Need to rerecord and adjust vocal levels!

yea that fuzz pedal sounds cool, although i wanna hear the vocals more in the mix. cool track though.

New Releases/ Week of May 11

Turning Into Small

Emergency Turn Off

Now, More Charm And More Tender

Plankton

I Love To Lie

I'm Not

Henry's Dress were that rare band for us - a group that we discovered through a demo tape, and then only through the Linton's heroic perseverance in getting a very busy Papa Slumber to listen. Boy, are we glad we finally listened! This EP documents the band's middle period, branching out from their initial interests in Loop-meets-MBV pop heaviness into the more mod/punk sounds that would fuel their later efforts. It's a superb, varied record well worthy of your further investigation.

Anyway you slice it, this record is a smash. Hard-hitting tracks like "Radio One" and "Feathers" are the Dress at their punkiest best. Linton's "A Is For Cribbage" is the Dress at their most mod, coming on like an early Who on a handful of purple hearts - it's possibly our favorite Dress tune! And then of course there's "Sally Wants" and "Three" - a couple of blissed-out fuzzed-out downtempo tracks that beat the space-rockers to the punch by a few solid years.

The band would go even further down the mod/punk route with their subsequent album "Bust 'em Green," but this EP represents a raw, immediate document of a band finding their footing and their own unique sound. And best of all - it still sounds freaking great.


Henry's Dress - Definitely Nothing

Cellar Door: Terminus Ut Exordium

Chrysalis

NO MIXTAPE JUS A SINGLE PROD. BY @ROBMAKESBANGERS
http://www.mediafire.com/listen/81azf3hbcfxx6g8/ESTILO_LIBRE.mp3

ESTILO LIBRE

ESTILO LIBRE FT. LIL KENT (PROD. BY @ROBMAKESBANGERS)

"You Can't Stop Me", out on July 14th (UK), July 15th (NA)and July 11th, 2014 (EU) via Nuclear Blast Records.

Cease to Exist

SUICIDE SILENCE - Cease To Exist

Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. 
By 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK.  Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitrack through various EQ and delays. “Dead Eyes Opened” features lyrics from a radio program narrated by Edgar Lustgarten, a crime journalist from England. They reference an actual double murder case that occurred in 1924 calling to mind the gruesome imagery of Hannibal Lecter. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix did the rising wafty sound and strings. The load solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982. 
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful imaginative challenging music far and wide. 

01 Dead Eyes Opened

Moonless Earth Theory

moonless earth theory - godfuck

No One Waved Goodbye

Falling Dead Stars

The Idiot / The Car Knows the Way

The Car Knows the Way

Forever Again

My Chest Is Empty

From the upcoming album "Disappointment Island", available everywhere July 8th, 2016

iTunes Pre-Order: http://smarturl.it/TTNG-DIsland
CD / LP Pre-Order: http://ttng.hellomerch.com

Website: http://ttng.net
Facebook: http://www.facebook.com/ttnguk
Twitter: http://twitter.com/ttnguk
Instagram: http://www.instagram.com/ttnguk
Bandcamp: http://thistownneedsguns.bandcamp.com

TTNG - Coconut Crab

Repetition

Lady Elect

Woolworm

Free Repost @soslowed Est. 2012
Twitter: Spid3rcloud  
Sice 2012 I have offered a free repost service. 

|̲̅̅●̲̅̅|̲̅̅=̲̅̅|̲̅̅●̲̅̅| ♫•*♪¨*•♩.¸♬¸♪✧☻♫•*¨*•.♫¸¸♪

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Henry's Dress - Definitely Nothing

Slumberland Records

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