"this is the last one" one more time.. funny song

2018 picks

Toast girl and me chillin' at the mill
Feeding me toast, getting me filled
Next thing I know I'm staring at her eyes
And now i got my hand between her thighs

She's my toast girl
She's my toast girl

Toast girl and me, making out at the mill
She's got a boyfriend, I might get killed
She told me it's time, time to go
But just one second let me finish my toast girl (Ah, ah)

She is my toast girl (Ah, ah)

Vacation II

Mikey's Song

Angel Olsen "Forgiven/Forgotten" from the forthcoming album Burn Your Fire For No Witness available on CD/ LP/ Digital on Jagjaguwar Feb. 18, 2014. 

Burn Your Fire For No Witness Now Available for Pre-Order: 
SCD / Jagjaguwar Mailorder: http://smarturl.it/angelolsen
Amazon: http://smarturl.it/angelolsen_amazon
iTunes: http://smarturl.it/angelolsen_itunes
Indie / your local record store: http://smarturl.it/angelolsen_indies

Angel Olsen:
http://angelolsen.com/
https://www.facebook.com/angelolsenmusic
https://twitter.com/AngelOlsen

Forgiven/Forgotten

SCD Mailorder

Angel Olsen - "Forgiven/Forgotten"

Miniature Tigers - Dark Tower

The Pains of Being Pure At Heart's 2009 self-titled debut album was truly an out-of-nowhere smash, garnering widespread acclaim from the likes of The New York Times ("sensitive and sublime, Best of 2009), Pitchfork (Best New Music, Best of 2009) and NME ("pure indiepop to hold close to your heart," Best of 2009) to countless indiepop forums and blogs, and landing the band a dedicated following that endures to this day. 2011 follow-up "Belong" aimed for the starts and hit the mark resoundingly, full to the brim with monster tunes and polished to powerful perfection by the production and mixing team of Flood (Depeche Mode, U2) and Alan Moulder (Smashing Pumpkins, Jesus and Mary Chain, Ride). The combination was a resounding success, vaulting the Pains to a spot in the alt-rock firmament rarely reached by indiepop bands and cementing their status as one of the seminal guitar-pop bands of the era.

Belong

The Pains of Being Pure At Heart - Belong

Vashti Bunyan cover - Train Song

BUY
http://fatherdaughterrecords.bigcartel.com/product/diet-cig-over-easy
http://dietcig.bandcamp.com/album/over-easy

Diet Cig is a pop rock band from New Paltz, NY, fronted by Alex Luciano with Noah Bowman of Earl Boykins (Forged Artifacts) on drums. The five charming songs on the debut Over Easy EP, written by Alex in the comforts of her bedroom, capture the innocence of adolescence and infatuation. Over Easy was recorded on Halloween 2014 with Christopher Daly at Salvation Recording Co in New Paltz, NY (Porches, Quarterbacks, Earl Boykins) and mastered by Jamal Ruhe at West West Side Music.

http://www.facebook.com/dietcigmusic
http://twitter.com/dietcig

Track Listing
1. Breathless
2. Pool Boyz
3. Scene Sick
4. Cardboard
5. Harvard

Diet Cig - Harvard

written / recorded / performed / mixed by Michael Turko

Green Hills

SWEET SOUND OF IGNORANCE ~ SOKO  (SINcinnati miXXX)

new single from upcoming Totally Mild album Her, out 23 Feb 2018 on limited  pink vinyl, black vinyl, CD and digital.
Pre-Order her:
www.chaptermusic.com/store/totally-mild/her
www.chaptermusic.bandcamp.com/album/her

www.facebook.com/totallymild

Totally Mild - From One Another

From the new album 'Birds of America'

Out February 16th 2018 on Feral Child Recordings (UK)

FC06 / Stereo LP / Pressing of 500

Written and recorded by Lake Ruth
Mixed by Geoff Sanoff 
Mastered by Shane Chaney
Additional production assistance by Jed Marshall / Cyborg Audio

Vinyl orders: thegreatpopsupplement@hotmail.com (UK/EU)
	      lakeruthrecordings@gmail.com (US/CA)

Cover image: "The Birth Of Socialism" (detail) by Alan Mills, Jr.
© 2016 Alan Mills, Jr. 
Used with permission of Amanda Harvey
Graphic design by Stephen Grasso
ⓒ ⓟ 2018 Lake Ruth

One Of Your Own

First single of the upcoming album "September Love". LP Out 16th March (Meritorio Records).

Stephen's Shore - The Sun

West Bay native Tony Molina has been following a fascinating trajectory on his recent string of releases. Early entries like the "6 Songs EP" and "Dissed And Dismissed" LP combined the best bits of Weezer/Teenage Fanclub-style power-pop with Tony's smart, touching songs, shredding guitar pyrotechnics and ironclad DIY HC roots. 2016's "Confront The Truth" EP flipped the script in a big way, leaving the guitar crunch behind in favor of mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. It's a masterful record, packing more melodic flair and emotional truth into 11 minutes than most bands manage in an hour.

Now Tony is back with his brilliant, long-awaited album "Kill The Lights." The ten songs on "Kill The Lights" continue in his evolution towards stripping the songs back to reveal each one's emotional and melodic core. But where "Confront The Truth" was mostly acoustic, "Kill The Lights" adds back some full band arrangements to brilliant effect. Album opener "Nothing I Can Say" is a lovely 12-string pop tune that would sit snugly in The Byrds' songbook - it's that good. "Wrong Town" is gentle and subtly wrenching, recalling prime Elliott Smith in its simple truth. "Afraid To Go Outside" expands on some of the pastoral early Bee Gees/Kaleidoscope/Tomorrow flavor revealed on "Confront," aided by some great organ lines. "Now That She's Gone" features some gorgeous guitar finger-picking, while "Jasper's Theme" is a rootsy mid-tempo groover that leans towards Gram-era Byrds. 

Everywhere on "Kill The Lights" we hear Tony synthesizing his influences with great skill and intention; these classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths rather than just as aesthetic filigree. This is why beautiful, elegant songs like "When She Leaves" and "Before You Go" aren't really so far from Molina's punk roots -- they reflect a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries. The sonic palette may be shifting, but the tunes are all Tony and we should all be grateful for that.

Kill The Lights

Pre-order

Tony Molina - Nothing I Can Say

Release date: February 23, 2018

Red Sleeping Beauty:
Niklas Angergård: vocals, synthesizers
Kristina Borg: vocals
Mikael Matsson: synthesizers

Mixed and mastered by Tomas Bodén
Artwork by Peter Eriksson
Photography by Henrik Halvarsson

Spotify: https://open.spotify.com/track/1gxHrsAst6Qqm4aWrZULt3?si=EPZin2gZS8uV9h83fRc5Rg

Red Sleeping Beauty are presently working on their fourth album.

Twitter: www.twitter.com/redsleepingbeau
Facebook: www.facebook.com/redsleepingbeautymusic
E-mail: redsleepingbeautymusic at gmail dot com

Top Love

HOODED STRANGER 
Written and Performed by Mahogany Fire Surround 
Recorded in Wales 
Taken from the album THE UPRISING
Out Now via Spotify, iTunes, Apple Music & Amazon
https://tinyurl.com/ycahxjt4

The Uprising

Hooded Stranger

Pre-order: https://smarturl.it/ppub

Over the course of five stellar albums, Papercuts' Jason Quever has shown himself to be a top-notch song-writer and producer, equally at home with lush, baroque textures and more stripped-down arrangements. His skill in the studio has helped him build-up an enviable resumé recording, producing and playing with artists including Luna, Beach House, Cass McCombs, Dean Wareham/Dean & Britta and Slumberland's own The Mantles.

Papercuts' new album "Parallel Universe Blues" reflects Quever's recent move from long-time musical home San Francisco to Los Angeles and all of the searching and self-exploration that accompanies leaving your home, your friends and your scene. The sound is intimate and close, nicely balancing the sonic concerns of the last few Papercuts records. The opening pair of songs "Mattress On The Floor" and Laughing Man" superbly sets the table for the rest of the album: perfect Spectorian pop songs echoed down through The Velvet Underground, LA's Paisley Underground, Spiritualized and The Jesus and Mary Chain.

"How To Quit Smoking" is a wry bit of self-examination, fueled by some gorgeous guitar melodies and a terrific chorus. "Sing To Me Candy" amps up the fuzz - distant peels of feedback blending into tape loops to create a Opal-esque atmosphere. "Clean Living" is another "jab at self improvement and who it's really for" that could fit right on on Nico's "Chelsea Girl." "All Along St Mary's" is an epic breakup song that would be right at home on The Jesus And Mary Chain's "Darklands" - ideal late night/rainy day vibes.

Never sacrificing song-writing for atmospherics, "Parallel Universe Blues" is a superb addition to the Papercuts catalog. Its themes of self-examination are as a timeless as the tunes themselves, the dreamy autumnal mood perfectly captured in the pastoral cover art. The album is a triumph and points to more great things in the future from Quever and Papercuts.

Parallel Universe Blues

Papercuts - How To Quit Smoking

From the <a href="http://www.pub.gaga.com.au">Gaga Pub</a> catalogue. If you want to know more, check out <a href="http://www.gaga.com.au">our site</a>, <a href="http://eepurl.com/Vtm-">join our mailing list</a> or just <a href="mailto:info@gaga.com.au">drop us a line</a> and say hello.

Akron/Family: Don't Be Afraid, You're Already Dead

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Papercuts - How To Quit Smoking

Slumberland Records

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