OOOSC #6

This track is made for OSC199 with RipplerX (https://github.com/tiagolr/ripplerx) 
As usual all sounds, composition and title image made by me.

RipplerX      11x

in Ableton 12 with following stock fx:
Multiband Compressor 1x
Glue Compressor      3x
Compressor           1x
Limiter             3x
Utility             4x
EQ8                14x
Shaper Midi         4x
CC Control          1x
Align Delay         2x

Hybrid Reverb       1x
Reverb              2x
Delay               1x
MPE Control         1x

Fbr - OSC199 - wrld!gn.crz#

This track is created with U-He Zebralette3. Presets used from, init, TSOM, and some great factory presets

Tracks:
38x  CLAPi: Zebralette3 (u-he)

JS: TARON Stereo Delay (v1.0.0)
VST3: Convology XT (Impulse Record)
VST3: MCompressor (MeldaProduction)
VST3: MEqualizer (MeldaProduction)
VST3: MidBoss (AnalogObsession)
VST3: SkyNet (Shift Line)
VST3: TAL Reverb 4 Plugin (TAL-Togu Audio Line)

Master:
JS: RCInflator 2 (Oxford Edition)
POORTEC (AnalogObsession)
MAnalyzer (MeldaProduction)

Relections OSC200

Entry for OSC-200

My concept this month was to use both of my keyboards (I now have 2!) - to their respective strengths.
I used the fully weighted piano controller (Roland FP-10) for very velocity sensitive sounds - like percussion. And I also did fast wild lead breaks with lots of pitch/mod bend (lighter keys and pitch bend on Roland A-70).

DAW: Reaper
21 Instances of Zebralette3

Dead Duck: Filter, Limiter, Delay, TiltEQ
JS Saturation
ReaEQ, ReaXComp
OrilRiver Reverb
SPAN, YouLean Loudness Meter

Button Moon Rave

OSC200 - Zebralette 3 Beta in Logic Pro X

OnTrack P Zebralette3 Equus Quagga

Composed for KVR One Synth Challenge 200 using only sounds from Zebralette 3 by u-he.

DAW: Reaper 7.49

21x Zebralette 3 (u-he)

8x ReaEQ (Cockos)
5x GrapHack (AnalogObsession)
2x ReaComp (Cockos)
2x TAL-Filter-2 (TAL-Togu Audio Line)
2x TDR Kotelnikov (Tokyo Dawn Labs)
1x HZ Multiplier (HigherHz)
1x TheMasker (Cinemystics)
1x epicVerb (Variety Of Sound)
1x Ambient Reverb 7 (Stone Voices)
1x BootEQmkIV (Variety Of Sound)
1x SPAN (Voxengo)
1x MLoudnessAnalyzer (MeldaProduction)
1x Unlimited (Sonic Anomaly)


Cover by Frances Yeung
https://unsplash.com/de/@yikkiyeung

eraze the borders - Night Of The Fists [OSC 200]

L'étude exquise de la zébralette

As always, music and image is made 100% by myself.
Most sounds made from init, except snare based on preset with alterations.


Zebralette3 beta2  19

Valhalla Supermassive 2x

in Ableton 12 with following stock fx:
DrumRack                1x (grouping of drum Zebralette3 instances)
Auto Pan                4x
Glue Compressor         9x
Compressor              1x
Limiter                 11x
Utility                 3x
EQ8                     12x
Saturator               2x
Arpeggiator            1x
Delay                   1x





FBr - OSC200 - L'étude exquise de la zébralette

This track made for the KVR One Synth Challenge #201. All sounds generated by the VSTi Kontrast.

All FX are those within the Kontrast VST. Only minimal EQ on all tracks, and a very simple master chain of EQ, M/s and Limiter.

DAW: Reaper

Track Details: 25 * Kontrast, 24 * ReaEQ, 2 * TDR Nova GE
Master: Focusrite Red 2 EQ, Voxengo MSED, TDR Limiter 6 GE
Meter: SPAN, Youlean Loudness Meter
Stats: LUFS-I -13.6 , DR 8

Enjoy

Beware the Dark - OSC #201 - Kontrast

OOOSC6
Mostly behringer model d. Some Akai AX60. 606 samples with distortion.

Through the poisonous swamps (OOOSC6)

Made for the One Synth Challenge 201 (https://sites.google.com/site/kvrosc/2025/osc-201-kontrast) using only Dawesome Kontrast for the sounds.

Kontrast x18
Bitwig 5.3.13
Bitwig FX: Delay+, Dynamics, EQ+
Other FX: Pro-Q4, Pro-C 2, Raum, Uhbik Ambience, Presswerk, Trackspacer, Limiter 6, Satin, TDR Nova

z.prime - Truth

Composition, Production, Sound Design done By myself.
2 Patches based on Preset, but modified. 
(The Melody is based on TSOMs great Duduking preset, but with added noise and roughness)

Only The Speech sound uses a self recorded sample that is linearly played, the sound is still strongly modified by Kontrast.

Image as usually made by me. 

Thnx to z.prime for final checking and some helpful tips.


Made in Ableton Live 12.3 with:

Kontrast 			17x

Neutron 4 		5x  (without the anyway bad Automatic)
Boba 			1x
Bus PEAK 			4x
Glue Comp 		5x
EQ Eight 			3x
Utility 			2x
Shade 			3x


Fbr - OSC201 - wrld! d#mntn

Here's my OSC for 11/2025  made with 21x Kontrast in Bitwig with the following free and paid plugins.

UADX Pultec EQP-1
Oxford Inflator
Bettermaker Bus Compressor
Newfangled Elevate
Invigorate
UADX Oxide Tape Recorder
TDR Prism
TOMO Audiolabs LISA
BX_XL V3
STFU
Model N Channel
Material Comp
Oxford Drum Gate
UADX Pultec MEQ-5
Devastator2
Sigmund2
Tekuron
Fresh Air
KHs Filter
Raum
KHs 3-Band EQ
UADx Fairchild 670 Compressor
TDR Nova GE
TDR Ultrasonic
TDR Arbiter
TB_Spectrogram
KH-Comp1
TDR Molot GE
Lindel MU-66
Dual Delay X
KHs Trance Gate
RO-SPR
QuantX
Edelweiss72
Shadow Hills Matering Compressor
TDR SlickEQ M
Invigorate
Scaler 2
ADPTR Metric AB
Tonal Balance Control 2
Monitoring 3

Bitwig:
Tool
Note Transpose
Instrument Layer
Note Delay
Delay-2
Humanize
Multinote
Mid/Side Split
Tilt
Peak Limiter

Shadow Scar

Entry for OOOSC#6

Lyrics based on a poem by my friend Ratt Mice (see bottom).

DAW: Reaper

Vocals 1: Me.  Pitch Shifted up an octave, and 5 semitones
Vocals 2: Me. Bitcrushed, chorus.
Drums: MT Power Drumkit 2.  Reverb>Flanger>Overdrive (in that order)
Bass: Acoustic 5 string bass (low B string) played through Korg AX1500G pedal (Distortion, Amp Sim & Chorus).
Guitar (L&R): Ibanez Flying V.  Through AX1500G.  Much cleaner than I planned,  I didn't want to hide the dirty bass.  just a bit of OD.
Mandolin: Overdrive, loads of stereo chorus.
Everything except the bass and kick - sent to a ring modulator - with the send amount and frequency automated.  One of the few times I've found a ring modulator useful.  I felt I needed to try a difficult effect - in addition to the ones I felt comfortable with.

Dirty boots sun
Blocked hazed smudge
On horizons blanked
Out figures
Are they the enemy
Or are they true
Believers moving in 
Rows moving in 
Lines ever onwards
Ever forwards ever
Stumbling a hidden
Defiance to the
Constant presence
Stalking their
Land

Stalking Their Land

Created for the Out of One Synth Challenge - November-ish '25... The remit here was to produce something mostly effects driven so here we have  some simple patches, mostly for Rippler, with rather more processing applied than you might get in the average OSC.

Affectation

Made with Behringer Pro VS Mini, KORG Monotron Delay and creative reverb SOL by Dawesome.

So-Ha-Ta-La-Pla!

for OOOSC 6, made entirely from the opening words (with lots of processing).
tuned in the basic 5-limit JI diatonic scale except the 7th is tuned to 11/6.

first time I've come even close to succeeding in making something resembling botanica, although challenging myself not to use pianos or other sampled instruments makes that quite a bit harder.

Stalking Their Land

SilverPants

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