZ MIX !! 

Constant Deviants - Competition Catch Speed Knots (Alpine Metropolis Jazz MIx) Prod. By Eagle SWC

FRESH YAMS

Words: Tre Santiago, Rhongea Nixon, Dorian Quivers
Production: Mike B/Veks
Cuts: Jabbathecut
Mike B:  https://soundcloud.com/mike-b-77

Operating Correctly (Prod. Mike B)

Mix / Master @julianconvex
Artwork : https://www.artstation.com/artwork/4YNQW
Sample : https://www.youtube.com/watch?v=WVBfmOYvTiI

Hey Babe

"REVISIT OST" now available on Darkroom Debuts
DROOM-01: Parental | Sirlensalot
http://darkroomdebuts.bandcamp.com/

The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED.

REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept).

3 x 12’’ Vinyl // 18 dope contributions by Parental, Sirlensalot, Devaloop, Lex (de Kalhex), Kompakt & Dday One // Special Edition Album bundle with UNIQUE collage concept. Collectively owned art object.

Revisit OST

Space Road

From the album "Kampu-China". 
Vinyl & streaming: http://www.kingunderground.com/product/ku-056
Premiered by The Find Mag: https://thefindmag.com/hip-hop-interviews/interview-guest-mix-solomon-citron/

Kampu-China

Zamoot

VINYL

Solomon Citron - Zamoot

Classy Archives by Stay Classy
MJM141: http://bit.ly/ClassyArchives

Stay Classy is like a "peoples favourite" and one of the most consistently quality controlling producers within the Millennium Jazz Music stable, The Jazz Jousters collective, and pretty much amongst most of the sample challenges and communities he has involved himself with over the years. In the past Stay Classy has been humbly content with contributing to group projects, compilations, remixes and challenges (in abundance) as opposed to only focusing on his own name, but we're now about to see and hear some Stay Classy solo projects and we begin here with the Classy Archives.

Classy Archives

STREAM / DOWNLOAD

Stay Classy - Classy Archives - Digital Platforms

Busta Rhymes-Ill Vibe (feat. Q-Tip) ( Acapella )

I'LL Vibe

Long Verse (From the remix album "Another SRAW Remix", download @ http://sunraw.bandcamp.com)

this joints called 'Pocket Change' taken from 'The Isolated Papers' by Nelson Dialect & Delicasteez

go check out the full album on spotify here if you're diggin it: https://open.spotify.com/album/7gmAclWK4N6Y33DhTS2Q9X?si=dBh7i2ObQfu1X_PkLXNZng

FULL ALBUM

Pocket Change - Nelson Dialect & Delicasteez [taken from 'The Isolated Papers']

Instrumental: https://soundcloud.com/tapeheadloops/lifetime-impression-instrumental

Beat, scratches, cuts, mixing and mastering by Tapehead
Visuals: https://youtu.be/zPoxbmlxVGA
Free Instrumental Download: https://tapehead.bandcamp.com/track/lifetime-impression-instrumental

All We Got Iz Us is probably my favourite Onyx album, it doesn’t have a single weak track imo, the album is just mad motivating. I think its mad underrated too, obviously its fairly well known, but cause it came out in ’94 it’s definitely been a bit overshadowed by the insane amount of classic albums that came out that year. To me this album is a classic, one of my favourites from ’94 for sure. The singles are decently known for sure, Last Dayz being the most recognizable, but the whole album doesn’t seem to get as much love as the singles, and the whole project is a must listen to me. Putting the Evil Streets acapella over this beat was one of the best decisions I’ve ever made. I fully can’t believe how well the Onyx acapella fits, its truly nuts to me, and pretty rare that something comes together this well. I’m pretty sure the hook is ‘sung’ in the same key as the sample I flipped, and all the verses fit ridiculously well, but not just the flows, the voices sound right over the beat too. 

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums a punch which definitely matches Onyx’s style. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. Normally I don’t like how censored acapellas sound over beats, but I think with this one it works, because of all of the scratches and cuts that play in the beat, it sort of makes the gaps in the verses make more sense as if the record was being cut up, and then sometimes the scratch/break fills up a gap left by a word being censored, it was definitely a part of what made this acapella work so well over the beat. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

This is by far the happiest I’ve been with a remix in time, and it’s all positive, because making this has given me an unbelievable boost in energy music wise, and I’m mad excited to make the next beat, and now for the first time I’m equally as excited about mixing and mastering, because of what I was able to achieve with this one. 
Peace.

Lifetime Impression

Slice Of Spice is an innovative indie label specializing in pressing records of a superior quality...we cut vinyl not corners!

SSR-043 - Lord Finesse - The SP1200 Project: A Re-Awakening (SAMPLER)

Slice Of Spice

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