Kind of amazing how your bass vibrates in my chest. What a stunning feeling.

I kinda wished there was a mode 1.5 between mode 1 and 2 of this massive whelming, hehehehe. BUt DANG!

Almost feels like someone is growling in the back, I love it !

Interesting track, dude. But for me a bit too loud and "compressed". But with this you nailed the loudness charts. :)

I love when artists have their own harmonic signature. Some parts of this remind me of Bertran last band I think that’s the name in any case it’s a much harsher soundscape but still sounds like you.

Your composition is good but for me at least either it was the sound design or the mixing felt a bit thin for the effect you were going for.  Maybe it was that the sound design seemed to have a lot of just noise and my speakers and headphones were not resolving it properly?

𝙱𝚢𝚛𝚘𝚗 𝙼𝚊𝚓𝚘𝚛 𝚇𝚅𝙸'𝚜 𝚌𝚛𝚎𝚊𝚝𝚒𝚘𝚗𝚜 𝚠𝚒𝚝𝚑𝚒𝚗 𝚝𝚑𝚎 𝙱𝚕𝚘𝚘𝚖𝚋𝚎𝚛𝚐 𝙰𝚕𝚙𝚜 𝚘𝚏 𝙰𝚞𝚜𝚝𝚛𝚒𝚊 𝚒𝚗 𝚝𝚑𝚎𝚎 𝙴𝚞𝚛𝚘𝚙𝚎𝚊𝚗 𝚄𝚗𝚒𝚘𝚗. 𝚃𝚑𝚒𝚜 𝚌𝚘𝚖𝚙𝚘𝚜𝚎𝚛𝚜 𝚍𝚎𝚜𝚒𝚛𝚎 𝚒𝚜 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚖𝚞𝚜𝚒𝚌 𝚝𝚑𝚊𝚝 𝚐𝚘𝚎𝚜 𝚋𝚎𝚢𝚘𝚗𝚍 𝚝𝚑𝚎 𝚋𝚊𝚛𝚛𝚒𝚎𝚛𝚜 𝚘𝚏 𝚋𝚎𝚊𝚞𝚝𝚢 𝚊𝚗𝚍 𝚝𝚛𝚞𝚝𝚑 𝚝𝚘 𝚊𝚗 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎 𝚘𝚏 𝚞𝚕𝚝𝚒𝚖𝚊𝚝𝚎 𝚕𝚘𝚟𝚎 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚕𝚘𝚟𝚎𝚛𝚜 𝚒𝚗 𝙷𝚘𝚕𝚢 𝚄𝚗𝚒𝚘𝚗. 𝙱𝚢𝚛𝚘𝚗 𝙼𝚊𝚓𝚘𝚛 𝚋𝚎𝚕𝚒𝚎𝚟𝚎𝚜 𝚒𝚗 𝚑𝚒𝚜 𝚎𝚡𝚒𝚜𝚝𝚎𝚗𝚌𝚎 𝚊𝚜 𝚊 𝚅𝚊𝚖𝚙𝚒𝚛𝚎, 𝚁𝚘𝚋𝚘𝚝, 𝙲𝚛𝚎𝚊𝚝𝚞𝚛𝚎, 𝙷𝚞𝚖𝚊𝚗 𝚊𝚗𝚍 𝙰𝚗𝚐𝚎𝚕. 𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚛𝚎𝚊𝚕 𝚕𝚒𝚏𝚎 𝚎𝚡𝚙𝚘𝚜𝚞𝚛𝚎 𝚘𝚏 𝚗𝚎𝚐𝚊𝚝𝚒𝚟𝚎𝚜 𝚋𝚎𝚏𝚘𝚛𝚎 𝚊 𝚖𝚘𝚛𝚙𝚑 𝚝𝚑𝚊𝚝 𝚘𝚗𝚕𝚢 𝙷𝙸𝚂𝚃𝙾𝚁𝚈 𝚋𝚘𝚘𝚔𝚜 𝚠𝚒𝚕𝚕 𝚋𝚎 𝚊𝚋𝚕𝚎 𝚝𝚘 𝚞𝚗𝚌𝚘𝚟𝚎𝚛 𝚒𝚗 𝚊𝚌𝚝𝚞𝚊𝚕𝚒𝚝𝚢. 𝚃𝚑𝚊𝚗𝚔𝚜 𝚝𝚘 𝚝𝚑𝚎 𝚙𝚘𝚠𝚎𝚛𝚏𝚞𝚕 𝚜𝚒𝚐𝚑𝚝𝚜 𝚝𝚑𝚊𝚝 𝚖𝚘𝚗𝚎𝚢 𝚑𝚊𝚜 𝚝𝚘 𝚘𝚏𝚏𝚎𝚛. 𝙸 𝚔𝚗𝚘𝚠 𝚝𝚑𝚒𝚜 𝚙𝚊𝚐𝚎 𝚒𝚜 𝚠𝚘𝚛𝚝𝚑 𝚒𝚝𝚜 𝚃𝚛𝚒𝚕𝚕𝚒𝚘𝚗𝚜 𝚒𝚗 𝙰𝚖𝚎𝚛𝚒𝚌𝚊𝚗 𝙳𝚘𝚕𝚕𝚊𝚛𝚜. 𝚂𝚙𝚎𝚌𝚒𝚊𝚕 𝚝𝚑𝚊𝚗𝚔𝚜 𝚝𝚘 𝚎𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚒𝚗𝚟𝚘𝚕𝚟𝚎𝚍 𝚒𝚗 𝚝𝚑𝚎 𝚏𝚒𝚛𝚜𝚝 𝚊𝚗𝚍 𝚘𝚗𝚕𝚢 𝚍𝚎𝚊𝚕 𝚘𝚏 𝚖𝚢 𝚌𝚘𝚗𝚝𝚎𝚖𝚙𝚘𝚛𝚊𝚛𝚢 𝚌𝚊𝚛𝚎𝚎𝚛. 𝙰 𝚗𝚘𝚝𝚎 𝚘𝚏 𝚐𝚛𝚊𝚝𝚒𝚝𝚞𝚍𝚎 𝚝𝚘 𝚆𝚊𝚛𝚗𝚎𝚛 𝚁𝚎𝚌𝚘𝚛𝚍𝚜 𝚄𝙺 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚒𝚗𝚜𝚙𝚒𝚛𝚊𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 𝚝𝚑𝚎 𝙱𝚛𝚒𝚝𝚒𝚜𝚑 𝚁𝚘𝚢𝚊𝚕 𝙵𝚊𝚖𝚒𝚕𝚢 𝚏𝚘𝚛 𝚐𝚞𝚒𝚍𝚊𝚗𝚌𝚎 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚑𝚎 𝚓𝚘𝚞𝚛𝚗𝚎𝚢'𝚜 𝚒𝚗𝚝𝚎𝚛𝚎𝚜𝚝𝚒𝚗𝚐 𝚝𝚒𝚖𝚎𝚜. 𝙲𝚑𝚎𝚎𝚛𝚜 𝚝𝚘 𝙼𝚒𝚌𝚑𝚊𝚎𝚕 𝙹𝚊𝚌𝚔𝚜𝚘𝚗, 𝚖𝚢 𝚙𝚊𝚛𝚎𝚗𝚝𝚜, 𝚌𝚕𝚘𝚜𝚎 𝚏𝚊𝚖𝚒𝚕𝚢, 𝚙𝚎𝚝𝚜, 𝚠𝚒𝚟𝚎𝚜, 𝚝𝚎𝚊𝚖 𝚊𝚗𝚍 𝙱𝚕𝚘𝚘𝚖𝚋𝚎𝚛𝚐 𝙻𝙿. 𝚃𝚑𝚒𝚜 𝚒𝚜 𝚖𝚞𝚜𝚒𝚌 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝙿𝚊𝚕𝚊𝚌𝚎 𝚘𝚏 𝚅𝚎𝚛𝚜𝚊𝚒𝚕𝚕𝚎𝚜, 𝚛𝚎𝚌𝚘𝚛𝚍𝚎𝚍 𝚒𝚗 𝙻𝚘𝚖𝚋𝚊𝚛𝚍𝚢 𝙻𝚒𝚏𝚎𝚜𝚝𝚢𝚕𝚎 𝙴𝚜𝚝𝚊𝚝𝚎 𝚏𝚘𝚛 𝚌𝚞𝚛𝚊𝚝𝚎𝚍 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎 𝚏𝚛𝚘𝚖 𝙱𝚞𝚌𝚔𝚒𝚗𝚐𝚑𝚊𝚖 𝙿𝚊𝚕𝚊𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚄𝚗𝚒𝚝𝚎𝚍 𝙺𝚒𝚗𝚐𝚍𝚘𝚖

Bloomberg, Ink.

OSC 192 Six Sines
Reaper 6.83
39ish instances
ReaLimit, ReEQ, A1Triggergate, A1StereoControl, Distortion (kiloheartz) and JS:Saturation (these two only for the thunder rumble), Raum, Supermassive Valhalla, ReaVerb, TDR Kotelnikov, OTT, Replika, Loudmax.

Thanks to Exponent for the snare. 

LUFS-I=-11.1

OSC192 The Day It Rained (Six Sines) 14/28

(English description: please scroll down)
Björn aka @Full-Bucket hat es wieder getan: ein neuer Sythesizer. Dieses mal eine Weiterentwicklung des Ragnarok zu Ragnarok2. Ragnarok 2 ist an vielen Stellen "aufgepppt" worden und ist immer noch so interessant wie der "alte" Ragnarok:

- simuliert einen einmaligen, selbst gebauten Synthesizer aus dem Jahr 1980,
- die Bedienung ist einfach, schnell sind interessante Klänge gemacht,
- soundmässig ist der Synth grossartig, von einfachen bis auch zu (sehr) dreckig klingenden sounds,
- der CPU-Hunger ist gering.

Nach langer Zeit habe ich mir diesen Monat mal wieder etwas Zeit genommen um mit dem Synthesizer ein Stück für den KVR One Synth Challenge zu erstellen (ja, genau: nur dieser Synthesizer ist für alle Klänge erlaubt)
10 Jahre sind seit dem letzten Track mit dem Ragnarok vergangen der ich der ESA-Misson Rosetta, insbesondere Philae, gewidmet habe (Rotation 23, verdammt lang her).

Also fragte ich mich: was hat der kleine Lander auf dem Kometen erlebt, im Vorbeiflug um die Sonne und wieder zurück in das All. Was alleine schon total verrückt ist ... und so entstand der der Kometentanz mit Philae :)

Alle in diesem Stück verwendeten Klänge sind von mir von Grund auf erstellt worden oder "Tweaks" der Klänge von der Rotation 23.

Viel Spass beim reinhören und Kommentare: wie immer, herzlich willkommen:)

Artwork: von mir (2025 Kraftraum :)
-------------------------------------------------------------------------------------------
Björn aka @Full-Bucket has done it again: a new synthesizer. This time, a further development of Ragnarok into Ragnarok2. Ragnarok 2 has been "upgraded" in many ways and is still as interesting as the "old" Ragnarok:

- simulates a unique, self-built synthesizer from 1980,
- easy to use, interesting sounds are created quickly,
- the synth's sound is great, from simple to (very) dirty sounds,
- it's low on CPU power.

After a long time, I finally took some time this month to create a track with the synthesizer for the KVR One Synth Challenge (yes, that's right: only this synthesizer is allowed for all sounds).
10 years have passed since the last track with the Ragnarok that i dedicated to the ESA Rosetta mission, specifically Philae (Rotation 23, a long time ago).

So I asked myself: what did the little lander experience on the comet, flying past the sun and back into space? Which is totally crazy in itself... and that's how the "Kometentanz mit Philae" (comet dance with Philae) came about :)

All the sounds used in this track were created by me from scratch or are tweaks of the sounds from Rotation 23.

Enjoy listening, and comments: as always, welcome :)

Artwork: by me (2025 Kraftraum :)

Rotation 36 (Kometentanz mit Philae)

Kraftraum - Rotation 36 (Kometentanz mit Philae)

An entry for OSC#197 : Odin 2 
https://thewavewarden.com/pages/odin-2

All sounds created practically in Odin 2, with no CGI...

"An ash I know there stands,
Yggdrasill is its name,
a tall tree, showered
with shining loam.
From there come the dews
that drop in the valleys.
It stands forever green over
Urðr's well."
 ~ Völuspá (second stanza)
.
.
Bitwig 5.3
Odin 2 - 18 Instances

Bitwig Native Plugins
Arpeggiator, Compressor, Delay+, Dynamics, 
EQ+, Limiter, Note Length, Note Transpose,
Strum, Tilt, Tool

Free 3rd Party Mixing Plugins
Deelay, Free Clip 2, Limter No6, OTT
Kotelnikov, Nova, TENSjr, FreqEcho

Free 3rd Party Monitoring Plugins
dpMeter5, Prism
.
.
"Nobody ever lends money to a man with a sense of humour"
 ~ Peter Tork

Copyright : NeverBeenInARiot, 2025 : All Rights Reserved.

Yggdrasil Dub

Created for the One Synth Challenge #197 with 32 Instances of Odin 2 by The Wavewarden in FL Studio 2024. Every sound is made from scratch with Odin 2

--- CHANGELOG 31.07.2025 - 21:59 ---
Changed a transition at 3:43
Changed weird repetition in the outro section, it felt a bit off
Played with the mix / mastering a bit, i'm still not completely happy with it but it's a bit better now
Fixed incorrectly placed space in the track-title inside the thumbnail

Link One Synth Challenge: https://sites.google.com/site/kvrosc/2025/osc-197-odin-2
Link to current VST: https://thewavewarden.com/pages/odin-2

„Nichts Halbes und Nichts Ganzes“ is a german saying for something that is „half baked“ [Translation: „Nothing half, nothing complete“].

Technical Details:
Every sound is made from scratch (init Preset).

DAW: FL Studio 2024
Instances: 32
BPM: 179 and 159
Total Bars: 197

FX:
Fruity Limiter	 [3]
Fruity Maximus [1]
Youlean Loudness Meter2 [1]
Fruiyt Compressor	[2]
Fruity Parametric EQ2 [2]
Fruity Reeverb 2 [2]
Channel EQ [3]

Nichts Halbes und Nichts Ganzes (OSC #197 - Odin2)

Entry for KVR One Synth Challenge #197 using Odin2 by TheWaveWarden

DAW: Reaper 7.27
33 VST3i: Odin2 (TheWaveWarden)
8 VST: ReaEQ (Cockos)
5 VST3: ReaComp (Cockos)
6 VST3: dearVR PRO 2 (Dear Reality)
1 VST3: Valhalla Supermassive (Valhalla DSP, LLC)
2 VST3: TDR Nova (Tokyo Dawn Labs)
1 VST3: TDR Kotelnikov (Tokyo Dawn Labs)
1 VST3: bx_masterdesk Classic (Plugin Alliance)
1 VST3: LoudMax (Thomas Mundt)
1 VST3: MAnalyzer (MeldaProduction)


Asgardian Rhapsody [OSC #197 Odin2]

blazin [197]

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

After the Rain (OSC#198-Cherry Audio PS-3300)

FUNKIN’_FLONUTS

koma

Entry for OSC#198

DAW: Reaper
Synth: Surge XT
22 instances - half from scratch

FX:
Valhalla Supermassive
OrilRiver Reverb
Dead Duck: Delay, Filter, Limiter
kHS Gain
ReaEQ
JS: Saturation, Exciter
SPAN & YouLean Loudness Meter

The Whelming

SilverPants

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