Check out a live review: http://noiseversenoise.blogspot.com/2012/04/live-frankie-rose-dive.html

Sounds good, Love it! Check out my sounds I think you might like them as well :)

Lovely intro! If you haven`t already, you should listen to "Deep Blue Day" by Brian Eno. Kind of the same soothing feeling.

This is what it sounds like at the peak of Mt. Meh-verest.

Rex Manning Day's Top Albums of 2012:  Frankie Rose - Interstellar http://rmdmusicblog.com/2012/12/13/rex-manning-days-top-albums-of-2012-part-1/

"Kill Screen" is taken from the forthcoming album, RIVIERA, which will be released via Molnstaden on March 4th. Now available for pre-order on vinyl, CD, or as a digital download here: http://store.shadowshadow.com/

Shadow Shadow - Kill Screen

Taken from the album Still Night, Still Light, out now.

Au Revoir Simone - Shadows

Order here: https://www.omnianmusicgroup.com/products/oui-ep



Dinner // Going Out

follow along-> https://www.facebook.com/steadyholiday/
get the song-> http://www.steadyholiday.bandcamp.com

Steady Holiday - Your Version Of Me

Ambient / Electro / Surf 
http://www.millionyoung.com 
Indie &amp; Electro

MillionYoung - Mien (Revisited)

American Wrestlers - Amazing Grace (Japan Bonus)

Plage

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Interstellar

'Nocturne' will be out August 28th in North America on Captured Tracks.

Wild Nothing // Paradise

Over My Head

Slumberland began operations in 1989, inspired by such musical happenings as C-86, early Creation, Sarah, Postcard, and the UK post-punk indie label scene. Since then we've covered a lot of territory, from punk to lofi noise to shoegaze and of course pop, releasing records from bands like The Aislers Set, Boyracer, Stereolab, Rocketship, Lorelei, The Ropers, The Saturday People and Black Tambourine.

By the mid 2000s we were starting to see a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2018 is our twenty-ninth year we are still going strong, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like Smokescreens, Tony Molina, Papercuts, Business of Dreams, Peel Dream Magazine, D.A. Stern, The Spook School, Frankie Rose, Young Guv, Terry Malts and many, many more. As always, we operate entirely outside of the echo chamber of trends, fashion and phoney hipness. Slumberland bands are independent in the best way possible -- making music devoid of bullshit and true to their own voices, regardless of current popular taste.

Frankie Rose - Interstellar

Slumberland Records

Recent comments

MNML ϟTEIIΔR

Marta_Ferrandez

AlexisMarija

bhansen198

Related tracks