Very good sound and good stressful atmosphere

Great track, one of my faves for this round.

Very interesting piece with lots going on. I can’t say I like every turn and direction this takes but as a whole I like it especially the Stravisky like stabs here.

Love that tension. Just waiting for it to resolve,

Hopefully they can weaponize their stone poop. I'm surprised it's only 16 instances. Very impressive.

I love music with a narrative and this one is even about arsetecture (took me way too long to work out that pun).

very nice narrative flow, the parts are very different but you still manage to make them feel like they all belong.

This is the signal for the Electroids, their cities will be destroy if they don't fight.

but the ending don't reveals me if the Electroids return to their cities again to make music with their sound blasters pro xD a second part is needed

KVR OSC Personal Top Three

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

My entry for the #160 VKR OSC
16 instances of the FM synth ADLPlug, which emulates the chip in an early 90s Sound Blaster Pro sound card. All patches made from scratch.

The Electroids of Neptune are a race of giant invertebrates that dwell in the seabed of their home planet. When they are not in their deep ocean habitats, you can find them building intricate cities of stone and coral out of their own excrement.

They're considered a peaceful species, but the Prime Minister of Terra has decided to make them an example to the other governments of the Outer Planets. He is sending a fleet into their territory, to destroy their cities and wipe them out as a threat to other governments. 

The Electroids are fighting back!  Although the First Fleet to respond has just been wiped out.

"Captain, we're getting too close for these ships to fight at this distance! Our only hope is to retreat and regroup!" a Lieutenant shouts.

The squadron of warships retreats at maximum warp, back into Neptune's orbit and the Second Fleet disappears into the planet's clouds.

"This is it! The end's come! May the Electroids bless us all!" an old, grizzled veteran shouts.

Silverpants: The Electroids Of Neptune Turn And Fight

My entry for KVR One Synth Challenge #166.  This month it's Wave Manuel, a quirky but very flexible synth. Really surprised at the tones that came out of it.
Recorded in Reaper with 16 instances of Wave Manuell, and some free and native FX. All sounds produced with Wave Manuel.

OSC166 - Wave Manuel

One Drop Manuel

Made for OSC 169 using 9 instances of kHs ONE VST synth.

DAW: Ableton Live, 9 tracks + stock effects: Compressor, Delay, EQ-Eight, Reverb + MAX 1 Free: master compressor

The Pleasure Of Time

2nd place on One Synth Challenge 170. All sounds built from scratch with the FM Synth Octasine https://www.octasine.com/
https://www.kvraudio.com/forum/viewtopic.php?t=595348

The name of the track is due to last week I was climbing the mountain named: The Wolf Peak in Spain (Pico del Lobo) :D
Daw: Renoise
17x Instances ofOctasine

Renoise Internal Effects:
AnalogFilter
DigitalFilter
EQ10
Stereo X
mpReverb
Compressor
Gainer

External free effects:
kHs Compressor
kHs Limiter
kHs Trance Gate
ValhallaSupermassive
jb_broadcast
Limiter6
Tb GonioMeter

OSC #170

Wolf Peak (OSC170)

My entry for the KVR OSC#171

I was talking about planetary formation with some other OSC'ers (as you do) and this early violent period of Mars came up - which inspired me.

20 instances of Apricot - all designed from Init.
DAW: Reaper
Dead Duck: AutoPan, Filter, MonoDelay, Limiter
ReaEQ, ReaXComp
OrilRiver Reverb (but mostly the Apricot  reverb)
Reaper JS Saturation, Kilohearts Gain
Limiter No6, SPAN, YouLean Loudness Meter.

The Late Heavy Bombardment Of Mars

See accompanying visuals @ https://youtu.be/G0qK6Eogoqw

Caterpillar
Opens her new wings
Metamorphosis

Haiku by Darren Bourne https://ffm.bio/halfunusual

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF wingeD [naviarhaiku503]

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

One Synth Challenge 179 @ KVR. Sequenced using 35x instances of Universal Audio PolyMAX Synth.

BIZ (Osc179 - UAD PolyMAX)

Based on 
https://soundcloud.com/tunelight/disquiet0636-1of3-implexus
by @tunelight

My soft R panned synth track (a soloist impro using a mono lead on AAS Ultra Analog) over his L panned original.

I improvised over 6 tracks from last week to see what happened on "first take" , decided to keep 3 for the second week.
Today, while choosing just 2 to share here, I decided to keep this one, even if I didn't develop nor edit my take I thinks it's nice to have a pure 2 synth duet and I like his basic track (reminds me of Penguin Cafe Orchestra's "...Found Harmonium" track) and my impro as as good as I can get, it is rambling  but I am  really happy with of it.

I interpreted his title as "I'm Plexus" before realizing that  implexus was a thing...
Too late, my track was already titled "We'r Plexus"...


The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

WERPLEXUS - disquiet0637 w/tunelight

Sound Fantasy on:

Flowing along
changing its colors
a soap bubble.

by: Takashi Matsumoto

Naviarrecords Haiku Challenge 533

Soap

Soap_Naviarhaiku533

One Synth Challenge 181 @ KVR. Sequenced using 30x instances of SurgeXT.

KIN (Osc181 - SurgeXT)

This track made for the KVR One Synth Challenge #182. All sounds made by the free VSTi Charlatan V3. Only DAW and free 3rd party FX used.

DAW: Reaper 7

Track Details:
23 * Charlatan
23 * ReaEq
LFX-1310 (autopan)
OTT
TDR Nova
Twin Delay

Master:
TDRVOS SlickEQ
MSED
Limiter No. 6

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: -14.5
DR: 7

The Charlatan Is Exposed

YYeet - Trick or Rave

Composed for KVR One Synth Challenge 183 using only sounds from Audible Planets.

All sounds made from scratch.

DAW: Reaper 7.16

23 x Audible Planets

epicVerb
Deelay
FerricTDS
FetDrive
FreeClip
kHs Trance Gate
kHs Transient Shaper
MAnalyzer
Pancz
ReaComp
ReaEQ
SPAN
TAL-DUB-II
TAL-Filter-2
TDR Kotelnikov
TheMasker
Unlimited

Silverpants: The Electroids Of Neptune Turn And Fight

SilverPants

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