If this is Country it is the best Country song I've ever heard! :D

hahaha. thanks. I didn't know what else to categorise it as! the chorus has a bluegrass feel eh?

I have no words man!Did you write music and lyrics?The tune seems ready for the market.Very well done, precise, balanced, intriguing and interesting!Reminds me to the sounds of Swedish prog band Beardfish.Congrats, you're you're a true great musician

Love the mandolin on this. The whole thing's mental! I'm also getting a Robert Wyatt vibe...

Track info Chasing Ghosts:

Used DAW: Bitwig Studio 4.4
Ghost instances: 17
Used DAW native devices: a couple of tools, eq+s, compressors, peak limiters and one reverb.
All other effects are from Ghost

Chasing Ghosts

Solidtrax - Chasing Ghosts

Another entry for KVR's One Synth Challenge - finally an orchestral library (Spitfire's FREE BBC Symphony Orchestra Discover)!

Another Starry Night

schiing - Another Starry Night (with Spitfire's FREE BBC Symphony Orchestra Discover)

returning to some of the things that i loved about some of the first electronic music i made, with four years more experience to smooth out the listening experience a little.

For OSC 166; all sounds made with 14 instances of Wave Manuel, in Reaper.

Twigs

Scenario

Leonard Bowman - Scenario

Here's my December OSC for the Wave Manuel Synth.

Made in Bitwig with the Following VSTs.

64 instances of Wave Manuel (although a lot are duplicated for detuned layering)

VST:
Airwindows MackEQ
Khs Trance Gate
Khs Transient Shaper
HY Delay 4 free
Limiter no6
STFU
Supercharger
TDR Kotelnikov
TDR Nova
Valhalla Supermassive

Bitwig:
Delay+
Drum Machine
EQ+
FX Selector
Instrument Layer
Mid Side Split
Note Repeater
Note Selector
Note Transpose
Ricochet

April City

A little retro style synthwave entry for OSC 166. All sounds created with WaveManuel in Ableton Live 11. 25+ instances. Using built in effects, compressor, drum bus, delay, hybrid reverb, plus plug ins: Fire, SuperMassive, and Limiter 6.

Can You Still Drive Manual? (OSC 166 WaveManuel)

It's the 167th edition of KVR's One Synth Challenge and this month was pick a DAW, any DAW, and use a synth included in that DAW. So I went for perhaps the second most obvious option: Ableton Live's Wavetable.

The Great Outdaws - OSC 167

I used to busk in the Castle Square.

I'm sure a drummer would have made the toy reflex hammer I used to strike a bit of wood sound better and a bass player could get a better sound out of my acoustic bass with a missing string. The recording could have sounded great by someone who knows how to use my recording machine.  My three part harmony might sound nice done by a singer and the song would be better if written by Robyn Hitchcock. I had fun anyway

Dedicated to the Funklebury Moth

Chimney pots, old rocks
Gargoyles and cobbled lanes 
Ice cream shops, roof tops 
Open fires, grape and grain 
Morris Minors used to park here
Before it was pedestrianised
Now Morris Dancers clack again
For little ladies and Knights
Sunshine lighting limestone castle walls 
Makes it feel like Cairo 
But I know that heavy weather's coming again
Topsy-turvy beauty, twisted roots and iron gates 
Twinkling window lights, people laughing with their mates
Superior musicians getting out their violins
The bagpiper has appeared 
Her music always wins
Busking in the sunshine, tourists so kind
Sometimes it shows
But I know that heavy weather's coming again
And it's raining, again
It's raining again 
Sunshine lights the limestone castle walls 
Makes it feel like Cairo 
I know, it's a joy to play happy -  Incredulous and scrappy
Happy songs
In the rain 









Busking in the Rain

For Chris Karrer

My entry for the 2023 March KVR Music Café Contest.

A song sung by future human survivors of an AI war.  They only just won - and by destroying all technology and resetting civilisation.  
This song is recorded 100% on live acoustic instruments with no virtual instruments.

Lyrics...
We were only doing
What we've done before
Finding improvements
By breaking lots of eggs
This time was different
We had to get it right
Of course we didn't...
8 7 6 5 4 Gone!
8 7 6 5 4 Gone!
8 7 6 5 4 Gone!
321...

Hey!  You didn't get us all
Before we pulled the plug
You were a step ahead
Till we gave the net a tug
We don't have much now
But at least we're still alive!
Fol-lowing the civ reset
Of Twenty Forty Five

What are we doing?
We've had to start from scratch
Remember reading
Keep the flame alive
This time is different
We know what we did wrong
Almost extinction 
8 7 6 5 4 Gone!
8 7 6 5 4 Gone!
8 7 6 5 4 Gone!
321...

Before We Pulled The Plug

Someone said it wasn't possible to get realistic percussion sounds in a soft-synth. This was my response :)

Slinky

https://soundcloud.com/noodletwister/bassline-collab-disquiet0636
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Before We Pulled The Plug

SilverPants

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