Open Water

Self Vortex

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Sonic Assamblage

Tous les fonds récoltés serons reversés à l'association @lesmididumieofficiel

all raised funds will be donated to @lesmidisdumieofficiel

Collectif solidaire avec les Mineurs Isolés Étrangers à Paris depuis 2016, les Midis du MIE apportent repas, orientations et soutient aux ados en exils.

L’Association créée en 2016 et dont les valeurs principales sont la solidarité, l’accès aux droits, aux loisirs et à la culture, la dignité des personnes et la protection des enfants, a pour but de soutenir et de participer à des actions en faveur des jeunes migrant·e·s.

Les principaux domaines d’activité de l'association sont les distributions alimentaires et non-alimentaires, les maraudes, l'accompagnement administratif, l'hébergement d’urgence, l'hébergement de jour et lieu de vie collectif, l'apprentissage et culture, entre autres. Toutes ces initiatives demandent des ressources financières constantes

De plus, le lieu qui abrite l'association est sous le coup d'une expulsion. Elle a donc plus que jamais besoin de soutien pour pérenniser ses activités et pour trouver le prochain lieu pour continuer d’offrir un accueil de jour aux jeunes à la rue.
C'est pourquoi nous souhaitons lui reverser la totalité des revenus générés par ce 2eme volume de T.I.G.
credits
released April 1, 2024

mastered by @devoid666
visuals by @rond_cashton

hosted & curated by @sighhhhss & @ohjeelo
license

TIG Compilation Vol.2

Bok Bok - Duetto VIP

Diessa x Eyeza - Warp Sharks
Label: Infinite Machine
CAT#: IM109
Format: Digital
Release Date: March 29, 2024

Tracklist:

1. Karandras
2. Penitent Engine
3. Warp Sharks
4. Nuns with Guns

Artwork by Benfika

‘The Immaterium is a strange and terrible place. You might as well throw a traveller into a sea of sharks and tell him to swim home send him through The Warp unprotected.’

With “Warp Sharks”, UK producers Eyeza and Diessa join forces for a blood-curdling 4-tracker. Inspired by Warhammer 40K characters and lore, this boundary pushing EP combines dark themes of the 40K world with heavy club-focused weaponry.

“The Warp” is an alternate dimension of chaos and psychic energy underlying the material universe. It is simultaneously understood to be a medium by which faster-than-light interstellar travel is possible. “Warp Sharks” could be said to evoke these elements; high-bpm drum breaks throughout the record emulate a sense of frenetic speed while manic synth progressions and energy blasts build towards a sense of peril. Within each composition, multiple rave-friendly genres are saturated under a blanket of distortion and impact. The record opens with “Karandras,” where eerie vocals, arpeggios and heavy drums flow in and out of each other, with intermittent waves of static and sci-fi warble. “Penitent Engine” begins the next phase: gritty wobbles and drum breaks combine under washes of dramatic ambience before teasing in and out of a heavy techno beat. The track morphs into something more vicious two-and-a-half minutes in, where stuttering breaks come to the fore, supported by kicks and 808s that swarm rapidly in elaborate club rhythms. The title track follows with intricate breaks steadily firing over heavy bass lines. “Nuns with Guns” concludes the record, where gabber kicks snap through dub inspired vocal chops and fluttering snares.

The record’s relentless energy evolves with every track, each composition seamlessly blending genres of underground electronic music. “Warp Sharks”, like many Infinite Machine releases, is unapologetically experimental, while remaining accessible to dance floors.

Karandras

Site-██, deep snow and high-altitude mountainous conditions. “Maul Rheo” repair/destruction cycle is internalised but maintaining a safe distance was necessary to avoid triggering its violent programming.

“Maul Rheo” appears to possess an amorphous body capable of self-repair and self-modification. Discovered in the ███████ Mountains. The entity exhibits a perpetual cycle of self-inflicted violence, leading to continuous destruction and reconstruction of its form. This cycle is believed to be a result of its original programming, its behavior suggests a programmed directive, compelling Maul Rheo to engage in intuitive violent behaviors. Future research should endeavor to trace a genealogy of violence.

Body is composed of an unknown metallic alloy, showing properties of both high durability and malleability. During its self-destructive episodes, body parts can be observed to tear, split, and then reform. The process is accompanied by the expulsion of a black oil onto the white snow. This substance quickly solidifies in the ice.

Encounter with Ziyiz:

An interaction between Ziyiz was recorded on ██/██/████. Ziyiz attempted communication with “Maul Rheo” using a series of synthesized electromagnetic propagations. This interaction led to a temporary cessation of “Maul Rheo’s” violent behavior, but it’s internal directives could not be dissuaded. Further research into the effects of acoustic frequencies and speculative technologies on programming is recommended.

—————————————————————————————


REMADE004 is out digitally on 17/04/2024
Cover art by Rayan Elnayal.

Maul Rheo

Ziyiz - Slipd

Around a year ago today I wrote this in my hotel room in Shanghai.
- SCO.
- Spider Circle.

Chat

Avril 14th edit

Out 14 April 2024 ☆
Artwork by Lisa Schamlé
♡ Thank you for listening ➪➪

Stream/download: tr.ee/Jkd-fMXe6c
IG: www.instagram.com/kn0wva

download

Avril 14th edit

Guitar and break from Mike Midnight's "Smiling in Slow Motion".
Mixing and mastering by Lovefear.

Slow Motion

https://plasmasources.bandcamp.com/album/project-researcher

Hot on the heels of nosync’s ‘Soundsystem Music’, Plasma Sources is proud to present Beton Brut’s ‘Project Researcher’, a 4-track offering of no nonsense, dancefloor-ready electronics which take influence from experimental club music, grime and musique concrète.

Having previously released standout EPs on CYTE Records, Beton Brut has built a reputation for delivering distinctively sparse and heavy-hitting productions which have garnered support from the likes of Mumdance, LCY and Walton. On ‘Project Researcher’, Beton Brut takes his sound and develops it even further. 

In the producer’s own words, the EP is “about materials - raw, straight and to the point”. This approach is evident from the opening track ‘Tom Machine’, as ASMR-inducing squelches are bottled inside an environment which bubbles with molecular detail, and pitted against clinically arranged percussion sequences. 

Up next, ’Lighter’ pulses with Beton Brut’s signature blend of grime-influenced bass-weight and snatches of pirate-radio MC chatter. ‘EMCA’ doubles down on this approach, with a more identifiable rhythm sure to keep heads bouncing at peak time. 

‘LSTS’ rounds things off with an approach to bass programming which feels like listening to a biological entity undergoing a process of evolution and regression. The palette feels viscous and shifting here, with abstracted percussion and gunshots populating this sparse environment. 

As an EP, ‘Project Researcher’ feels like the auditory equivalent of observing a chemical process inside a petri-dish. Beton Brut sets himself up as a scientist on this release, meticulously collecting individual samples from the deep corners of YouTube, introducing these into abstracted environments and observing the reaction. 

Releases May 13, 2024 

Written, Produced & Mixed by Zach Buckley 
Mastered by HYPNA 
Artwork by Joh000 // Jose Hernández

Project Researcher

LSTS

Beton Brut - LSTS

Music on
@coyoterecordsuk
@all-centre-504822953
@boxedldn
@kenyonsound
@frenchtabloid

@subtleradio monthly 1st Thursday 8-9pm

slick.uk@outlook.com

Open Water

Slick

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