So dramatic!  Like a old sci-fi film score....

I enjoyed this a lot - a real musical journey with some very evocative moments!

Excellent. Impressive sound design, and some great drama

what a change of mood in this second section! very surprising!

hang on a minute - is this behemothaur friendly or not? i don't know what's coming anymore!

very well put together, sounds work great with each other. fab track.

seems like you could chop off 15-20 silent seconds or so from the end here. yeah there is some trailing reverb still but i'd rather fade it out, it's not quite enough to carry the show all by itself. just nitpicking though, all flawless up until then :)

Love how you embrace the organ aspects of of the DW synths that they were known for. Nice ominous structures.

Impressive, enchanting, masterfully executed

KVR OSC Personal Top Three

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

One Synth Challenge contest entry. Emulation of the classic Korg K8000 and 6000. All sounds made with using Full Bucket FB-799 synthesizer.

Butterfly Effect(OSC 157 FB 7999)

Suzaku y el mar was born as an ephemeral experiment carried out in the space of 2 hours, video, sound and editing. It reflects the closing of a ritual, a fire offering to the sea, the consummation of the parts that gave way to proclaiming a tattoo on her skin, a gift for her… @ María Emilia Perez
--
Suzaku y el mar nace como experimento efímero realizado en el lapso de 2 horas, video, sonido y edición. Refleja el cierre de un ritual, una ofrenda de fuego al mar, consumación de las partes que dieron camino a pregonar en la piel un tatuaje, una regalo para ella…@María Emilia Perez
—
El nombre de ‘Vermillion’ quedó como un sello o símbolo de protección a raíz de las circunstancias de encontrar un significado a lo que estaba emprendiendo en aquel momento. Años atrás antes del 2016, pasaba por momentos muy difíciles de mi adolescencia y sus transiciones entre mantener una vida social activa y también poder sentirme cómoda en mi refugio, mi habitación. Donde sentía que podía ser yo, crear y producir ideas en torno a lo visual y sonoro. Encontrar una sensación de protección y seguridad contigo misma y con el exterior me llevó a buscar en internet “algo”relacionado a la cultura asiática y sus simbologías, cosmovisiones y sin pensarlo llegué a un enlace que hablaba de las constelaciones chinas y sus cuatro monstruos divinos de la mitología japonesa / china. Al leer, caí en un artículo que hablaba de la bestia divina llamada en en varias partes de Asia como (Zhu Que, Suzaku, Ju-jak, Chu-Tước). También hablaba de sus características: Suzaku forma parte de uno de los cuatro símbolos de las constelaciones chinas. Los chinos lo llaman ave bermellón. Además de representar al sur, también simboliza a la estación del verano. Su apariencia es la de un Fénix Bermellón, que a su vez representa el elemento fuego. Y había un relato en el que interpretaba a Suzaku como una bestia que protegía a lxs habitantes de aquellos lugares donde la veneraban y creían en ese ser. Dentro de la cosmovisión asiática, se le ve al ave bermellón como una criatura que resurge entre las cenizas para salvar al universo del mal. Descubrirle me llevó a sentir que había encontrado el calor entre las llamadas protectoras del ave, coincidía con la fuerza que necesitaba para seguir mi camino, mi pacto como artista y como creadora de universos visuales y también sonoros. He ahí la iniciativa junto con Damián Alférez de realizar un ritual para plasmar en mi cuerpo, mente y alma el sello / sigilo de una de las criaturas más hermosas de la vida y quien me acompaña día a día en mis procesos creativos. Gracias por tan hermoso handpoke. Mar del Plata, 12 de Julio de 2021.

https://vimeo.com/687738025

Suzaku y el mar

‍      ‍   ‍      While Moon weeps over the folly of  man,
  ‍                      high up in the night sky,
  ‍             sad old ghosts of long dead gods whisper.
  ‍     Whisper of the human horror. Of bloodshed and tears,
  ‍              illusions of freedom,  and sometimes...
  ‍                                 hope.
  ‍ 
An entry for One Synth Challenge 157 ( FB-7999 by Full Bucket Audio ) at kvraudio.com

made in REAPER 6 with,

on tracks:
7 FB-7999 ( 6 instruments, 2 perc, 6 FX  ; single layer, voice split )
TDR Nova ( 4, EQ )
Hy-delay    ( 3 )
TAL dub II 
Oril River ( 2 )
Valhalla Supermassive

on reverb bus: 
JS Delay, TDR Nova, Protoverb ( 4, mono )
TDR Nova , Oril River ( 4, mono )
JS Delay, TDR Nova, Valhalla Supermassive ( 4, mono )
A1 stereo control

on master track:
TDR Nova ( expander )
TDR Nova ( EQ )
band splitter
Flux Bittersweet  ( bitter )
band joiner
m/s encoder
TDR Nova ( EQ ) 
protoverb
Mixer
A1 stereo control
Limiter No6

ELEX - Adagio Spettrale 2 - Il Lago Rosso

KVR OSC-157 - FB-7999

DAW: Reaper
11 instances of the Full Bucket FB-7999 synth.
All patches made from scratch.
Effects:
Dead Duck Filter
Dead Duck Delay
Ambient Reverb
ReaXComp
ReaEQ
Vladislav Goncharov Limiter No6
Voxengo SPAN

Silverpants: A Behemothaur Approaches (OSC#157)

All sounds made using Cherry Audio's emulation of the Realistic Concert Mate: Surrealistic MG-1 in Bitwig 4.2.

Artist Credit: David Huggins

Bleep Bloop & The Blopity Brothers - Wibble Mechanics (Milkster's Justice For Johnny Remix)

Eleven Dozen Cousins
KVR OSC #158 

132 Instances of Surrealistic MG-1
DAW = Reaper
ReaEQ ReaComp DD Compressor, DD Filter, DD Monodelay.
OrilRiver Reverb
ReaCompX, Limiter No6, SPAN

Silverpants: Eleven Dozen Cousins

My entry for KVR One Synth Challenge #166.  This month it's Wave Manuel, a quirky but very flexible synth. Really surprised at the tones that came out of it.
Recorded in Reaper with 16 instances of Wave Manuell, and some free and native FX. All sounds produced with Wave Manuel.

OSC166 - Wave Manuel

One Drop Manuel

Sounds created with Make Noise Strega + 0-CTRL run through some NI effects. Some Reaktor and NI Hypha added. Mastering with Ozone 10 in Cubase 12.
Photo by zenbytes (2019, Austria/Kanisfluh mountain).

winter forest mistakes - Naviarhaiku 474

2Mar23

My naviarhaiku478 submission
https://www.naviarrecords.com/2023/03/01/naviarhaiku478-distant-hills/
:D

distant hills [naviarhaiku478]

One Synth Challenge #172 Lith synth.

DAW:
Studio One 5 pro

18 instances of Lith

FX:
Cramit
kHs Transient shaper
Valhalla Supermassive
TDR Nova
Wider
Sonalksis FreeG
STFU
LoudMax64
Tal Reverb2

Subway

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

One Synth Challenge 179 @ KVR. Sequenced using 35x instances of Universal Audio PolyMAX Synth.

Silverpants: A Behemothaur Approaches (OSC#157)

SilverPants

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