is this high pitched sound thats in the background from time to time intentional?

Yes, I have already premiered two tracks this week (see Plïnkï Plønkï and Resina), and yes, this is another premiere of a track, and yet it is immensely needed, wanted, and necessary during these somewhat anxious times. “Rjóður” comes from the Icelandic composer Snorri Hallgrímsson, whom I’ve profiled on many occasions before (see also his In the Studio with… feature), as well as celebrated for his film music, which has been backed by the wonderful Moderna Records (home to many fantastic modern classical and solo piano composers, such as Jacob David, Ed Carlsen, Tim Linghaus, Tambour, and even yours truly). This particular piece appears on Hallgrímsson’s second EP titled Landbrot II – the first having been released last November with five pieces, and now, a year later, with five more. “The collection takes its name from the location of Hallgrímsson’s family cabin in rural Iceland, which he describes as his ‘happy place’. Landbrot translates to erosion or ‘land fractures’, and from this, we can imagine the search for inner calm and acceptance amongst the many obstacles of daily life.”

Read more about this release here: https://hcdi.gs/Landbrot

Landbrot II

Rjóður

TRACK PREMIERE : Snorri Hallgrímsson - Rjóður

Endless Ocean

DESCRIPTION-Calm, reflective solo piano.
MOODS- Reflective Melancholic Sad Poignant Lonely Calm Romantic
CHARACTER- Ethereal Sparse Sophisticated 
MOVEMENT -Flowing	
SIMILAR TO- Rachel Grimes, Jon Dahlander, Frenmad - Alfred Hitchcock Presents, Tire Le Coyote, Bernward Koch, Kirk Nurock, Erik Satie × Arashk Azizi, Frenmad, Chewie Melodies, Matthias Gusset


TM PIANO #24

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Remembrance

Tra parole e silenzi, come finestre su due strade parallele

This was my special thought for Piano Day 2017, I thought it should have been part of my new album.

Official video: https://youtu.be/FTGtQMHmp3s

Paralleli (Piano Day 2017)

The skin is not the boundary of man

From the upcoming album, “Costero”, out November 17 on Hammock Music. Stream on Spotify or Pre Order album via bandcamp / itunes and get immediate download of this track:

open.spotify.com/track/2OxaKvTioOV2L4SYSDLHW8

OFFICIAL VIDEO: https://www.youtube.com/watch?v=m_cwf9q_Dys&t=68s

lnk.to/costero

Costero

Brazos Fantasmas

Purchase

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

The Place Where They Go

Recorded for Nils Frahm's Piano Day on 29th March 2018

Polaroid Notes - Oh Dear Heart

Mute

Written and recorded over a period of more than two years, “Paraphrases” is a collection of chamber music compositions performed, recorded and layered through numerous recording sessions in a small room in northern Germany near the Baltic Sea.

Christoph Berg scores the history of eight narrow worlds, carved only from wood – violin, piano and double bass. The initial composition “Quiet times at the library” defines the tone, but the album also sees many shades; the solo piece “Poems written by an old (prepared) piano”, the crow haunted field recordings of “Interlude” and reverent remixes provided by Yasuhiko Fukuzono (aus) and P Jørgensen specially for the CD edition.

The direct intimacy of the material is a stark counterpoint to the sweeping cinematic grandeur and electronic sound manipulation of previous releases as Field Rotation, and is also the logical progression from 2011 releases ‘Acoustic Tales’ and ‘And Tomorrow I Will Sleep”; the former a tribute to literature, and the latter a paean to hibernation after exhaustion. Completed in the brief escapes allowed by gaps in graduate study, “Paraphrases” is a recontextualisation of the experience of exhaustion, written in other words.

Mastered with precise weight by Ian Hawgood, the 250 run limited edition 180gm vinyl is packaged inside heavy gatefold four panel sleeves, wrapped within an A1 double-sided poster. The package also includes a double sided 12 x 12 hand numbered print along with a hand numbered embossed letter-pressed CD with fold-out booklet featuring striking photography by Aela Labbe. Extras as always will include scent, card and download code containing audio and PDFs. The album is a treasure of both talent and soul, and the extraordinary packaging from the label and considered art design by Ian Hazeldine reflects the classic nature of the material.

Release date: 30.11.12

Pre-orders this weekend through the Facture mailing list.

www.fac-ture.co.uk

Christoph Berg - Buildings At Night

Music boi from Texas. I'm most active on my slowmeadow insta so if you want random musings and little musical nuggets smash that follow button there
<3 <3 - https://www.instagram.com/slowmeadow/

Brazos Fantasmas

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